I just picked up Prodeus, if you like games like old Doom and Quake you’ll probably love it.
Also, From Software games (Dark Souls, Elden Ring, Sekiro, Armored Core) are basically all gameplay. Cutscenes are kept to a minimum and gameplay is is tight AF
But like AAA has never been an adjective that meant good or fun. Just that the budget is big.
Cut scenese are an opportunity for a change of pace and to tell the story in a different way. Or as a way to emphasize a game action. When you get a touchdown in Tecmo Bowl, you have a little cut scene which is nice (but gets repetitive). The cut scenes in a Katamari game give you some sort of connection to the world, but you can always skip them.
I think I've managed to skip most big budget games for most of my gaming life. That's fine, lots of other customers for those, I'll stick to the games I like.
- a camera flight go give an overview of the map
- show the location of the final boss
- hint at future missions
- provide a clue for solving the puzzle
- etc.
So you have Legend of Zelda games where pretty much all puzzles are so simple you can instantly tell what the solution is the very moment you see them, ie. downright retarded with few rare exceptions. This also applies to difficulty, etc.
As a result, AAA games can only be appretiated or enjoyed for not much else but production values. The soundtrack, the setpieces, the massive worlds and how much money must have gone into it, etc.
Interestingly, Elden Ring (2022) is AAA but very difficult, though not because of the puzzles. Perhaps puzzles test more for IQ (which can't be changed) than for gaming skill.
Taking agency away from the player is usually a bad thing, so its not something you want to do when the player has other goals to work on. They are a fine tool to break up the action and games are also about the story and world building so expositional sections are a natural thing.
Its important to not mess with the game pacing, though.
After a heavy boss fight where the player doesn't even know what their next goal is anyway? Perfectly fine time for some exposition.
Running past an NPC on the way to do something? That's a horrible time to whip around the camera and tell the player something.
AAAs have huge momentum so you'll often see plot points and exposition that needs to be shoehorned in to fix some writing issue or what have you. Of course, you also just have game directors making bad decisions.
This is not exactly a new phenomenon. The final cutscene in Metal Gear Solid 4 (2008) is 71 minutes long (Guinness world record). The total cutscenes add up to around 9 hours according to a Reddit user. Maybe more games are doing this now compared to 15 years ago, but I wouldn't bet on it.
- proper games ("play"): if you remove all the lore, cinematics, dialogs, etc the gameplay can stand on its own and the user find it fun. (ex: Elden ring, Pokemon. you can play a cut-scenes ripped version in a language you don't understand and still enjoy both, chess and other abstract games are the extreme end of this category)
- interactive DVD menus ("media arts"): it's a movie but sometimes you get to interact with it. in this category you have also have visual novels with branching trees/DAGs. they are more than a movie but still ultimately the most important test: they can't stand alone without the story/lore.
I enjoy both, but I wish games and steam pages were more front and center about which camp they are in the beginning before I even buy them.
my ultimate sin is games that think they are in category 1 who give you unskippable cut scenes.
Two things to consider regarding cut scenes. First, sometimes they are mandated by the game story writers and backed up by artists wanting to show off. Second, and more importantly from a game developer's perspective, they are a useful tool for hiding scene loading I/O such that the customer experience does not notice a nontrivial delay.
How is that possibly an excuse? It reads like you’re agreeing with me. I could give a shit less about the feelings of some artist that wants to “show off” to me when they’re getting in the way of me enjoying the maybe 20 minutes of time I have to try and play a game between other obligations.
Games like those seem to be designed for teenagers who have hours or even days on end to sink into a game. I’m a 40+ year old dad with negative time on my hands. The gaming industry has basically left me behind.
Yes. In general it's because they're made by a different team, with different incentives, working to a different schedule.
They're often made using an earlier version of the game lore and story. Due to the massive effort required to make changes and render frames, they often don't match up with late-breaking changes made by the game team.
But sometimes you get lucky and the cinematics team excels. I worked with Blizzard's cinematics team in the '90s, and those spectacular folks produced an amazing body of work.
I don't think it's a modern thing, I tried playing the original Kingdom Hearts on my PS/2 but gave up because there are so many mandatory videos that are unskippable during combat. Not going back as far, Bayonetta series has a ton of quicktime sequences, that I hate, have to beat an enemy, die to due slow reflexes and unexpected quicktime event, repeat and hopefully get the timing right on button press which is sharp contrast to the otherwise fluid combat in Bayonetta.
There was also at one point in ancient history a very big deal to have cinematics integrate seamlessly into gameplay, using the same engine for both, instead of prerecorded video sequences. So then games did that just as a point of pride, and having the cinematics in game engine it possible for non specialists to add (or storyboard and leaving final result to specialists) cinematics into a game's flow.
I played that in my teens, and 30 years later, I can still remember the name of the peaceful agricultural planet that had blimps as their main form of transportation - Bex.
Why? Because the cutscene played and I was like "Wow, look at this place, this is nothing like New Detroit".
And it didn't make you (IIRC) watch the cutscenes. Every. Damn. Time you landed thereafter.
The thing about cutscenes, as with most aspects of AAA games, is that they test well in their target market. Cutscenes aren’t exactly cheap to make, especially if acted. They wouldn’t do them if they weren’t popular.
But it’s perfectly fine that you, like many (and me), don’t like cutscenes. Embrace that and accept that perhaps those games aren’t for you, because there is so much choice out there that that you will certainly be able to find things more to your tastes.
What exactly is the right way to tell a good story though a game? The only other ways I've seen are:
1) Text boxes or Bethesda-style dialogue trees
2) Dark-souls style slow-drip storytelling.
Although they can both work, I don't think I prefer either one over cutscenes. (1) especially is more like something I'll forgive rather than like because I know cutscenes are difficult for smaller teams and limiting for games that emphasize player choice.
It's one of the reasons I liked Baldurs Gate 3 so much -- suddenly the cinematic cutscenes don't feel like a tradeoff for sacrificing choice.
But they are also not gameplay, obviously.
https://www.raphkoster.com/2012/01/20/narrative-is-not-a-gam... https://www.raphkoster.com/2012/01/26/narrative-isnt-usually...
...and maybe https://www.raphkoster.com/2013/03/13/why-are-qtes-so-popula... since you dislike QTE's. :)
But that doesn’t explain games where as soon as you start it up for the first time, there’s a minimum of 20 minutes of (often unskippable) cutscenes before you can even control a character. Or cutscenes at the beginning of a level/mission where you kinda have to watch it to know what’s going on at all, but they’re like 10 minutes long, so you’re gonna be there a while. Sometimes even those ones are unskippable. I remember playing Jedi Fallen Order and I just left the couch and cleaned the kitchen for a while because I could not have given a shit less about the story they were pushing on me, and I came down and it was still going.
Games need to respect my time. You turn the NES on, press start, and there’s Mario on the left side of the screen. You’re playing now. You turn on Forza Horizon 6 or whatever and it’s 20 minutes before you can control a car, at minimum. And that’s a fucking racing game, with no story I would ever possibly give a shit about.
I honestly wonder if this is done to reduce returns. Steam, for example has a <2hrs policy.
Put 30+ minutes of cut scene in, 60 minutes of intro/tutorial, and you’re past 2 hours of game launched time before discovering the game itself just isn’t fun for you (too predictable? Grindy? Too easy? Too hard?)
But you don't like those sorts of problems as much (or don't want them in that moment). Which is fine. No game works for everyone the same way.
(There is also an offhand remark in the article about gamemakers being failed moviemakers... ;) )
There are a lot of AAA games out there that very clearly seem like the developers wish they were directing a movie instead. Sure, there’s loads of cutscenes to show off some cool visuals. But then they seem to think “ok well we need to actually let the player play now”, but it’s still basically a cutscene, but with extra steps: cyberpunk 2077 had this part where you press a button repeatedly to make your character crawl along the floor and the take their pills. It’s just a cutscene, but where you essentially advance frames by pressing the X button.
Then there’s quick time events, which are essentially “we have a cutscene we want you to watch, but you can die if you don’t press a random button at a random time”, and they call it a game.
If it’s not that, it’s breaks in play where they take control away from you to show you some cool thing, utterly taking you out of the experience for something that is purely visual. I usually shout “can I play now? Is it my turn?” at the screen when this happens.
But I digress… I essentially hate games nowadays because this or similar experience seems to dominate the very definition of AAA games at this point. None of them respect your time, and they seem to think “this is just like a movie” is a form of praise, when it’s exactly the opposite of why I play games.