Something I wrote yesterday[0] that I think is relevant here:
> I'm not sure I understand the hate for NFTs. Don't get me wrong, the concept of NFT as currently used is completely absurd and definitely overhyped. But what is bad about it? People who spend their money on NFTs mostly do it because they got rich in the past few years gambling on BTC or ETH, and now use that money to basically tip the artists they like. Or they plan to resell the token at some point, which is pure speculation, but nobody other than themselves risk to get burn. Minting and selling NFTs is almost zero work and effort for artists, all the risks are on the buyers side, and only if they buy them as speculative assets.
> It still make no sense to me, but if rich people want to gamble their money and by doing so support some artists, that doesn't sound too bad IMHO.
> I would be more cautious if retail investors would start to gamble in this market, but that's not what I've seen so far.
Regardless of your view on NFTs, haven't they been "a thing" for like a week now? Perhaps I'm just too risk averse but that feels like a very low amount of data to make such a large decision on
Does that also work for physical art? My parents were full-time artists, but did not know how to sell anything, so now I have inherited hundreds of paintings. Should I create NFTs for them?
The artists who create the future cannot short-sell themselves, can they?
Also one of the artists I was talking about, who quit to work on NFTs, was design director at one of the world's biggest agencies, so not exactly waiting tables.
But yes, I was thinking about artists waiting tables. My spouse works in theatre, and it's normal even for modestly successful actors and artists to be working service jobs. I have asked why they worked those kinds of jobs when they were clearly smart enough to have better-paying white collar jobs, and they always say that quittability was one of their top concerns.
In the period where one could live in San Francisco for a non-insane amount of money, I knew lots of visual artists and sculptors who lived like that. (Anyway, all of them are now coding or have left.)
I don't mean to contradict your experience: the word "artist" covers a pretty wide swathe.
This stuff is in the news to sell the crap to the people who don’t really know what they are doing.
And I can’t help but wonder if it is a true scam - you could do some massive early transactions to pump of perceived values and create get-rich-quick hype (optimally, these should mostly be left-hand-to-right-hand transactions), then go ahead and make money as an NFT marketplace. Or by selling other works from the artists that you just pumped to the moon (which you had purchased before the pump operation).
As a broke artist, if I can get some rich assholes to start convincing each other that my art has ludicrous amounts of money, then I will happily let them pay me for it, and let the gallery owner who was instrumental in convincing them of this value have a healthy cut. If the gallery owner wants to arrange a money-laundering kickback to the rich assholes that's their own business, personally I feel like I'd rather avoid it but who knows how I'll feel when I'm being offered a price with enough zeros at the end of its number?
Create a bunch of art, put the ownership into a decentralized autonomous organization with 51% held by the artist and the other 49% held by a bunch of random, anonymous "owners".
Start the hype train with a loud, crazy scandal that results in the "death" of the artist.
The artist's estate leaves their stake to the gallery owner who starts to sell off the stake at stupid prices following the death of the artist.
Secretly, you've faked your death and also were in control of the "anonymous" ownership stake. You can launder the increased value of that part of the stake and recombine it through a bunch of shells and mixers.
Who knows, maybe this was "Satoshi"'s plan all along. That "unclaimed" stake was just there to increase the mystery and the hype, meanwhile "he" actually had control of a bunch of other coin that "he" was able to launder at a later date.
I mean if you've got a bunch of money burning a hole in your pocket, I'll gladly take it off your hands. My Patreon's over at https://www.patreon.com/egypturnash.
The NFT space is building in royalties via transfer taxes. Which means you the artist would earn a lot more from volume than from the initial sale, and this is potentially even better than the subscription SaaS model, and for people that want to support you they may be even incentivized to keep you alive to make sure the royalty goes to you instead of possibly burned.
I don't really see using stablecoins such as USDC or DAI as "extra layers of bullshit that comes from involving cryptocurrency". In the US with the latest OCC regulations, these are the same as using settlement networks like FedWire or SWIFT. Your self-limiting philosophy requires conflating all aspects of cryptocurrency as the same, and the good news is that you will find a lot of camaraderie in doing that, for now.
1. There are some people who struck it megarich with crypto and now have so much "f-u money" that they are willing to spend it on conspicuous consumption. It is the same sort of thing that comes from "look at how much money I lit on fire" posts being given social credit in places like WSB.
2. There are other people who already had a gazillion dollars and are also interested in conspicuous consumption.
3. NFTs are trendy and trends in the crypto space attract people seeking to make money on a trend. A bunch of people are surely buying these things hoping to leave somebody else holding the bag.
4. It is crypto, so some degree of fraud and crime is involved.
How do you shield your gains when every traditional asset is either losing to inflation or looks like a bubble? You start reaching out for non-traditional assets.
NFTs have some marketable aspects for someone looking for an alternative investment vehicle. They're self-contained and require no real ongoing costs to just hold and flip later (compared with, say, opening a McDonald's franchise). They're also fresh and new with the promise of getting in on the ground floor of future exponential growth (as opposed to, say, buying an existing Van Gogh or a bag full of Krugerrands).
Now, in no way does this make them not bullshit (what ownership is actually conveyed? Do you now even own the copyright on the work, so you could monetize it later?) but that might be why it looks briefly compelling.
some degree of fraud and crime exists in regards to anything of value. Money laundering existed before cryptos. Most banks caught laundering money, did it at a massive scale in comparison to the value of the Bitcoin network. Fraud and crime are directly connected with value
Not to mention that centralized exchanges are an exit scam waiting to happen.
Most people could not participate in blockchain without dealing with a criminal onramp. (Bitfinex, for example.)
Plus this argument is ignoring that the way the banking system is protected from such failures is with taxpayer money, so you still end up losing some of it.
1) It could be a scam of sorts, but one that the parties are in on. For example tax fraud or an attempt evade capital controls.
2) Leave aside digital anything, art has gotten really weird lately. The self destructing Banksy thing, the banana duct tape thing—-I could see being knowingly, publicly scammed as some kind of bizarre performance art. I guess the super rich are really bored.
3) The most reasonable spin on it I could think of is what if there was a limited edition print where the print itself wasn’t limited edition. There were as many prints as anyone wanted to buy for the cost of production, but the artist sold a small number of certificates of authenticity. It still seems kind of pointless and scammy to me but it’s at least closer to understandable.
Buying art with an NFT is just a way to give artists and/or art auctioneers money for their art. That's it.
Oh and it can be used for other things like event ticketing, software license keys, etc.
An NFT is just a way to record (in an immutable distributed ledger) that a specific, uniquely-identifiable token was transferred from A to B.
People have always paid stupid amounts of money for art, and in the last 100 years increasingly art that doesn't require years of training/practice and advanced craftsmanship. Why is this any different?
It sounds like you just don't want to be involved in the art market, which nobody in their right mind wants to be involved in anyway.
Complaining about NFTs is like complaining about "blockchain" or "the internet" or whatever.
The thing that is "non-fungible" is the token, not the actual art. The underlying digital asset is actually fungible with copies of it. With a painting, there are prints and reproductions of the Mona Lisa, but they are all fundamentally different in some way - the exact brush stroke texture, etc.
NFTs have this feeling of valuing the receipt, not the art. As if I walked into a gift shop at The Louvre and bought a Mona Lisa slick poster print, but then valued the gift store receipt more than the more-or-less completely replaceable poster.
I heard the bozos on the A16Z podcast (I think it was) compare NFTs to land deeds, but they very seldom know what they're talking about.
The point is not that land is somehow fungible, but that we have plenty of precedent for "owning" a thing without taking physical transfer of that thing.
I don’t feel sorry at all for the clown that paid 69 mill for the url to a jpg, I just think the hype is stupid. Not that we can be sure the buyer was real and distinct from the seller.
PS It would have been quicker to google A16Z than type out those words, but I’ll save you some time by telling you that it’s (the podcast of) a top three silicon valley VC.
But, a paper receipt is all that differentiates print #1 from #1005, and #1 is usually more prestigious. And even if those prints came off the machine in the other order, the actual artist is still attaching significance to one of them over the others.
NFTs are a way of saying that my identical print (file) is really the special one. Or that I'm special for having it. Or whatever.
So yeah, by looking at both NFTs we can clearly determine which is authentic.
If they're supposed to be unique, as opposed to 'we both sponsored the same art', then there are easy ways to ensure that.
If Beeple creates another NFT referring to the same work, then he is simply creating a second edition, in the same way that an artist can create a run of prints limited to 10, and later decide to create 10 further prints.
If someone else creates an NFT claiming to represent Beeples work, then this is like me selling my own unauthorized Robert Rauschenberg print, which I might find difficult to find a buyer for, though with enough talent, maybe not impossible.
In any case, the NFT is merely a digital equivalent of a print.
For the first sale. I'm not sure current contract law permits any legal rights to follow the token in subsequent sales.
But what rights would you need to go to court for? The point of an NFT is that the provided rights are exercisable without further permission.
Also, if the author wanted to control the NFT they'd just code it that way, for instance to prevent sales, or prevent more than one sale per decade, etc.
Nothing about the first sale contract can be legally binding on the person who buys the NFT when resold.
You can end up with an NFT without having been party to any legal agreement whatsoever.
If I minted an NFT that said for every period you paid you could collect royalties from my art then you would have a valid contractual claim after purchasing it, even if I didn't make the deal with you initially.
If you buy a second-hand concert-ticket NFT the requirements of attendance will still need to be met before you can use it.
I don't believe this statement to be accurate.
But if all that was handled and it was considered binging between you and the first guy then I don't think the transferability would phase a court at all. The NFT by nature, being meant to be transferred, and with tools to prevent that where desired, would indicate intent.
Perhaps a better example would be me (the hypothetical creator of cryptokitties) selling a cryptokitty, with the obvious implication that I would not modify my game to invalidate said kitty. The final owner of the kitty, like yourself, could sue me for misrepresentation for selling a product I intended to disable. Perhaps for tortious interference.
Because if you buy a painting, you can hang it on your wall.
That doesn’t not sound at all feasible. But if it were, then sure the prices would have to be close for the original and new one. It sounds impossible to do, and extremely easy expensive to make a copy like that of a real painting. It’s stupidly easy and simple to do with a digital work.
...and if the artist suddenly flooded the market with millions of identical prints, the value would plummet.
If the provenance of the real item could be guaranteed, the fact that you have a really good copy wouldn't matter; people would still pay to own the original.
That's exactly what an NFT is; digital security for a digital print. People who buy NFTs don't care that someone else has a copy, they value the artificial scarcity provided by the NFT.
Look, the fact is that if you like a Picasso, you can have a perfect copy made, and you won't be able to tell the difference between the two. In fact, in a blind test, you may end up liking the copy more. The fact that you value the original more because Picasso touched it is totally, absolutely in your head. Empirically, there is no reason why this should make a difference to you.
And then you have a digital token that Picasso personally signed with his private key.
There are a lot of examples at the intersection of this. If you buy a Damien Hirst, the artist may well never have touched the piece - these are being produced by staff. Sol LeWitt's Wall Paintings exist as instructions that different artists re-execute over an over again.
In all these cases, enjoyment of the art is available to everyone; you can have a really good copy. It is totally disconnected with what people value when they pay large sums of money, which is entirely artificial.
A high quality photo print and frame costs quite a bit of money. That's maybe a couple thousand dollars. And then the artist hangs them in a nice gallery, with sales people. That costs more too. And the final price isn't something like 100x the cost, it's maybe 10x if lucky, often 2-3x.
And again, you can't really reproduce it easily. If I found some really high quality scanning store, I could do a decent job. But it would cost me a lot of money, and the signature on the print wouldn't look or feel real.
So again, big difference, and already we have to admit paintings > prints > digital images.
You absolutely cannot have a perfect copy of a Picasso. Sorry, that's a meme that's not real. You can carbon date the paint. There are ridiculous complexity in his layering techniques. Even the specific paints he used were from his era, and hard to find. It's physically provable to show a Picasso is a real one that came from his hands. Not possible with an NFT as there literally is no original. You can prove the coin is the coin he made, but that's simply not analogous.
Yes, the point I am making though is that if you cannot see the differences with the naked eye, or if in fact you prefer the copy if given a test, then why do you value all that stuff? Enjoy the much cheaper copy.
It is true there are unique properties that a physical original features - it is just that the value assigned to them is arbitrary, and there does not seem to be an obviously good reason to pay a lot of money for it. People do it because of what is essentially a collective hallucination centered around the idea of scarcity.
Now if there were a way to copy a Picasso perfectly, I posit that people would still assign an arbitrarily high value to the original. I mean, you can see that being the case with diamonds.
Obviously, there is something about a physical object that a digital image will never be able to reproduce. That's why people still enjoy real books, right? So I wouldn't be surprised if a real painting would carry a certain premium over an NFT. But the idea that people pay for an NFT, signed by Damien Hirst's own private wallet? I see no fundamental difference between valuing that and valuing the entirely imaginary benefit of Damien Hirst having once stood in the presence of that physical object you bought.
An original Picasso... vs a hash number.
Would I rather have the basketball that Lebron dunked in a game or some random basketball that Lebron issued an NFT for? They are for all intents and purposes identical. Why do people care?
It's likely because authenticity matters, hard work begetting achievement matters, real world deeds, real world objects matter. Matter matters. It's just how humans work, maybe because we are matter..
Diamonds are a great example. They are in fact scarce, which drives value, and the reason artificial diamonds don't retain value is because they are less scarce. Now work backwards.
I agreed that physical objects have unique properties that digital objects cannot match. But presumably we can appreciate digital artworks nonetheless?
It is also true that the nature of the digital object means that ownership of the NFT is somewhat disconnected from whether a .jpg is physically in your computers memory at any given time.
But the choice is not between an original Picasso and a random hash number, but rather:
- An original Picasso painting vs an equally enjoyable copy. - An NFT of Picasso's digital illustration vs an equally enjoyable copy.
Are you able to experience that same intangible connection with history by looking at a blockchain entry, as you might be standing in front of an old painting? Maybe not. But you may experience a version of it, in the same as you might by looking at the first websites.
> Would I rather have the basketball that Lebron dunked in a game or some random basketball that Lebron issued an NFT for?
Sure. What about a unique NFT of a sword that was used to win in a watershed eSports event? Note that this would be a digital object that does not merely represent the sword, but it is the sword, i.e. I can now use it in the game. I think people would value that through largely the same mental mechanism as the basketball.
Yep exactly. Quod erat demonstrandum
In real life you cannot make perfect molecule-for-molecule clones of physical objects, so what's your point?
A lot of art, for many, is that others see the same thing through different eyes. Looking at the Mona Lisa or a Rembrandt, means that I'm experiencing what millions have but uniquely. Shared experiences create bonds, even across time and space. It's also perhaps a bit humbling in a way another similarly good painting from now wouldn't be because of the temporal distance it comes from.
But we could already do that. It's a solution to a problem no one had. A NFT would only be useful for proving ownership if it will hold up in court, which I doubt it would without accompanying proof of purchase.
Whatever their flaws, NFTs are perfect proof of ownership of the token...
But yes, once you've stolen the thing from me I have less control over it...
Also, this would never happen as written. If you tried to claim my asset without having changed the key, then I would. We'd never be in court with shared custody, and thus they'd never get a chance to rule on this. The only time a court would come in would be criminally if you actually hacked my system.
Otherwise, owning the key is the entirely of ownership. Blockchain is intentionally a knowledge-based version of a bearer bond. (It could be based on hash-preimages which would count as a password and probably be legally protected, but intentionally it's based on math because factors in an equation aren't protected.)
Also, you aren't really purchasing art because it's untenable. You're purchasing something like the right to show that the artist considers you to have purchased art. To actually purchase art would be to actually codify a contract (from what jurisdictions?) in an NFT, and that's not what anyone is doing. It's all just digital signatures of a phrase like "Thanks for being the first sponsor of my work 'Autumn Leaves', with shasum XYZ".
C.f.: https://www.reddit.com/r/NFT/comments/m3y4go/my_art_stolen_a...
But if you care about the artist enough to want to donate I imagine you're more familiar with their work than all that.
Anything you can do with a non-fungible piece of paper, you can do with a non-fungible token. Anything you can't do with a non-fungible piece of paper, you can't do with a non-fungible token.
I'm blown away by how many people are upset that other people are doing stupid things at the confluence of new technology and excessive spending money.
Pretty much. It's a bit harder to show your paper autograph (and prove its veracity for full status points or before selling it) than to demonstrate this with an NFT. If that's what the paper is about for you, the NFT is better.
With concert tickets though there are a ton of benefits from proving authenticity, not needing to meet to transfer paper, not needing ID to prove you didn't steal it when checking in, etc.
> I'm blown away by how many people are upset that other people are doing stupid things at the confluence of new technology and excessive spending money.
Me too.
I mean this artist is now the third highest paid artist alive and it seems like he just pretended to sell the art to his business partner and the money transfer may not have even happened. That’s not excessive spending if true, that’s lies and fraud
https://twitter.com/checkmynft/status/1371633090318249984?s=...
https://twitter.com/scanlime/status/1371509988179464196?s=21
From secondary market sales, the artist can get a royalty if they choose and the secondary transaction is on the same platform. Typically around 10%. The same platform requirement is an issue and hopefully a future NFT standard smart contract will build in a royalty option/.
Those Oracles would ideally be known parties who could be sued under the laws of their jurisdiction for lying.
I have a pretty good understanding of block chain technologies but didn't hear about NFTs before, so like you, I started to challenge his ideas. Partly to understand what he was building. Because at first I tried to find real and practical applications for the platform that somehow connect to physical things, works of art.
But what he said was pretty interesting. The guy had a background in art management and, I think, trade. He said that art collection has always been about being able to say that you have the original piece. And that it's not rational anyway, not even for physical works of art, like paintings. It's not that you like the actual picture on the actual canvas so much that you want to buy it for say $1M and if you just had a copy you'd notice the difference and that wouldn't give you as much pleasure. It's simply about having the original. And also collecting related originals.
Now it's easy to trace it back to real, actual scarcity, where indeed there weren't many e.g. paintings (or books, etc.) and there was a big difference between the paintings of different artists (both in style and quality) and you had no way of looking at these other than having the originals probably.
I guess the big question here is whether this phenomenon is strong enough on its own to transfer to purely digital assets or whether this is really rooted and tied to that original scarcity that we kept changing the story around. (I.e. while it's not about being able to enjoy and look at the piece anymore, now it's tied to the knowledge that that specific piece of canvas was painted on by that specific very talented guy X hundred years ago, and he was standing in front, etc.)
One hint might be those 'limited edition' sport cards that some people seem to collect, as well as 'limited edition' e.g. CD or vinyl albums from the past millenium. (I never understood those, but I had a friend who did get a very obvious joy out of being able to buy those. For me, these were always just delivery mediums and I only cared about the music.)
Honestly, I have no idea, but that call was definitely interesting.
https://www.tate.org.uk/art/artworks/lewitt-wall-drawing-113...
In that sense, this is ownership over something intangible very much like NFTs.
The lines between economies and schemes are blurry and hero’s and villains are only declared once the dust settles. We’re not there yet.
What I also find hilarious, folks who love this NFT "can't be copied" are great are the same people who hate DRM. While I'm not a fan of intrusive DRM, I'm going to side with paying what folks deserve for putting time into coding/art/planning for a game/movie/whatever. I get something from their effort, they deserve something in return.
That and I'd rather buy a $20 poster of art from my real life wall than over glorified digital wallpaper.
Also, you realize that you could print the digital artwork and have a poster, right? Personally I've got more than enough posters, too many to put up in ten houses, and would actually rather have high quality scans of them so I can still enjoy them.
You have no recourse or a leg to stand on. Good luck getting a refund.
As far as supporting artists goes, doesn't Patreon kind of already do this? Or what about cutting a check directly to the author? NFTs seem like "supporting" artists with extra steps.
Plus, the middle-men always win on this with all the silly gas fees. I'd argue NFTs are extremely inefficient when those fees are taken into consideration.
NFTs provide the right to whatever they control. If you buy a software license via NFT, it will unlock the software. You can prove this before buying.
NFTs to show you own art? Yeah, that's pretty basic, it's the equivalent of a paper receipt. If you'd pay more for print #1 then an equivalent NFT is no more wasteful.
> For instance, Jack Dorsey could delete that one tweet he sold an NFT against
Yeah, Jack is an idiot and so is his NFT. Not a surprise.
> As far as supporting artists goes, doesn't Patreon kind of already do this?
Yeah, but it takes a bigger cut.
> Plus, the middle-men always win on this with all the silly gas fees. I'd argue NFTs are extremely inefficient when those fees are taken into consideration.
Don't buy an NFT on an expensive blockchain then. Some have almost no transaction fees. Besides, you could just buy an off-chain cryptographically signed token of donation if you don't want the blockchain but want to be able to prove that your receipt is real.
EDIT: My other real concern, which I don't believe NFTs really address is the fact that, unlike a physical artform, like a certified Picasso painting, digital art can be infinitely copied, and having an NFT token isn't the same to me as actually owning the physical painting outright, something that cannot be properly 1:1 copied. Also... NFTs don't prevent a bad actor from tokenizing someone else's work and passing it off as their own.
And yes, the art itself is unrelated. Anyone can download it. NFTs (for art) are a prestige way to sponsor the artist via that specific work. You can 100% prove that you sent that author the funds. That's it. (I think it's a bit like buying an original and giving it to a museum.)
IMHO, The future use of NFTs is actual non-fungible goods, like a concert seat. It's not "real property" so there aren't many legal restrictions on trading usage rights and a court is likely to respect the decision of the two parties to keep their ledger wherever they want. This NFT-art boom seems like people just playing with the tech before we manage to sign a venue to use crypto-tickets - a proof of concept and a way to familiarize enough people with the tech that there's an audience for it when a real service using NFTs is launched.
Yea, but copyrights do. Lots of pro-photographers have lawyers as best friends for this exact reason. The drawback to buying long dead artist art is their copyright ran out. Oh well. We all celebrate public domain day for books even though they're subjugated to the same rules. The NFT, inherently at least, doesn't give you the right to distribute or anything of the sense. It really obfuscates the concept of ownership into some weird hippie mentality that boils down to, "How can you own anything man?" It literally neuters the idea of ownership because what in the hell do you actually own? A string of numbers saying you bought what amounts to a wallpaper background? But at the same time, everyone has access to it anyways without buying it? What bothers me about this "ownership" discussion is just that, what are you even talking about? The idiom possession is nine-tenths of the law refers to this. Not just the law "enforces" possessing something, it refers to defining what that even means and limitations. Copyright and IP lawyers are their own special sector because it's a far more complicated aspect of the law because so many people want to have such a wishy-washy idea of "ownership". Are you allowed to produce, distribute, end of sale, consume and just how much consumption? Within your own home, to a group of people? For how long? Etc. That's just the easy stuff by the way.
Sponsoring the artist is also an extremely weak argument. What's the difference between this and buying a $20 printed tshirt of their art? Or a poster? Or a pdf of their comic? Or their mp3? Except for the fact I get something. This whole thing of, "Yea, but patreon/apple/amazon/paypal/merchantServices/platformX gets a cut out of it."
And?
Because places to purchase/convert crypto and NFT don't exist nor take a cut themselves? When was the last time you mailed a check or cash to someone? Are you going to do that for an artist to buy their stuff? Or is a stamp too much of a "cut"? That and the envelope. Those pesky manufacturers of envelopes. Why do they oppress us by not providing them for free? Just like paypal and patreon not dealing with the debit/credit card companies for free since their data centers and employees are all volunteer anyways! I mean come the fuck on. This is ridiculous. Do you work for free? What do you do? I guarantee the same argument can be applied to your job and you would foam at the mouth about how you deserve to be paid. No one goes into these services stupid. They don't go, "Oh, this is a 100% free services and I make all ze monies." Specialization is such a worshipped concept around here, this is part of it. Someone deals with ease of purchasing and a marketplace so an artist can "art" instead of figuring out how to connect with a merchant services API and the cart to fulfill transactions, let alone all the security required. Yes, they deserve to get paid.
This whole NFT thing feels like some twisted Twilight Zone red herring. It's an immensely complicated way of solving nothing. Concert tickets? What does it do differently? "Verifies ownership". How does it do it differently than the 2 to 3 sets of ID numbers on the ticket and/or putting someone's name on it and verifying by picture ID? A piss poor MySQL db and terrible PHP accomplishes what NFT can do, minus the computational power. That and it's not "the courts" that don't let you scalp tickets. It's the venue. The agreement to buying a ticket either lets you or restricts you from scalping, which was created by the venue or whoever is performing, but normally it's the venue's rules. That's then upheld in court as the agreement is considered a binding contract. Again, the whole "ownership" and legality wannabe work around doesn't work. The restriction was placed by the venue. You think they won't do the same? Or even better, not give a shit about an obscure 3rd party system that grants no value to them or the customer?
Why NFT has ruffled my feathers so much is honestly weird. It has this Twilight Zone feel to it. The question is, wtf is the punchline at the end? I know it's not going to be pretty. Crypto in general led us to this weird new religion of tech. Or maybe it's the worship of "disruption" regardless of purpose or benefit? Disruption for the sake of disruption and regardless of consequences. Could even lead to the same type of pandora's box that the nuke gave us. The biggest difference, crypto tech is energy consuming. Nuclear tech was rapid energy producing. Curious what the fallout from this insanity is going to be.
Semi-relatedly, to your point about religion, Bitcoin, cryptocurrency, whatever else falls under this umbrella, really does have a bizarre cultish component that I believe helps sustain its so-called "value". This is why we keep seeing shit about this on HN. Every. Damn. Day.
As I mentioned in another comment, retirement accounts, like the 401k I have, has some modicum of exposure to the zany world of cryptocurrency (see TSLA's BTC buy and that company is part of the S&P500). It's like I don't get a choice in the matter of whether or not I want to be tethered to this albatross. Sad but true.
I don't think you know what's going on here. An NFT for art sponsorship is usually just bragging rights. You're provably the first sponsor of a thing. Yay you.
But if you see something that says 'own' or 'purchase' and you don't think the court could enforce it - like the Brooklyn bridge, or the moon, then don't buy it. Insisting that every NFT be worthwhile and honest would be like insisting that all contracts be perfect and all parties must fully agree - unworkably unrealistic.
But for a comparison to software, I'd rather buy an NFT license that obviously couldn't convey ownership than I would a cardboard box that appeared to contain a product but only had the installation media on it and had a hidden EULA before purchase.
> [discussion of legal quandaries in the copyright space.]
Yeah, totes. Nobody said otherwise. So don't buy an NFT purporting to give you royalties to the work - it can't be enforced on-chain and is therefore a stupid crypto investment.
> Sponsoring the artist is also an extremely weak argument. What's the difference between this and buying a $20 printed tshirt of their art? Or a poster? Or a pdf of their comic? Or their mp3? Except for the fact I get something.
How about a webcomic where you get the output anyways, and can print it if you want? Why sponsor the artist at all if you don't get anything. But once you get past that...
Anyways, producing a book is expensive and the artist may not have the time, or I may not want the book, and they only get "normal profits" from it. If I gift them money they get it all, without any work or prep. So donation and patronage are very valuable.
> This whole thing of, "Yea, but patreon/apple/amazon/paypal/merchantServices/platformX gets a cut out of it."
Without adding any value for me and by requiring the artist to go to the trouble of running a campaign. I have nothing against Patreon as a concept, for when an artist wants to recruit a following around a new book or something. But I don't buy collectibles anymore so this doesn't meet my needs.
> Because places to purchase/convert crypto and NFT don't exist nor take a cut themselves?
The artist can do it themselves for free. And they can generally spend their crypto easily online. Buy supplies with it, etc, without specifically offramping into currency first.
> Are you going to do that for an artist to buy their stuff?
If my artist didn't know how to mint NFTs and wanted to, yes I'd do that for them.
> Or is a stamp too much of a "cut"?
If I want to send mail, then no - it doesn't even cover the costs. But if I don't want to send mail and had to buy an unwanted stamp for some reason it would be.
> Just like paypal and patreon not dealing with the debit/credit card companies for free since their data centers and employees are all volunteer anyways!
The big value those companies play is in reducing and protecting against risk. But it's my crypto already, and I know the artist's address, so there's 0% counterparty or technological risk. So what do I need them for? They're an unwanted stamp in this context.
> Do you work for free? What do you do? I guarantee the same argument can be applied to your job and you would foam at the mouth about how you deserve to be paid.
Nope. Many people do not use products I work on, or DCs I manage, or anything. Why would I care? They don't cost me anything. Similarly, me not using Paypal doesn't cost them anything.
> I mean come the fuck on. This is ridiculous.
Why are you so mad about it though?
> Concert tickets? What does it do differently? "Verifies ownership". How does it do it differently than the 2 to 3 sets of ID numbers on the ticket and/or putting someone's name on it and verifying by picture ID?
Apparently you've never heard of counterfeiting. And why do I want to go through the trouble of giving them my name just so they can make my ticket harder to use?
> A piss poor MySQL db and terrible PHP accomplishes what NFT can do, minus the computational power.
No. Use a non-PoW chain and the cost to everyone, transaction fees, computation, etc, is less than $.05. And the piss-poor MySQL DB can't prove to me that my ticket is unique so it doesn't solve the counterfeiting problem.
> That and it's not "the courts" that don't let you scalp tickets. It's the venue. The agreement to buying a ticket either lets you or restricts you from scalping, which was created by the venue or whoever is performing, but normally it's the venue's rules.
Why would I care who, or how, they decided to create user-hostile rules? They don't serve me so I won't miss them.
But, if you as a venue wanted a transfer fee you could enforce it more easily then by suing resellers. It'd happen automatically and risk free. So once they get their fee they won't need to care how I transfer it, giving me the ability to easily buy a bunch of tickets for friends without having to know who exactly is coming, or whatever.
Even if they encumber the NFTs they'll be no worse than paper tickets in any way.
> not give a shit about an obscure 3rd party system that grants no value to them or the customer?
Except that it provides value to them and the customer.
No tickets to print, no defrauded customers with fake tickets complaining, no worries about scalpers eating your lunch... If they do place a bunch of restrictions I'm no worse off, and likely they wouldn't because with a more transparent market they could just arrange a Dutch auction and capture the money themselves in one simple step.
> Why NFT has ruffled my feathers so much is honestly weird. It has this Twilight Zone feel to it. The question is, wtf is the punchline at the end? I know it's not going to be pretty. Crypto in general led us to this weird new religion of tech.
There are people who dream of replacing fiat currencies. Most everyone else just wants to send money to friends, play games, etc. Don't let the ideologues freak you out.
> Or maybe it's the worship of "disruption" regardless of purpose or benefit? Disruption for the sake of disruption and regardless of consequences.
Disrupting companies is pretty safe. If everyone switched from Paypal they'd go bankrupt but nobody would be hurt - employees would get new jobs and life would go on. Disrupting the entire currency system is dangerous but is potentially required to avoid corruption.
> The biggest difference, crypto tech is energy consuming. Nuclear tech was rapid energy producing.
And interestingly, both have a large crowd of detractors who don't understand the tech or the risk/reward tradeoff but want them gone.
Want to "sponsor" an artist, how is an NFT any better than mailing them a five dollar bill or sending them $5 through paypal? The "someone takes a cut" argument is null because someone is always going to get a cut no matter the system and that includes NFT. What does the NFT do special? Does it magically make the $5 dollars spent a $10 dollar bill without the need for market speculation? Because then it's smarter to just gift the artist a treasury bond or gamestop stock at that point. But again, most people don't like "gifting". They prefer buying prints or do-dads from the artist. Something they can get to mess with or decorate. An NFT is just... eh? It's as unique as naming a blank text file a random 32bit hash. Sure, it's got a unique name that's probably never existed in all of time like a 7-times shuffled deck of cards... but so what? There's a ledger that says you "have" that unique string which gives you the ability to... say you have it?
Yea, venues and artists make rules for the nature of their performances. Why can't they? "You buy a ticket, you can't resell it." I wonder why they would do that... OH RIGHT! Because assholes with a fuckton of money would just buy out all the tickets to a popular concert (like the '05 The Killers concert in Tampa... fucking bastards, I'm still angry over that shit) and resell them at triple the price so poor fans/teens can't attend! You think maybe those pesky venues are not just protecting their own wallets but making sure the average schmuck isn't screwed out of participating in events? This is why I absolutely hate crypto folks. You have zero clue how or why the rules are in place in our current systems. After smoking a bowl, you skim a few manifestos and, "I know it all maaaaan." Ten minute youtube cartoons can't teach you about, "The truth to money". You keep saying it provides value to people. Where? Do you know what that means? Adding value means it's solving some sort of problem in a way that can't be done in other, simpler means. It's another one of those $400 over engineered juicers that squeezed a pre-juiced pouch into a glass. Pouches that could be hand squeezed faster than the machine could. That's not value. That's mental masturbation.
An Ethereum NFT transaction, one transaction, single, is 60 kWh: https://digiconomist.net/ethereum-energy-consumption That's no 5 pennies. That's 2 days worth of average household energy usage. PoW and PoS are energy hogs, get out of your cult.
The cult of crypto is a, "I don't like the old players had a headstart to the game. I'm changing the rules for me." Yea, it sucks. Millennial here. Fresh in the job market and the economy raw dogged us all. Grow up. For one, the wannabe new system is flawed and unsustainable already. This push is so damn disingenuous of, "there are no problems, everything is perfect, this is the way" it's far more sinister that the archaic system. A generation will go by and they're going to want to ruin the new system because they weren't apart of the last "wealth redistribution". No great revolution really helped the poor in history. They just transferred power from one set of assholes to another. The honeymoon period is when the most poor people suffer.
Why am I mad? I got real angry too when those bastards with a dehumidifier in Hawaii won an XPrize purse on "solving" water supply issues in arid African countries. Now, it only works in a select few, high humidity locales that are better served cheaper and faster with a well and water purifier. Perhaps I'm sick of good tech and ideas being passed up for venture capital because con artists gallivant around with their bullshit "I'm going to change the world for a better place. All you have to do is give me lots of money and not question me." We all want to scream and cry about how no one is putting money in research that "matters". Yea, well, $70m for an alphanumeric string that amounts to fake... it's not even ownership or anything. You can't call it ownership. It's literally nothing. You get nothing. This is the most outrageous con, I swear. Maybe I'm just pissed I didn't make up this con myself or this is going to sideline the greats like Victor Lustig.
Crypto was also claimed to help the poor obtain wealth. Yea, well $70m goes a long way on buying bags of rice and wheat to feed the poor. Would have been better spent that way.
in short, it's bullshit, but for the tech crowd rather than wall streeters.
I don't think the implementation is interesting. I don't think the technology is interesting. I think the concept is extremely interesting, though not in the context of the NFT linking a user to a digital artwork.
If people believe a product has value, then the product has value. If consumers are willing to pay money for it, then the product has value.
People are willing to exert considerable effort to submitting the first comment on a popular youtuber's latest video. People are willing to spend considerable money in order to "own" unique items on roblox. None of these items have any marginal cost to the creator, the hard work has been done, but they are an interesting auxiliary product to the creator's product.
I think an interesting intersection lies between the thinking that lead to NFT, the idea of community and the implementation of smart contracts. Being part of a community, with bragging rights and smart contracts and agreements and sanctions and a culture and so on, becomes much more interesting if people are willing to take the leap to believe that the investment is worth the value they get in return. I think NFT is the proof of this, and the implications of this worry me deeply.
We can create reality out of nothing but talk now. If enough people assert a story as real then it is indeed real. Social media is wonderful for this.
Yes, it's basically 1984 with some extra steps.
People are using NFTs as stores of value. Despite spending, the owners are not illiquid and are much more liquid than fine art collectors, as borrowing at decently high Loan to Value ratios against the NFT can happen in the subsequent block.
Given your existing predilection, knowing that probably also just moves the goal post for why you think there is something wrong with it "omg, now there's leverage!?". But its just an efficiency on the existing art world which has all the same stuff just much slower due to poor data and information, and nothing to do with the pseudo-intellection abstraction of value.
In a single protocol (standardized class with a set of standardized functions), art provenance has been disrupted, art appraisal has been disrupted, art insurance has been disrupted, art lending has been disrupted, and art royalties have been disrupted.
You will just be seeing more participants in the collectors market because of it, and a market that moves faster and can attract more capital globally, instantly, during a period of massive currency creation.
Its not anybody's problem that new galleries/marketplaces have fees for the artists. Its not anybody's problem that there will still be a ton of starving artists that will never get bids on these platforms. Its not anybody's problem that a buyer ends up with an asset that might not be valued the same or higher or ever get a bid again. Its not anybody's problem that a lender winds up with an illiquid asset. Buy art you like and from creators you like to support, maybe some times you won't get outbid.
It is a sort of performance art.
Beyond that, I literally see no reason to buy these things, but they don't seem that different from physical collectibles, and most art pieces in general, where the concept of "original" is just as "irrelevant" in a world where we can duplicate things relatively easily.
[0] https://eu.usatoday.com/story/life/2019/12/09/banana-priced-...
What's the difference between paying 100x for a purse, etc, and a digital status symbol? It's not bought as a good, it's bought as a symbol. Yeah, it does seem wasteful, and I generally think "spending Dad's money" when I see it, but it doesn't offend me.
> but doesn't anyone else think this NFT art thing is bullshit?
Yeah. Because it's not clear that it's just a prestige way to sponsor someone. Non-techies may not understand that the NFT offers no control over the art, the way that owning an original allows you to lock it in a vault or burn it.
Personally I'm buying only stuff that resonates with me. I do not plan to flip it for a quick profit. In fact, my.taste is sometimes so eccentric that I doubt anyone else will want to buy them from me. However, I must say that owning a NFT to an artwork, gives you a stronger connection to it, even if it is digital. The artist also appreciate that you support their work.
That's the way you should go about this too. If you see anything promoted by celebrities, run, run away. Also avoid corporations caching in on it like the NBA. Only buy from Artists directly, and if you must, then trade only peer-to-peer.
Btw. I meant, only buy NFTs that were produced directly by the artists themselves, and the artists have rights to their work. Basically, avoid middlemen. That's what crypto is for.
Centralized marketplaces for the resale of 721s (NFTs) can enforce this for sales they arrange, but there's nothing inherent to the blockchain or NFT to require it, which means that sales bypassing such centralized marketplaces would not be subject to those conventions.
Other people can also see this information, but it isn't as useful to them.
People are buying a number here which has no relation for he actual artwork. You own nothing but the number.
A few weeks of ordinary household energy usage per NFT is realistic.
https://www.loop-news.com/p/the-big-problem-with-nfts-energy
What's more is the pseudo-intellectual justifications for it all. As soon as you bring up value, proponents put on their philosophy hat and ponder "what is value? money is just paper, maaaaan, we just believe it has value." Or we hear that owning a digital "asset" is actually the same thing as a physical "asset" because they're both unique things that can't be copied. It's all smoke and mirrors, and you know that when you have to hide behind vague philosophical assertions about "well nothing really has any value", then you have no actual argument supporting the value of the thing you're defending. It's a new illusion, pumped by hype, and they're trying to justify its existence by pointing to other illusions.
Thanks but count me out.