While you ride
While you glide
We are watching down inside
that your roadways go rolling along. ...
There was the usual, entirely normal crowd on the expressway: the standees on the lower level and those with seat privileges above. A continuous trickle of humanity filtered on the expressway, across the decelerating strips to localways or into the stationaries that led under arches or over bridges into the endless mazes of the City Sections. Another trickle, just as continuous, worked inward from the other side, across the accelerating strips and onto the expressway.
There were the infinite lights: the luminous walls and ceilings that seemed to drip cool, even phosphorescence; the flashing advertisements screaming for attention; the harsh, steady gleam of the “lightworms” that directed THIS WAY TO JERSEY SECTIONS, FOLLOW ARROWS TO EAST RIVER SHUTTLE, UPPER LEVEL FOR ALL WAYS TO LONG ISLAND SECTIONS.
Most of all there was the noise that was inseparable from life: the sound of millions talking, laughing, coughing, calling, humming, breathing.
No directions anywhere to Spacetown, thought Baley.
He stepped from strip to strip with the ease of a lifetime’s practice. Children learned to “hop the strips” as soon as they learned to walk. Baley scarcely felt the jerk of acceleration as his velocity increased with each step. He was not even aware that he leaned forward against the force. In thirty seconds he had reached the final sixty-mile-an-hour strip and could step aboard the railed and glassed-in moving platform that was the expressway.
No directions to Spacetown, he thought.
Seem to recall they were called "slidewalks" by some Sci-Fi author—probably Heinlein, eh?
Ooohhh boy.
The consul's tale should be required reading for anyone working in the tech field.
Funnily, every syncthing node on my network has a Farcaster folder.
Maybe I should read it again sometime.
Heinlein formally disowned some of those ideas, but did so under the duress of the McCarthy era and the Red Scare. Yet he also kept writing about them, just somewhat cloaked. Both "Stranger in a Strange Land" and "The Moon is a Harsh Mistress" are some of the most Socialist books I've ever read, if you assume the first person narrators are for the most part bloviating Vonnegut-esque patsies (rather than the author stand-ins they are often read to be; Heinlein seemed to clever for that). "Stranger in a Strange Land" is entirely about community effort and Socialism. It contrasts interestingly with "For Us, The Living" in part because cynicism seems to have been the big shift and Heinlein can no longer imagine America leading the charge towards Socialism and invents a dead Martian race to do it. "The Moon is a Harsh Mistress" is often credited as a deeply Libertarian book, but I think a lot of that is misreading the narrative and not paying attention to especially the second half of the book, which is entirely about AI-lead worker's strikes towards the goals of unionization. The first half sounds like a Libertarian dream and the narrator character describes it in lush terms that make it sound so, but plot is about overthrowing that and building a much more Socialist Moon together. Heinlein even comments about that misreading in "The Cat Who Walks Through Walls" which intentionally begins on a Moon like the one people reading the first half of "The Moon is a Harsh Mistress" seem to love, dialed up to 11 to better make it a grungy harsh Noir place for a classic gumshoe-for-hire to live, and eventually through world hopping the main character does happen to stop by "Mike's Moon" (Heinlein actually names his timelines based on the first man to step foot on the moon, I'm feeling to lazy to look this one up, but this timeline is also prominently known for a Moon AI named "Mike") after the events of "The Moon is a Harsh Mistress" and it reads a lot more Socialist and lot kinder than the protagonist's Moon the book started in.
A lot of modern Libertarians wouldn't expect a crossover boundary with Socialism like Social Credit, which is one of the problems with claiming politics is a spectrum or plane (there are more useful curves where ideologies meet than that), and a lot of modern Libertarians don't trust ideas like UBI and universal health care and don't trust things like unions again this century (despite having past pro-worker/pro-union perspectives), so it is easy to claim that Heinlein shifted over 20 years. But also, if Heinlein was a Social Credit + Libertarian throughout his life, the rest of politics shifted so much around Heinlein that he may have stayed in exactly the same place and it looked like he shifted.
I think his writing certainly shifted, but I think towards cynicism and anger and frustration after WWII and especially after the Red Scare, not necessarily towards deeper Libertarianism.
I also think there are lessons there for modern Libertarians, too. There are modern Libertarians feeling receptive to talking about ideas like UBI again as something that can have space in Libertarian conversations. There could be room in American politics again for a party like Social Credit that can be a coalition between Libertarian values and Democratic Socialist ones. The Libertarians could find better creative allies than destructive tendencies of "the far right". Talking about Heinlein's books isn't a bad place to start those conversations.
I'd like to be there for a debate between 1940 Heinlein and 1980 Heinlein. I wouldn't be surprised if that event is scheduled for the Howard family reunion at the end of time and Time Enough for Love.
Now I want to learn to use the CFD kit and figure out what it’d be.
“An engineer of the ancient world would have gone slowly mad trying to understand how an apparently solid roadway could be fixed at the sides while toward the centre it moved at a steadily increasing velocity.”
E.g. Clifford D. Simak mentions them as a mode of transportation in The Goblin Reservation, Asimov has them in Robots of Dawn, and I'm sure I'm forgetting plenty more.
It could be that it was Heinlein who kicked of the trend.
In practice, everyday transportation systems need to accommodate a wide variety of users safely, like a toddler, or a commuter holding a cup of coffee, or a grandmother with a walker.
Right. You can build it, but not make it ADA-compliant. One subway station in France tried a 4km/h moving sidewalk, but the accident rate was too high.
The Paris system was really two trains on parallel tracks. Here's the mechanism.[1] Same concept as buses and trains where there are turntable sections between the cars. Powered by motors on the tracks. Possibly the first application of distributed power, with many motors pulling together in a controlled way.
Disney's PeopleMover, also powered by track motors and friction, can be thought of as a descendant. Disney had elaborate plans for little cars on tracks for EPCOT, but that never worked out.
[1] https://www.worldfairs.info/forum/viewtopic.php?f=10&t=125-l...
It was very clever how they did the acceleration/deceleration - the "tiles" of the walkway fit together in such a way that each could slide on top of the next one, and at the two ends the tiles would gradually slide closer together (decelerating) or further apart (accelerating).
https://en.wikipedia.org/wiki/Moving_walkway#Trottoir_roulan...
of course, it takes up a lot more space and costs a lot more money.
Never tried again with that kind of drive, although there are park rides where the loading platform moves. This requires safety devices and staff to prevent people jams at the end of the platform.
They are pretty common tourist transports in mountainous areas and ski resorts. They're even being used for regular public transport now. https://www.youtube.com/watch?v=vdTE4TCqkZo
I’m not sure about the “takes a lot more space”, and I definitely doubt about the “costs a lot more money”. Using outdoor escalators as proxies, I suspect outdoor moving sidewalks will need lots and lots of maintenance. If you want to have some guarantee of service you’ll also need multiple sidewalks side-by-side.
Here at 4:00
Very often in those they featured technology like the staggered automated walkways for transporting people around, etc.
We were casually waiting in line for a while, then suddenly we were led into the area to get onto the ride and had a 'holy shit, they're serious about this one' moment.
Edit: the Universal Hollywood ride doesn't seem to have this (as of 2024), so I'm not sure if the Orlando one still does.
Not good enough. The same strip should go faster and faster over time and decelerate near its end. It sounds impossible, but I can think of a few ways to make it work.