I found Serial to be grating and and not very good at keeping my attention. I really didn't understand the hype at all and I really had to force myself to sit through the last couple episodes just so I could say I finished (I got a similar feeling when approaching the last episode of the second season of True Detective). I didn't find the story compelling at all.
The ones I have a hard time listening to are the ones where they have an actor read an excerpt a book. Sometimes it's interesting, and sometimes, it's just a guy reading a book.
It embodies the elements of NPR that drive me nuts, without the pledge drive to give me a time out period. :)
[0]: http://thisiscriminal.com/As a listener, this meant I honestly felt like I had wasted a huge amount of time on the show.
But I was rooting for them right up to the point at which I began cursing them.
That seems like such a weird conclusion to me.
So, many weeks later, when the final word was "gosh maybe we'll never know!", I felt like I'd clicked on a series of those "What happened next will shock you!" headlines.
A compelling story reaching the same conclusion probably could have been handled in a single episode.
But... that's the point. The finally episode spells this out very explicitly - although they can't say either way whether he did it or not, they found they don't have sufficient proof they he did commit the crime he was convicted for, and therefore does not deserve to be in jail.
See update at the bottom:
http://lawprofessors.typepad.com/evidenceprof/2015/01/ive-po...
I find his response to this question compelling when talking about Sarah Koenig and Serial:
" Was the name ‘Serial’ ever used?
No. Not to my recollection. She kept saying ‘This American Life,’ ‘the radio,’ and ‘a documentary.’ There was no talk of ‘Serial’ or a podcast. Then I asked her outright, ‘Are you an advocate for Adnan?’ She said ‘No,’ that she wasn’t his advocate. But she said that she had talked to Adnan, and she wanted to get more information about the case. She said there was new evidence, and I said there’s no new evidence that’s gonna change what I saw: I saw Hae dead in the trunk of the car. If Adnan wants to take the stand now and explain that away, let him. But there’s no evidence that’s gonna change what I saw. I don’t know how she was murdered, I don’t know exactly how she got put in that trunk, and I told the cops that. If Koenig wants to get into how that all happened she can go there. But that doesn’t change what I saw. And that’s the only time I commented directly on the case to her. "
I just know that if someone that close to me disappeared, I'd be reliving and remembering that day and the days after to the point it'd be burned in my mind.
[0] http://www.northwestern.edu/newscenter/stories/2012/09/your-...
[1] http://www.radiolab.org/story/91569-memory-and-forgetting/
Memory is bad, period. And we don't even realize it. It's extremely common to be absolutely certain you've observed something, which never ever happened.
None of the kids really remembered what happened - including (close) friends of Hae, so what does that tell you?
Not to get in to the details, but her family called him looking for her that night. And like I said, if I get a weird phone call from a friends family looking for them and the next day they don't show up to school, you better believe it is ALL me and my friends are going to be talking about. It's just not something people, let alone high school kids, ignore.
I don't understand the 'firmly' bit. The state's case was flimsy and the state's timeline was a total mess. The cell tower evidence was flaky and one of the state's expert witnesses rescinded his testimony. Jay is a terrible witness who changed his story multiple times. The state needs Jay AND the cell tower evidence to stick and I don't think it does.
That said, as other sibling comments are saying, one's memory is surprisingly poor. This is sort of tangential, but for example, I've sat in a classroom, where as an experiment on eyewitness testimony, someone comes in (without the class knowing what's happening) and in a very exaggerated manner steals something from the professor and then leaves. Literally a minute later, when asked, much of the class misidentifies major physical attributed of the 'perpetrator' (height, hair color, etc.), even when they are confident they are correct.
He was high. I think that part was corroborated by multiple people. Everybody reacts differently. How Adnan reacted when he heard she disappeared shouldn't be the backbone of deciding whether or not he is innocent or guilty.
All the other kids didn't think murder when she disappeared either. There was a rumour going around that she ran away to Cali to see her father. It took a few days before the realization sunk in.
Plus you'd have to believe some pretty wild conspiracies for any other explanation to be plausible.
He may be convicted again. I didn't think they established motive all that strongly, and something was odd about the guy who claimed to have helped bury the body.
That said, it did bother me how he apparently never thought to call on her during the time of her disappearance, even though they were no longer a couple. That was probably one of the strongest pieces of circumstantial evidence against him, in my eyes.
One of the most compelling aspects of the case for me is that while I can see why Adnan garnered the sympathy of advocates and the interest of Serial's producers, at least enough to warrant a full season of coverage...I still couldn't quite shake the feeling that even if he isn't guilty beyond a reasonable doubt...that he might still be guilty of the actual murder. I can't remember the last time a story so full of ambiguity so completely captured my attention.
I don't know about you, but like most people, I'm not on speaking terms with most of my ex-es.
(I'm on speaking terms with my exes. Even am still Facebook friends)
That's insulting at best to the many, many people in the criminal justice system who have suffered from the general mutability of memory.
There was something special about Serial. With regards to the topic itself, how lucky she was to find a story with so many angles and so many holes and so many things to investigate. With regards to the medium, it was something entirely new to me to have something dictated to me through audio in a format that somewhat resembles a documentary, and to have everything visualized only in my imagination. I can visualize Best Buy, and the school, and Leakin park. And for whatever reason, that visualization is especially vivid in my mind, even in comparison to books that I've read a dozen times. I think a big part of it has to do with a feeling of everything occurring in real-time and the stream-of-consciousness that Koenig speaks with. It's a strange feeling to be visualizing the entire context of these events while not being in control of the speed, like you would when reading.
Coupled with the fact that you're making judgements about his innocence and thinking about what-ifs at the same time, and it really pulls you in.
Did they really though? I'm a podcast whore, but I also happen to be in the demographic of someone who'd probably listen to podcasts already-and yet I know plenty of people outside of that demographic who consume podcasts just as much. Heck, the last person I'd ever expect to be a podcast consumer-someone who struggles to even click through a hand-held software update started her own fashion podcast years before Serial was even announced.
edit: grammar, and obligatory link to the website for the first season, which itself is a great example of online journalism in how pieces of evidence discussed on the show were also uploaded with further explanatory writing: https://serialpodcast.org/season-one/1/the-alibi
One of my favorite bits was the lengths the producers went to confirm whether or not Best Buy had a payphone 15 years ago. The show, IMO, also served as a great example of how to do investigative research and is a must-listen for aspiring journalists for that reason alone.