I didn't read that as Sony being pissed off by. Occam's razor says it's more likely to be your regular corporate dysfunction. Japanese corporations do seem as a whole to be more concerned about preserving their history than US ones, and Sony did have a small museum called ソニー歴史資料館 (the Sony Archive), but that Museum closed down in 2018[1]. Meanwhile, Toyota has six different Museum dedicated to its history and the history of the industries it participated in (including textile — Toyota was a major textile machinery manufacturer before it was an automotive company).
Sony still seems to display some of the archive's content in its headquarters, but I'm unclear how much of it. In general, closing the museum shows that preservation is perhaps important, but not very high on their priority list.
But even if preservation was a top goal, you still can't expect every employee on the PR department to be dedicated to that. PR departments are generally more concerned with current events, and may view such an interview as a distraction that isn't worth their time.
[1] https://nakamura.yokohama/sony-history-museum-36870.html
The owner had seen discussions of the TV online and knew it was a big deal. But he still couldn't get rid of it until this guy came along.
The owner even said he wanted the TV to go to someone who would use, appreciate, and take care of it. The video clearly demonstrates all of the above. If the TV ended up in some museum, forever powered off, that would be even more tragic in some ways.
I didn't get the impression that anyone was bamboozled or cheated.
Yep. There are always droves of "it belongs in a museum" crowds, but when you ask if they want it there is only silence.
It wouldn't matter if the heirs value it or not, because it wouldn't have been theirs. Because he let it remain in his estate, he left it to his heirs to decide what to do with it, and clearly, they did not care to keep it as a public collection, nor to endeavor to keep it together as a collection. I guess I should have visited it when I had the chance.
I went to go back one day with friends, and found it had permanently closed in the interim, apparently because they couldn't afford the rent. [1]
(People in that thread love to complain about only getting a 1Y lease - but if they needed to move in a hurry, there's sort of a time crunch, and the longer the lease terms, the less favorable they're likely to be, since the landlord probably wants to hedge against prices going sharply up over that window...)
[1] - https://www.reddit.com/r/pinball/comments/18wsn6/national_pi...
I totally understand the impulse but it's just not realistic to preserve everything.
It's not really realistic to expect everyone that values something to also be in a position to house and care for it. Someone can acknowledge that something should be protected and displayed without taking on the burden of doing it themselves.
This whole "if it's so great why don't you take it" attitude that comes up anytime someone laments the lost of a cultural/historic/artistic item is just negativity for the sake of negativity.
>I totally understand the impulse but it's just not realistic to preserve everything.
Agreed, but many of the comments here go too far in trying to denigrate the folks expressing the impulse without being able to act upon it.
> With no time to lose, Shank posted a call for help on Twitter, hoping someone in Osaka could investigate. Enter Abebe, a stranger who volunteered to check the location.
The restaurant was about to be demolished.
I don’t see any problems with this process or outcome. I think you’re comparing this outcome to an imagined alternative reality (going into a museum) that wasn’t even an option.
As for the Sony not talking bit, it can probably be chalked up to corporate policy. Large organizations rarely let staff speak on matters when it may be construed as being speaking for the corporation.
As well as keep it in country?
Perhaps the current owners will be reached by a museum, and decide to repatriate it. I imagine that the right museum home could be a win for everyone.
Ultimately if it was a TV designed in Japan, having it on display at a local tech museum would be nice. I just don't know where it would go that could deal with the space and the weight.
Closest thing I could think of is the NTT museum, which is ginormous... but it's mostly about NTT's stuff. "Some other company in Japan made big TVs" is a bit less interesting than, say, some older tabulation machines they have there.
Responsibility and autonomy to preserve one's own heritage (with the associated risk of failing to do so) is a longstanding ethical dilemma between cultures, and the answers aren't so clear imho! (This argument is much more compelling for museums, rather than Sony)
Others in this thread have bought up the future of ICEs and classic car preservation. Back in the early 2000s the US government offered people cash incentives to dispose of their fuel inefficient cars, and by disposal they meant running the engine with an abrasive liquid instead of oil until it is totally ruined beyond repair. Mechanics will tell you horror stories of rare car models being destroyed this way so the owners can claim a few hundred bucks from the DOT. I'm sure car collectors had a field day back then but with such a glut in the market they could not save everything that's worth saving.
Shank Mods was able to obtain a copy of the service manual in English from somebody in the US. This fact probably means that the TV was sold on (or imported to) the domestic US market for a while. (Sony have always allowed individuals to order parts through an authorised service centre, and the latter often insist on requesting a repair manual first even if you are 100% sure of the part number) It's very likely that a number of them existed in the US only to be unceremoniously thrown out by their owners when LCD TVs became more popular. I bet nobody batted an eyelid when that happened.
So. Fucking. Stupid. As though Joe Consumer with a V8 Mustang he puts a few thousand miles on per year is the boogeyman of climate change, and not, hell just off the dome:
- Every standing military on planet Earth
- The global shipping industry
- The fossil fuel industry
Scrappage schemes target the smokey, rusty shit-boxes that are worth next to nothing. Not Joe Mustang's prized V8, which would be worth far more than the value of the incentive anyway.
And when it comes to old cars, reducing local air pollution is often the major concern. Not just climate change.
People still needed cars, and everything is relative. When used car prices go up relative to that of new cars, then new cars become relatively inexpensive.
This helps sell more new cars. And back in the time of "too big to fail" auto industry bailouts, selling more new cars was kind of important.
edit: And remember, there were restrictions for Cash for Clunkers. The car had to be less than 25 years old, it had to run, and it had to have been registered and insured for the last 12 months. It was deliberately designed to thin the pool of functional used vehicles.
This program claimed revered cars like Audi Quattros and BMW E30s...along with V8 Mustangs. And once turned in, they were all quite purposefully destroyed: Sodium silicate replaced the engine oil and they were run at WOT until they seized, and then they were crushed just to be sure.
[0]:https://en.wikipedia.org/wiki/Car_Allowance_Rebate_System
[1]:https://www.statista.com/statistics/183505/number-of-vehicle...
That isn't a ton but it also isn't nothing, and however you feel about it, that's 677,000 vehicles that were, according to the requirements laid out by the program, perfectly serviceable daily-driver vehicles that were in active use, that taxpayers paid to buy from consumers, strictly to destroy them. Irrespective of if it ruined the used market as the GP says, that's still a shit ton of perfectly usable machines that our government apportioned tax money to buy, and then paid contractors to destroy, on purpose.
how much did the price go up because of 2%? and all other factors excluded. even inflation is 2% a year. so thats one year. sorry but i dont buy it made a dent in the used car market. proof it to me with numbers etc please otherwise it sounds like the usual useless rant about „everything is getting worse without proof“
That's simply not a thing when the other guy down the block will sell a similar car for $300 less and have his money today.
Any salesman can ask for whatever price they wish to ask for, and if it doesn't sell then there is simply no sale. (The annals of Ebay, to name one dataset that can be poked at, is rife with asking prices for things that simply did not sell.)
(This is one of the very few things that the "invisible hand of the free market" actually assures us of: Sure! A salesperson can ask $16000 for a car that is worth $6000. But if they sit on that car for years and years hoping for a bite that never comes, then maybe they can eventually sell it for $3000 -- losing money the entire time, for ever step of the process.
And while that's an example of how sales can happen, it is not an example of how sales both work and make money.
Used car salesmen do not butter their bread by losing money on sales. That's not a thing at all.)
Only "dirty" vehicles that do not meet modern emissions standards qualified. And it only makes sense to scrap your vehicle if it's worth less than the £2000 payment you'd get by scrapping it. So nobody is scrapping modern, good quality vehicles: you'd just sell it instead and get more money.
[1] https://tfl.gov.uk/modes/driving/ultra-low-emission-zone/scr...
But what else happened with that?
The glut ended. Used cars got more expensive relative to quality.
And now the cost of a 'reliable used car' is far more than inflation adjusted for the time passed.
getting back on topic...
> unceremoniously thrown out by their owners when LCD TVs became more popular. I bet nobody batted an eyelid when that happened.
IDK about all that, during the 'LCD Phase-in' everyone I knew either donated theirs and/or moved CRTs into smaller rooms when they replaced a working one.
Especially if it was 'Decent' TV, i.e. Progressive scan and component input...
Let alone if the thing cost as much new as a very nice car of the day. The sheer responsibility of it (thinking more, you really can't throw this thing out unceremoniously, at minimum it's part of a house or business space eviction proceeding...) has some weight, ironically.
That might have happened for a while but by 2008-ish CRTs were being dumped left right and center. My city runs a annual kerbside collection program for large appliances and furniture, and I distinctly remember metal scavengers cruising the street gutting old CRTs people have left out for the copper coils, leaving whatever remains to be collected as hazardous e-waste. Around the same time, my parents got rid of a 16:10 CRT IDTV they bought in the 90s and semi-forced me to throw out a 21 inch IBM P275 I had because "it's using too much power".
In any case I doubt any corporate (or rich household) owner of a 47 inch CRT back then would think too much about replacing it with a larger screen that took up less space. After all it's just another piece of asset that has depreciated to zero value on their books.
Maybe I just grew up poorer than you but it took longer than that in my world.
> my parents got rid of a 16:10 CRT IDTV they bought in the 90s
Yeah meanwhile some of us had to deal with a Zenith TV that would 'jump' with a PS1 and other consoles on the RF/AV output because 'lord knows why'.
> and semi-forced me to throw out a 21 inch IBM P275 I had because "it's using too much power".
Given the other context of your comments I doubt this is a confession of contribution of hubristic affluence contributing to our modern disposable society but I feel like this underscores the point I'm trying to make in my reply.
Resourceful not-well-off people used to really appreciate repairable things, and the worst thing C4C did was get rid of a lot of not-fuel-efficient vehicles that were at least cheap to repair.
The video of that TV and the pair further underscores it. Everything on decently laid out boards. Nowadays an LCD tv, sometimes a part can go bad and it's so integrated that even 15 years ago it could be a 30 min solder job, nowadays it's cuck the whole shebang.
> In any case I doubt any corporate (or rich household) owner of a 47 inch CRT back then would think too much about replacing it with a larger screen that took up less space. After all it's just another piece of asset that has depreciated to zero value on their books.
Corporate maybe but I'd guess any smart corporation would try to load the 'disposal' costs of a 440 pound object onto the taker somehow. Similar for any rich household that wanted to keep wealth for more than a generation or two.
Let me assure you that none of what I said was meant to diminish your point of view which I agree with mostly.
What I was trying to convey was that people’s mindsets were rather different during the last decade of CRT. CRT had been around since the end of WWII, it may have gotten bigger over the years but the form it took on largely remained the same so there was a sense of continuity as people handed down old TVs when they got something nicer.
When cheap LCD TVs came to the market it represented something more akin to a paradigm shift as people with limited space at home could now easily own screens 30 inches and up. My parents are actually rather frugal with my dad borders on being a tech hoarder who insist on keeping every single cell phone and laptop he ever owned somewhere in his garage. However even he was unable to justify the sheer bulk and running cost of CRT TVs back in that period. Even if he were to give it away there would have been very few takers of any.
Therefore it’s not inconceivable that this model could have been sold in the US or even few more places outside Japan. Most of them simply disappeared without a trace because at some point they were probably worth less than the space it occupies, and people were overly eager to embrace the flat panels without realising that they are not getting some of the utilities back.
You don’t need to drive that much for fuel inefficiency to get really expensive. Even 10k miles/year which is well below average at 10MPH vs 30MPH @ 3$ / gallon is an extra 2,000$ / year, and adjusted for inflation gas is currently fairly cheap. Inflation adjusted in 2011 and 2012 gas was over 5$/gallon.
We might see consistent low gas prices intended to delay the EV transition (or the could spike), but these cars were already old 15 years ago when the program happened.
But you can’t do that with a 400lbs behemoth of a TV, it would fill the entire room.
This beast is highly impractical and still only 480p.
Even those smaller CRTs got disposed of quickly as soon as the 2nd generation of flat screens arrived as they already took up way too much space.
Could you elaborate?
Those were wild times. I remember they also had a similar scheme in Germany. Absolute madness (and that's even if you ignore the useless damage to old cars.)
They should have just printed more money to juice the economy, instead of these wild schemes to give subsidies to specific industries.
Cash for Clunkers - 700,000 cars SCRAPPED by the USA Government https://www.youtube.com/watch?v=2ZMJ_oNtzzE
UK had its own program in 2009 https://www.banpei.net/2010/04/07/wtf-mr2-sw20-in-british-ca...
All the cars lost to the 2009 Scrappage Scheme - The UK SCRAPPED all these rare cars?! https://www.youtube.com/watch?v=NLLNOUUqCUc
It's also just one of the world's best for Sony - they make a lot of bests(with many asterisks too).
One thing I only understood after I've bought a 3D printer is, someone wanting an obsolete product is weird from creator perspective. I still fully understand consumer side sentiments, and also am aware of vital importance of reference data archives, but I'd rather want audiences to seek the latest and greatest than asking me about a shelf bracket that I stopped making some time ago.
So I think it's an okay outcome. The TV lives on. Someday Sony might buy it back, or it might get transferred to some other museums. That's good enough.
The only stretch goal left is an interview with its creators or their autobiography(s). But that would be a cherry on top.
Japan’s suitability for industrial museums can be debated, but saying “summer steam is brutal, disasters are routine” as reasons is ridiculous. This is the 21st century, not the Middle Ages. Besides, Japan already has plenty of industrial museums.
This makes absolutely no sense. Japan is full of museums of all kinds, including really weird ones you'd never see in America. Not far from me, there's a museum of miniatures, a museum about sewers, a museum about tap water, a museum about subways, and a museum with an indoor recreation of an entire village from ~300 years ago. And the summers here are better than most southern US states like Florida or Arizona, and disasters much less routine than Florida.
It probably does make sense in the house of a massive hoarder.
They definitely have their perks but I only own one CRT for retro gaming, and I wouldn't trade any of my newer monitors or TV's for a bulky old tube if you paid me. Hardest conceivable pass please.
The market the CRTs would steal is practically non existent, surely. I’d love this in my house for retro gaming purposes, but I’d still have my LG C/Gx or Samsung N95x or whatever the newest, fanciest models are for movies and modern use cases.
1) point out how heavy they are. Give them a facsimile to lift to show them, after making them sign a waiver that they may permanently injure their back doing so.
2) show them how deep they are, and how far away from the wall they must sit because of this.
3) show them two power meters, showing the power consumption of a CRT and a modern LCD for comparison. Also show the actual costs for that power, and how much typical usage of these displays will cost per day and per year.
The last one alone should dissuade most people from wanting to go backwards.
Most people don't give two shits about latency, and modern LCDs with >= 120 fps capability already exist.
Nothing could persuade me to voluntarily go back to CRTs.
However, the OP was trying to claim CRTs are superior because of latency and refresh rate for gaming applications, specifically, so I was just focusing on those aspects. The refresh rate part is silly; high-refresh-rate LCDs and OLEDs are common now. The latency part might have some validity, but compared to all the other factors it's really not that important.
Nothing. Why would any folk down the street go out of their way to try and find a TV: More expensive, Heavier, Non-smart, power hungry, smaller. They are like classic cars, everyone loves them but not everyone wants to put up with all the hassles that come with them.
The only thing CRTs are really better for is for content that is designed for CRTs, i.e. oldschool video games. And of course, that's what they are demonstrating. But it is just about giving the right context to historical video games.
he even went to the lengths of calling up different CRT experts trying getting them to fix it
all this negativism just feels like older people being all "zoomers bad" because the medium is not what they prefer. maybe we should just be happy to pass the torch and glad that younger generations even have interest in this sort of thing
(nit) Please don't use "conflict of interest" that way (casually). It should only apply to situations where there are actual legal or ethical obligations in opposition. Nobody owes the online CRT community anything.
If those other obligations existed, could we say "conflict of interest" about them, or is there a better term or phrasing?
Actually I think this might be a false equivalency OP, because this isn't just any old used car. I think it's fair to at least stop and question whether this should go to some greater good or not.
Unless you're like, Linus Tech Tips size and contact your YouTube "account manager"; and there's probably limits to what you can use that power for.
Turns out to be the modern equivalent of colonisers stealing local artefacts.
Why export this at all!?
Not to mention that in many countries art pieces predating a certain era are simply destroyed (on the ground that they're older than a particular religion).
And most of the pharaohs' tombs were pillaged and unique pieces were melt by actual thiefs for their gold.
These evil, evil, museums displaying these around the world for any visitor to see when you think these could have been melt for gold by thieves or simply destroyed because they were impure!
Evil western civilization. That western civilization is so evil it must be replaced!
Western societies took advantage of multiple other societies to plunder their treasures. Those same societies didn't have the infrastructure and/or care to preserve these things themselves.
Sometimes two things can be true.
And so much of what is considered "stolen" was given away by someone in that culture as trash.
The only people claiming theft are a third party that never owned the property in question or at the time gave it away freely.
And it is a damn TV. A big one for sure but it isn't Moctezuma II headdress nor are those Devatas carved from Banteay Srei cambodian temple.
Based on the timeline there was limited time to act.
Additionally, given they did some public 'reach-out' posts (that wound up finding them the thing) there were theoretically others that could have tried to handle it via their own channels.
Per the YT video's 'sponsorship', I'll note that shipping a ~450 pound TV and ~150-200 pound stand overseas in general is not a cheap, or easily logistical task given the timeframe. Esp if it's on the 2nd floor of a building to start (can't just do a simple hand hydraulic lift for the hard parts.)
> There's also a possibly related matter, in how Sony stopped talking with them. Is it possible that Sony and/or Japanese government aren't very happy to learn that a possibly unique museum piece, of one of the heights of Sony achievement, was quietly removed from the country, to the US, by a YouTube influencer?
Overthinking it perhaps. Sony has a lot of divisions and it's hard to get live assistance from them even if you are a current user of their products, at least speaking from personal experience with a couple different lines.
-----
That said, the YT video drew things out way too much for drama's sake and it made me glad I have ad-free.
If Japan, Sony or any other individual wanted to save this CRT for themselves, it would have been snatched up by now. The fact stands that the creator of the video is the only person on earth who did the detective work and put boots on the ground to make it their own rare CRT. Good work, I say!
Funny you say Japan when same thing is happening to US Arcades :) Here an interview with Euro importer:
'453: Resurrecting Arcades: Meet Europe’s Biggest Arcade Importer - The Retro Hour EP453' - The Retro Hour (Retro Gaming Podcast) 1 Nov 2024 https://www.youtube.com/watch?v=MzfVLY5Ag3s
One of the stories is him buying out half of Las Vegas rare arcades auction for pennies because he was the only one willing to sit all night clicking on bids.
What got me was the four-player game where each player effectively had their own 21" monitor. Mind-boggling.
Only giving value when something is already gone is kind of a toxic trait. It means you don't actually value it and you have other motives.
As I was watching it, there was the drama of whether it would be saved from imminent destruction, and it actually seemed unlikely that they could, but their approach was to be... secretive about it.
It turned out that they wanted it for themselves, and didn't that create a conflict of interest? By keeping it quiet, they increased the chance that they would obtain it themselves (and the YouTube story to tell about it), but increased the likelihood that the TV would be lost entirely (because other efforts wouldn't be brought)?
Fortunately the gamble worked out, and the TV wasn't destroyed.
There's also a possibly related matter, in how Sony stopped talking with them. Is it possible that Sony and/or Japanese government aren't very happy to learn that a possibly unique museum piece, of one of the heights of Sony achievement, was quietly removed from the country, to the US, by a YouTube influencer?
I applaud preserving this rare artifact, and compliment the storytelling, but did have these couple odd thoughts.