Motives aside isn't a valid reduction of their action, the motives you have when you take an action are very much a part of whether that action is illegal. This is why both murder and manslaughter charges exist as separate crimes in most legal jurisdictions.
I don't know if this would be strictly illegal - it'll depend on what, precisely, police officers are required to do w.r.t. civilian oversight and it might require specific legislation to resolve. However, the intent of the police officers is to prevent people from filming, if they are attempting to accomplish this through playing music because more direct actions have been restricted then a court is probably not going to look kindly on their actions. As a parallel if you are barred from dumping hazardous materials on state park land and instead dump that on an interstate that passes through state park land a court will likely find you in violation.
If the cops are dumb enough to have put this in writing (most cops generally forget that text messages are admissable in court), it would seem that the government is intentionally restricting free speech.
You can film them all you want, but they aren't forced to stand there. They can go away if they like.
Because it gives the impression that the cops have something to hide when they are triggering the Facebook copyright filter, seemingly on purpose. Caesar's wife must be above reproach.
Oh as I mentioned in a different comment I think this should be illegal and might already be illegal - but pulling some rando law out of the aether to force the charge isn't a great tactic.
Edit: Just to clarify, one of the other reasons I'm skeptical of using copyright law for this is because the intent doesn't match what the officer's intent would be allowing for officers to have a pretty good chance of avoiding any repercussions and because the penalties of sentencing are inappropriate. There are existing legal recourses in most instances for restricting the ability for civilians to record police incidents - if an officer is abusing copyright law to accomplish this silencing then they are likely running afoul of those laws and should be sentenced with breaking those laws since the penalties are more appropriate.
1. I'm going to guess it has happened sometime because racism, but it really shouldn't be. And thankfully a quick googling didn't turn up a litany of results.
I mean, if I were a business open to the public, playing music without paying the fees, I'd get in trouble. Here we have police business, open to the public, playing music, pressumably without paying the fees. Especially, if the officer is doing it when they know a recording is being made, that's an intentional act of public performance, or facilitating copying or somesuch prohibited conduct with copyrighted materials.
Also, depending on the volume, could be violating a noise ordinance.
Public performance isn't really some random law pulled out of the aether. It's one of the basic tenets of copyright and serves as the basis for the majority of copyright licensing in the U.S. Even the take-down process that the officer is looking to exploit exists because of the the rights holder's right to public performance (an Instagram video is a public performance).
That it is illegal (criminal) to willfully perform a copyrighted work in public is well established law and not the least bit random.
The point being that no rights holder, in their right mind would prospect someone for this, in the same way that they don't go after people walking around with boomboxes.
There might be a crazy example if this happening once. But mostly nobody gets prosecuted for walking around playing music on their phone.
As in, maybe there has been 1 or 2 times, in history, where a court has ever punished anyone, for merely walking around, playing music on their phone, if it has ever happened at all.
> there are plenty of bands that would be happy
And the band would waste a lot of money and lose in court doing that.
I am truly curious as to how far you actually think this goes. As in, do you truly believe, that, to give a more extreme example, if someone was walking around, and had headsets in, and was listen to music but someone walking next to them could hear it, that any court ever would call this a public performance?
I mean someone can hear it right? That makes it a public performance? No. That is ridiculous. This would never happen.
Because that is only a slightly more extreme situation.
Copywrite law would be completely meaningless, if you are willing to bit the bullet on these kinds of extreme hypotheticals.
In your headphone example, I'd say it's pretty clear that this would not be a public performance. Let's approach the problem from the other direction. If you have a store and play music over speakers in the store then this does count and stores pay licensing fees for this. What about if an employee regularly plays music with a bluetooth speaker while they're working at the cash register? This is a representative of the company playing music where customers can hear it so you could argue it still counts. What if they don't use the speaker and play the music directly over their phone's speakers? Does the quality of the speakers matter? What if instead of a store it's a government employee working somewhere like the DMV? Is the government exempt from copyright laws? What's the difference between the DMV employee and a cop? They both work for the government, doing a job where they interact with the public, and are playing music over speakers where the public around them can hear it.
At what point in that series does it stop being a public performance? Where exactly does the law draw the line? Is there even a clear line in established case law? Does that precedent vary depending on your location in the US? I would be surprised if there is relevant precedent for this example. There wouldn't normally be any incentive for anyone in the music industry to claim this type of scenario is a public performance. However, I think that changes when the police start doing this to as a way to avoid criticism.
No more or less terrible than automatically removing the video of the officer is. It's the same law! If it's unethical to prevent an officer from playing music it's equally unethical to exploit someone else's enforcement of that law for reasons that have nothing to do with playing music.
> But every now and then, a business makes the decision to ignore the legal rights of the music creators that help them make money. We only pursue lawsuits as a last resort after multiple attempts to negotiate with the licensee in question.
https://www.ascap.com/help/ascap-licensing/why-ascap-license...
If the officer is playing the music incidentally as they go about their day, would that be fair use?
I wonder if a de-music service would be feasible so that the copyrighted audio within a video would be detected and suppressed without suppressing the video and other noises.
Obviously, it's not.
Maybe uploading a video containing such music is.
- Section 101 of the 1976 Copyright Act
Playing music to yourself, your friends etc. is 100% legal in all cases.
The cop doesn't need to make any arguments whatsoever about who it's being played for.
The person doing the filming and distributing is the person infringing.
It's completely obvious, there is no ambiguity.
The only approach, however hairbrained and ridiculous - would be for the IP owner to go after both the content video/distributor - and then somehow also rope the cop in as though they were somehow 'part of the preformative act' of making the video. But that's beyond a stretch.
In reality there are no hairs to split. If there is infringement, it's the person making the video.
Anyone playing the music to themselves is not playing it where 'a substantial number of persons' can hear it, nor are they projecting in such a manner.
If this were the case, then anyone playing music, anywhere would be in violation, which is obviously ridiculous and no, it's not about some odd technicality of the law.
It is straight up, 100% legal to play music to yourself.
Given that there are millions of instances of people doing this every day, and zero cases of infringement in these scenarios, it would seem both the letter of the law, and case history quite handily demonstrate how crazy the claim is.
HN threads descend into a weird distortion field when dealing with hot-button issues such as DRM, policing, NIMBYism, blockchain, privacy etc.
-> Someone playing music to themselves (and not filming themselves and putting said video in public) is not infringing on anything.
-> Someone filming someone else else playing music, may be infringing by virtue of the fact they are posting the content 'in public'.
I don't think it's a matter of 'a difficult case to make' against a person being filed while listening to music to themselves, there is no case.
The videographer, yes.
Twitch / Youtubers know this as they cannot stream DRM'd music in their streams, but of course, they are directly making said music public, in which case it's a legal problem.
If you are playing music to yourself, and someone films you - you are not infringing - the person filming and uploading is - possibly, though that's more questionable.
That cases are not pursed is incidental.
I imagine it's hard to build a case against the guy blasting his car radio without a recording, and the affected people aren't particularly unhappy with it.
If copyright was more like trademarks, and they had to protect it to keep it, you'd see more cases of people playing their music too loud.
We'll see the same happen with streaming services as smart TVs get popular. You'll have to pay per viewer as licenses change
If there is some random person filming you - then they are infringing - not you.
The license to share tends not to be transitive.
They might be doing this improperly for now, but it's not hard to fix.
The exclusive license could be found unconstitutional though?
[1] IANAL, etc, etc.
If you’re just turning up a broadcast radio station, I don’t think that is public performance.
Now on one hand, every day people will find this absurd. However, I am pretty sure it is not a defense that it’s not enforced evenly in all circumstances. A lot of people go 5mph over the speed limit without consequences; means nothing if you’re in court for it.
However, if you are acting in bad faith, you can expect people to become more creative with their use of the law against you. The police do this all the time.
And I really, really don’t think we need to argue that the police officer here just really wanted to share his taste in music while being uncooperative and has no idea what’s going on.
P.S.: IANAL.
I do know lots of small businesses (pop-ups) use streamed media -so do company picnics and so on. It’s a thing. Officially I’m sure ASCAP frowns on this. On the other hand it’s a fruitless pursuit.
However, it might possibly become a different story in this case. Here is a pretty objectionable use of copyrighted music on a small scale. It makes copyright holders look bad because the system they lobbied for could now possibly be used to help corrupt or abusive police officers escape accountability and censor opposition. Ordinarily, a copyright holder taking action against a small scale case like this would seem like a David and Goliath situation, but in this case the “little guy” is not the person playing the music.
Acting in bad faith is, of course, one thing, when you are an individual and you are acting against a large conglomerate. It doesn’t justify the action, but the optics of enforcement are not great. Just remember issues like Mike Rowe Soft for example. (P.S.: https://www.eff.org/deeplinks/2013/11/trademark-law-does-not...)
This case is more complicated because the perceived wrong is not exactly the use of copyrighted music but how copyright systems are being used against a citizen exercising their rights.
It remains to be seen what happens, but if this sort of behavior continues I can at least bet on musicians not being very happy to hear when their music is used for this purpose.
Now that I think about it, if we could get ASCAP to go after the kids with their rattling cars... Hmmm!
It's ridiculously obvious, otherwise, literally anything with a speaker would practically be banned.
The person making a video with the music as part of the content, may be technically subjected to DRM, or rather, when they upload it they will be.
Excerpts from: https://www.eff.org/deeplinks/2020/06/you-have-first-amendme....
> You have a First Amendment right to record the police. Federal courts and the Justice Department have recognized the right of individuals to record the police. Although the Supreme Court has not squarely ruled on the issue, there is a long line of First Amendment case law from the high court that supports the right to record the police. And federal appellate courts in the First, Third, Fifth, Seventh, Ninth, and Eleventh Circuits have directly upheld this right. EFF has advocated for this right in many amicus briefs.
> The right to record the police unequivocally includes the right to take pictures and record video. There is an added legal wrinkle when recording audio—whether with or without video. Some police officers have argued that recording audio without their consent violates wiretap laws. Courts have generally rejected this argument. The Seventh Circuit, for example, held that the Illinois wiretap statute violated the First Amendment as applied to audio recording on-duty police officers.
> There are two kinds of wiretaps laws: those that require “all parties” to a conversation to consent to audio recording (12 states), and those that only require “one party” to consent (38 states, the District of Columbia, and the federal statute). Thus, if you’re in a one-party consent state, and you’re involved in an incident with the police (that is, you’re a party to the conversation) and you want to record audio of that interaction, you are the one party consenting to the recording and you don’t also need the officer’s consent. If you’re in an all-party consent state, and your cell phone or recording device is in plain view, your open audio recording puts the officer on notice and thus their consent might be implied.
> Additionally, wiretap laws in both all-party consent states and one-party consent states typically only prohibit audio recording of private conversations—that is, when the parties to the conversation have a reasonable expectation of privacy. Police officers exercising their official duties in public do not have any reasonable expectation of privacy. Neither do civilians in public places who speak to police officers in a manner audible to passersby. Thus, if you’re a bystander and want to audio record an officer’s interaction with another person in a public space, regardless of whether you’re in a state with an all-party or one-party consent wiretap statute, you may audio record the encounter.
https://www.law.cornell.edu/treaties/berne/11.html
https://en.m.wikipedia.org/wiki/Berne_Convention
Enforcement varies.
If you're broadcasting it electronically, like radio, it's OK as long as you have a blanket broadcast license.
Given the cop specifically asked and confirmed that there were people listening, he probably should have had a license.
Play a copyrighted track in your business lobby and see how long it takes ASCAP to track you down.
I hope the RIAA comes down hard on this. Just as hard as they came down on Napster, tbh.