That's the first time I've heard microtonal work in a rock setting. Pretty good!

I see your added frets, and raise "add frets on the fly using Lego":

https://www.youtube.com/watch?v=rPCEImSfCwc

> That's the first time I've heard microtonal work in a rock setting. Pretty good!

Really? I highly recommend Flying Microtonal Banana.

> Really?

Really? Most people's first intro to microtonal guitar is recent and brought to them by Angine de Poitrine.

Awesome band. Most of their songs sound so familiar to me because they are actually influenced by our folk music. :)

A bit spotty, but alright; meanwhile the Italian instrument makers said guitar-harp? Hold our expressos, this'll take some discipline:

* https://www.delta-harp.com/

* https://www.youtube.com/watch?v=IdUztFVwi3I

Never having played a harp, whats the advantage here (beyond cool factor) over an equivalent electric guitar?

A harp can have more than 6 notes ringing out at a time. It's also a different instrument and if you've trained to play harp then a guitar is useless for you.

I'm a bit late on the reply, so to add to what has been said by AlecSchueler consider the piece I linked above being played on that guitar slung mini harp.

It's a cover of an English prog rock piece, the titular Discipline from 1981 by the band King Crimson with the then line up of a drummer's drummer, Bill Bruford, and three top form guitarists, Robert Fripp (sitting on chair), Tony Levin (Chapman stick), and Adrian Belew [0].

One comment on the linked performance is simply: 3+2/4 vs 2+3/4 vs 9+8/16 vs 4+4+4+5/16 INSANE

So, ... it's an instrument that allowed for a credible attempt at covering three "insane" polymeter prog rhythms by a single performer.

I'm old enough to have got the album when it first came out- looking for a live performance I stumbled over a recent breakdown look back at a peer album track: Frame by Frame [1]

[0] King Crimson: Discipline (Live Kani Hoken Hall Tokyo 30th April 1984) - https://www.youtube.com/watch?v=hOFkbDKsC9U

[1] These Guys Wrote The Most INSANE Polymeter in 1981 - https://www.youtube.com/watch?v=cYAa1JNCDFE

Why frets? Orchestral strings don’t use frets.

For plucked instruments, besides ease of use, it adds clarity and sustain. Orchestra AFAIK only has Pizzicato where that would matter.

Frets make chords possible.

You only have to put your finger somewhere in between two frets to get a particular note, so you can play more than the tiny handful of chords that can be played on something like a violin.

There are non-fretted guitars but they are rare, and I think early banjos were not fretted.

Frets make chords easier

It makes hard chords easy, and impossible chords possible (if not easy). Most barre chords, for example.

> Frets make chords possible.

What do you think double-stops are?

There are those who say it isn't a chord until you have 3 notes. I'm going to skip the complex music theory behind the arguments (I haven't studied them enough to understand much less form an opinion).

Of course in most music contexts there is more than one instrument playing and so the others can fill in the missing note making a full chord. Only a "one-man-band" really feels the loss.

Power chords only have two notes (although more than two octaves, I don't know if you count that)

It's self-consistent: those who say that a chord must have at least 3 notes also say that power chords are not technically chords

What do you mean about more than two octaves? The basic power chord is 3 notes, for example E2 + B2 + E3. One of those is an octave.

"Power chord" sounds cooler than "power dyad".

Whimpy-ass chords. You need three or more notes for a serious(tm) chord.

Five for the Hendrix Chord, E7♯9 ;-)

That's E, G♯, B, D, F

Every jazz player knows you can drop the fifth, and the root too if the bass is filling it in. That gives your fingers room to add even crazier extensions

Oh man have you seen the Adam Neely video "Seven Level of Jazz Harmony"?

https://www.youtube.com/watch?v=lz3WR-F_pnM

If not, stop and watch it. But make a cup of tea to enjoy with it first, and maybe put a cloth over your keyboard for when you inevitably splutter tea all over it.

I read a pretty good argument once that this chord should really be called a b10 (no one does though...)

We seem to have a pretty hardcoded preference for using sharp in everything that's not brass and woodwind, don't we?

I think it's also ingrained that the chord starts from 3rd and 5th degrees so numbers above 7 are always adding in one of the other degrees. Or that a chord should have at most 'one of each'.

The argument was that this chord is unusual in that it's best thought of as having a second modified 3rd, rather than a #9 (raised 2nd)

The major-minor-7 chord is another example of the same degree twice... and we don't call that a maj-14 either

Isn't it the curvature of the fretboard (to allow for bowing individual strings) that prevents chords on a violin rather than lack of frets?

I can play chords on a violin or viola and strum them. Keeping a four-finger chord perfectly in tune in rapid changes is really hard (near impossible) without frets.

Chords can be rolled. Here's an all time favorite

https://www.youtube.com/watch?v=ngjEVKxQCWs&list=RDngjEVKxQC...

Fretless bass is quite popular though, and they play chords all the time. What would 80s music have been without them?

And all uprights are fretless, too. And cellos of course. They can also play chords.

What's the difference in sustain time between a cello played pizzicato and a plucked guitar string?

On fingered strings the guitar sustains for about 10 seconds until the note is very quiet, but still ringing.

On a Cello a fingered string is gone in 2 seconds.

Sustain

in college a good friend was a very good Oud player (plucked, some number of strings.... more than 8? I forget), and it definitely sounds different from guitar due to less sustain. Clearer notes and chords, but they don't linger as long or loud.

Edit: apparently it's 11 strings? ok.

It is still worth noting that the microtones used by Angine de Poitrine are usually just transient notes, and could instead be played portamento with smooth transitions between the notes (eg on a fretless board) in most situations. It still sounds really cool, though, and certainly a technical and musical accomplishment. But the music itself still follows the usual patterns closely.

In the early days of the guitar it had tied gut frets, it was microtonal by nature and you could move the frets for different temperaments. Then in the 19th century things changed and the guitar got fixed metal frets, ever since people have been trying to figure out how to have the benefits of both. 1852 is the first attempt that I know of.

https://collectionsdumusee.philharmoniedeparis.fr/search.asp...