I'd need to read through the article, but the Wikipedia link sounds they are conflating "enjoying" and "responding to". Instead, I'm assuming musical anhedonia is referring more to "apathy of sound".
I think it is unreasonable to assume that if someone were to say “well I prefer quiet, I guess,” they mean that they have some great emotional response to being in the quiet making them love it. It would be more reasonable to assume that they are basically indifferent and would rather not have the distraction/noise.
We are actually agreeing; however I'm saying that this is a preference. Wikipedia refers to anhedonia as an inability to have pleasure about something. However, valence [1] as a measurement identifies affect dimensions as a polar system - (to quote Wikipedia) "Stress is negative valence and opposite of this is pleasure or happiness." My claim is that "pleasure" can be positive or negative - in that music would cause happiness or stress. Adding genre only furthers my statement that you could claim someone is "R&B anhedonia", "death metal anhedonia", or "classical anhedonia" if anhedonia only refers to positive affects. I, however, am saying anhedonia should be for the positive and negative degrees of an affect.
"No sound" is still sound - its the difference between null and zero. My original post says I'd say anhedonia is more linked to "null", while preferring no sound is more linked to "zero". Holding a positive or negative preference is a measurable attribute and therefore not what I would claim anhedonia; however, being purely apathetic (void) of preference would.
I may not fall into this group. But, I suspect these people still have emotional responses to sounds loud enough to be causing dammage.
From the field of neuroscience, we know that music affects the brain like a drug of sorts. I believe Steven Pinker said in a book of his that music releases a "cocktail of neurotransmitters."
If for you, there's no value in that categorization, that's fine, of course.
I say music is "weird" because it doesn't fit into either of these categories of useful natural or constructed forms. People didn't first make music in order to feel good, but because that music made them feel good. They already had an instinctual response. It's more like those odd visual illusions that are due to the freaky things our brains do to correct for visual blind spots in our eyes: a species-specific thing largely without intrinsic survival value. Audio hallucinatory masterbation, essentially.
(Some things probably are evolutionarily driven. Percussion sounds a lot like a moving herd of animals being hunted. Makes sense this would dump adrenaline into your system to make you run faster and harder. But being moved to tears by a violin concerto or lost in ecstasy at a rock concert is categorically something else.)
Anyway, to the point which started this sub-thread if someone asked me "what music do you like?" I'd interpret that question as "what kinds of things do you like to listen to?" since in my experience that's what most people mean by the question. And indeed, I have noise cancelling headphones I don't even bother plugging into my computer because "silence" is what I prefer to listen to when working, thinking, etc. If you get shocked by the answer.. that's the fault of you and your own assumptions. You asked; I answered: I prefer to NOT listen to music, thank you very much.
And turn the radio down, while you're at it.
I know I have listened to a lot of enjoyable music and yet I go for long periods of time not seeking it, not thinking about it, and probably unable to list off things I used to listen to.
For instance, years ago, I was buying any CD with some sort of concerto grosso. These days I am listening to mostly streaming electronic music from the early 2000s. For a while I was listening to FM radio, but not enjoying it much.
I also at times have had a visual imagination connected to music and at other times not.
Anyway, anhedonia/apathy may not be total or one-dimensional, is my point.
- https://en.wikipedia.org/wiki/4%E2%80%B233%E2%80%B3
- https://youtu.be/JTEFKFiXSx4
An anecdote: when my semiotics professor talked about this composition for the first time, I was recording the lecture, and when colleagues asked for a copy, I sent them only the pauses between the sentences. When art meets sarcasm, it spreads really fast.
I wouldn't say I'm fully unable to appreciate music. But... I dunno, I can get by without.
He hesitated for a while and said, "I don't know... quiet I guess?"
I think his response caused a full hard reboot of my cranial OS. It was the first time I'd ever met anyone whose relationship to music was so fundamentally different from mine.