My (probably unpopular) opinion is that they simply shouldn't have a voice. Twitter is bad for society period.
Though it doesn't help, of course, that TwitFaceTube are designed to maximize engagement at the expense of everything else, which encourages inflammatory content. Maybe if they didn't, we wouldn't have this problem.
And I don't think the power of short messages is specific to the United States
> Scandal and Betrayal: The Story of How Twitter Started
I think this is true, but it's worth also considering the factor of how well a platform is able to keep its users segregated into their own echo chambers wherein they feel as though the platform as a whole meets their standard of what is hip and cool
Take Instagram for example. Ten years on from its inception, it's still very, very popular with 18-24 year olds isn't it? Simultaneously though, as I'm sure many Americans with a ~45 year old mother will be able to attest to, it somehow maintains very strong popularity with middle aged women too.
My idea as to how it maintains its general appeal while catering to these two disparate audiences is that its software mechanisms are carefully designed to keep both audiences separated from each other. Consequently both feel as though it's 'their' platform.
It seems that when a social media platform fails to build an intergenerational iron curtain like this, you end up with something like Facebook, where both generations gravitate away from the platform.
I admit I could be completely off the mark here though, and applying my personal experience more broadly than I should.
Let's say that someday there is a new "teenstagram" launched, and they paid some teenager influencers to drop content there and some cool kids to use and promote it.
In my experience as teens, "it's uncool to use a same platform as the one your grandma use".
Somebody could make new Facebook but people wound't move to it cause Facebook has 15 years head start and gigantic social graph.
TikTok is as far as I can tell not profitable either, and they’ve been burning hundreds of millions on ads as well. I’m guessing the CCP will gladly spend a few billions to have a social media platform that’s used all over the world.
Precisely, although I think it's 50/50 between "what old people use" and "where the corporations live". IG is being used less and less because it's turned into the Home Shopping Network, places like TikTok are popular because corporate interests haven't shown up yet (basically no ads and very few sponsored posts / product placement).
I'm not so sure about this. 80% of my communication happens through Instagram DMs, and I haven't heard a single complaint about advertisements, or Instagram at all.
Rather, I see friends browsing content on TikTok (rather than on IG), then re-sharing it through DMs. They browse on TikTok because its For You Page curation makes finding interesting and entertaining content easier than on any other platform I've seen.
Periodically launch a new instance of the site, on a different URL, with a different colour scheme and an independent userbase?
Even now, they could bring Vine back and compete with TikTok toe-to-toe but they’re evidently allergic to making sound business decisions.
The view that "Vine was tiktok before tiktok" is extremely common. Vine was very popular, was a trend beachhead, but it just wasn't something Twitter was really interested in so they shanked it.
Speaking of which, I didn't realize that musical.ly morphed into TikTok. I knew musical.ly only from Paymoneywubby - https://www.youtube.com/watch?v=5PmphkNDosg
Instagram became dominant because it had Facebook's engineering and infrastructure resources. Had they fallen into Twitter's hands, it would be little more than a camera app and a way to embed photos into tweets and or been shut down.
It started with college students. That quickly became adults that continued to use it into their careers. Skipping the myspace teen generation fad cycle.
But yes, US TikTok is absolutely built off of musical.ly services. A lot of the TikTok API URLs still have musical.ly domains.
“Twitter is such as mess — it’s as if they drove a clown car into a gold mine and fell in.” - Mark Zuckerberg
At the time, the story was that all these other platforms like Instagram and Snapchat were adopting short videos, so Vine could not compete anymore. But obviously it was possible to compete, since an entirely new service--Tik Tok--was able to rise against them.
That said, I do think there may be a human-oriented life cycle to these sorts of social apps. Once a social platform is around long enough, it becomes the thing that old people use (since its original users grow older with it). Then the next round of teens seek a new platform--even if the functionality is the same--just so they can have it to themselves.
Under this theory, there's nothing Twitter could have done with Vine to make it beat Tik Tok, since a crucial feature of Tik Tok is simply that it's new.
The business strategy in the face of this theory would be to continuously start or buy new social platforms with similar feature sets, but each time with a new brand that is totally separate from the (older) parent brand so teens don't get scared off.