It's really no different than anything else in life. People hire contractors to do larger home repairs, and the contractors contact and subcontract other specialty workers as needed (drywall, woodworking, plumbing, electrical) for things they can't cover themselves. As the homeowner, unless you make an effort to know who these people are, you won't know who they are and may not know what their company is. The benefit is that you don't need to know any of it and can just let the contractor coordinate it all for you.
Youtube is just like that contractor, except instead of a local guy that cares about your business it's a giant multinational which is hard to get to care if they screw something up for you because you're one of many millions of other customers.
The parallels of you can handle all this coordination youtube offers with more control are obvious. Either hire someone to do it all for you or handle it yourself if you want control, because no matter what platform you go to that handles it for you, chances are it will exhibit some or all of the problems that Youtube has, or even new ones.
It would know what I read and watch. It would find new stuff for me, dedupe it, listen to my feedback,and learn from its mistakes. It would work with all kinds of media, not just youtube or HN.
And it would all be private. I don't mind paying for my content but I do mind being the product.
As a non-program, you can always depend on the means that humans have used for content discovery since time immemorial: word of mouth.
I use both YouTube and Netflix pretty extensively. These companies are both held up as ML success stories. But, at least in my personal experience, they suck! My front-page feeds consist of (1) content that the platform knows I have already seen because IT IS IN MY WATCH HISTORY, (2) content that is trivially related, like by having the the same channel/director/actors, and (3) random junk I have no interest in watching and always regret clicking on.
It's not that the content isn't out there -- I'm able to find stuff I like through "big spreadsheet of all the Netflix movies" websites, online recommendations from humans, and YouTube channel crossovers/cameos. But I've never had that magical "the algorithm knows you better than you know yourself" experience that every ML engineer I've ever spoken to seems to be convinced their systems achieve.
Are all ML engineers mindless drones with exactly average movie preferences, or am I some kind of incomprehensible weirdo?
I also still don't understand why yt recommendations are as poor as they are. I've tried taking the time to try removing certain things from the "recommendation history" (or whatever they call it), flag recommendations I'm not interested in etc and it does improve things a bit but still it recommends things I would never watch in a million years (eg right now I have 4 Joe Rogan recommendations on my homepage even though I've literally never watched any of his things and have zero interest in ever doing so, and click on every one and say not interested etc, for a while it was obsessed with trying to get me to watch MMA content even though I can't bear watching other people hurt each other).
And the whole issue of recommending videos where it knows I've watched the whole thing, I just don't even know where to start.
This is a different strategy to Google web search, where the monetisation occurs on the search results page (via ads there) rather than on click-throughs, so there isn't an incentive to try and get you to click several tangentially related links.
if you regret clicking on it, that means you did click on it and the recommendation did it's job; remember that the job of the recommendation engine is not (directly) to suggest content you'll like, it's to suggest content that will get you to click. Ideally those goals would be aligned, but not necessarily. YouTube is simply incentivised (via ad revenue) to get you to click on as many videos as possible.
So while it may not be overly successful on you (i.e. you only click occasionally), if it works on a significant portion of people it could still be a successful strategy overall.
Personally, I would gladly donate my (anonymous etc) data for this noble goal.
How do you figure out which data has been faked to drive views to particular content?
Data quality and relevance matter far more.
A recommendation engine that works solely based on your own watch history would require a totally different approach using algorithms that are years/decades/forever away from existing.
It does make sense that the job is simpler with everyone's history and inputs, if you can keep PII out of it. Are there any good references on recommendation aggregation algorithms?
Here's a simple proposal that keeps everyone's stuff anonymous and allows a rec service to pay bills.
Distribute the pool of everyone's watch histories/prefs/etc using IPFS, which is a DHT with static names and some storage. User clients put the share data into IPFS and register into a public pool. The client remembers their own hash. Rec services (there can be multiple) pull everyone's sets periodically and aggregate/indexe them. Users can then retrieve a batch of new recs by sending a small fee to the service of their choice along with their hash and the server will place some new recs into their bucket. If the recs are not suitable, they can try another service.
Even without this, I could just check videos you shared on Twitter, follow the same process, and have a decent chance of identifying you.
Anonymization is very very hard. Maybe federated learning is more promising here, keeping all your data privately stored on your own devices.
I think you're the one underestimating modern recommender systems, especially the ones built by advanced teams in big tech companies.
They absolutely use content features. Among other advantages, this counters the cold start problem (how will you learn about a new video if it doesn't get recommended to anyone).
YouTube has hours of video uploaded every minute. A non-centralized, context-less recommendation system would mean that you are offered those crap videos together with ones that are the standard for ‘good’ now. Just get into the long tail on any search results and see if you want those.
A non-monopolized video discovery would be splendid, only who knows how to achieve that. Perhaps it would be more realistic to do the recommendations based on the numbers of ‘retweets’ in federated networks—in a more ‘social’ style instead of views (dunno if PeerTube already offers that). Also, an open system will be incessantly gamed.
You might agree: "thought and discussion termination isn’t cool," right? I hope you aim to live up to your own principles. Maybe you meant to say something else to the human being on the other end of the line.
>I don't mind paying for my content but I do mind being the product.
This is another thing that bothers me. Being guilt-tripped for not watching an ad, or being a Patreon subscriber, or YouTube Red subscriber. Even if I don't watch ads or pay a fee I am, me, this individual is valuable just for who I am. My data, my habits are valuable to Google just as much as it is for me to pay a fee or to watch ads.
Some portions of a personalized, cross-service recommendation engine are a lot more viable if centralized (e.g. any scraping/indexing, and plausibly the personalization itself). Supposing such a service had no intention of you ever personally being the product, what would they have to do in order for you to still be comfortable handing that data over to them?
No affiliation, but it seems to be trying to do what you want
In the event that you have to change platform for whatever reason, you still have a line of communication.
By November 2010, they had iTunes Ping, Twitter, an iPhone app, Facebook, Myspace, the bassist's twitter feed all being pushed in huge tiles.
At the time this was extraordinary, since many artists did not have a handle on social at all and definitely were not pushing people "away" from direct connection like this.
I believe the idea was to allow many platforms to get between you and your fans/followers, but to allow the fans to choose which platform that would be.
As the OP suggests, this can be a lot of work.
[1] Coran Capshaw, the band's manager created an early dial-up ISP company in Charlottesville that went on to become MusicToday. was responsible for major tech advances in live entertainment
[2] https://web.archive.org/web/20090219153059/http://www.davema...
[3] https://web.archive.org/web/20101105102023/http://www.davema...
Judged.
However, on a more serious note, I new people who were -very- attached to bands/musicians based on interactions they had on MySpace and LiveJournal.
One problem with any online exposure in the modern web is that the bar from 'unknown' to 'trolls flooding your inbox' is pretty low. I do wonder however whether small time performers wind up trapped by this: When they are first growing they probably can't pick the ideal "Social Media" person, which may limit certain exposure and opportunities.
You don’t know the half of it. I ran a DMB blog and large online community. It was where I did a lot of my first web programming. :|
Whatever you think of their music, DMB and their fans pioneered a bunch of areas.
One of the most forward decisions by the band was to allow online distribution of their live recordings.
Being mainstream at that point meant it pushed torrenting of the live shows into the workflows of many people who wouldn’t have otherwise have been exposed to the tech.
It also drew the hackers of sorts to their scene who would illicitly capture and record IEM streams, mix them with mic recordings then combine them with stealth monopod videos to release bootleg copies of entire shows.
Only the Radiohead fans came close to the amount of enthusiasm in the DMB scene back then.
That said—if I could go back I’d pick Radiohead to follow.
Generally I would advise new content creators to be present on every possible platform.
I do, but the memory is well-faded, and growing dimmer...
I think it's hard to make a fully independent platform so I think topical ones are a better option - but YouTube is really in a position of power due to the network effect. As long as they don't shoot themselves in the foot with controversy and banning then they should be able to easily hold onto their position - everything challenging them has an uphill battle.
Most of the YouTube channels I follow have no external means to notify me about new videos. If I were to stop using YouTube, they were banned, or YouTube subscriptions stopped working the same, they would have no way to actually contact me about new content, and they’d lose me.
Effectively YouTube owns the relationship between the creators and I. This can be changed, CGPGrey has been building a mailing list for this reason, but it takes a lot of painstaking deliberate action to achieve. Migrating to a new platform alone is insufficient.