Avoid the American "Warriors of the Wind" because it is terrible, for reasons similar to what you wrote about Akira.
I love how one of the comments talks about Roger Ebert calling the lamp post a gift. The entirety of Studio Ghibli is a gift. The empowering characters and almost eternal, non-preachy, storylines are truly some of the greatest epics in modern times.
"‘Grave of the Fireflies’ Poster Has Heartbreaking Easter Egg Discovered 30 Years After Release": https://nextshark.com/grave-fireflies-poster-hidden/
The shock factor is completely gone, the gory and meant to be traumatic parts aren’t that bad like I’m always waiting for the part that is triggering and it just doesn't come.
And the main characters I can basically only laugh at, the story is a cautionary tale of degeneracy and all the adults point out other choices the whole time. I completely didn’t notice the first time I saw it as a pre-teen. I just saw freedom, desperation that nobody helped and shock at the resolution. I completely missed that it starts as an anonymous homeless person dying their last breath in a subway station, and ending with it. Seeing that and how I actively avoid that specific scenario and so could these main characters, its more of a comedy at “watch this dumbass burn every bridge with the worst decisions” an expected and purely Machiavellian outcome, as its so common in the cities I live in, and everyone compassionate realizes they cant help people that cant help themselves. The story moreso shows humanizing to the dead anonymous homeless off in the corner, but not really empathy as it might be interpreted, just caution of how not to make those choices. the adults point out other choices the whole time, the writers put that in there.
Grave of the firefly is not a cautionary tale. You are failing to put it in its cultural context. Seita mostly acts or try to act as would be expected from a Japanese man at this time and the people around him are actually not really trying or failing to help because they are trying to survive the war too.
Takahata is actually extremely sympathetic to their plight.
In a lot of ways it is a reverse Hollywood war movie. There is no real heroism. Courage is pointless, people selfish in their will to survive. The protagonists are clueless and ineffective but they are touching in their humanity and try to root for each other and yet they fail and die forgotten.
It’s really a movie about how much of a waste war is. Takahata doesn’t even try to introduce suspense and plays it straight from the beginning. You know from the beginning that the protagonists struggle is pointless and that’s the point.
An American published a study of this aspect of Japanese literature in the 70s. "The nobility of failure" I think it was called.
https://www.goodreads.com/book/show/573601.The_Nobility_of_F...
Yes anyone willing to make a movie about homeless and the more relatable things leading up to it is going to be sympathetic.
I didn't use that word sympathetic, I agree that it does that. Its cautionary for viewers.
I genuinely believe both Spirited Away and Momonoke Hope are better films from a critical standpoint but Kiki’s Delivery Service, Porco Rosso and The Castle of Cagliostro are the ones I have rewatched the most.
Miyazaki really is a master of the adventure genre. All his movies are incredibly tight when it comes to the pacing and I think lighter plots allow this to really shine and make for incredibly breezy movies.
As someone who watched Lain first, I found it much harder to follow as half of the scenes were distinctively dream-like and weren't "happening".
- Red Shoes and the Seven Dwarfs (2019)
- Leap! (2016)
And for the series you are really missing out on:
- Final Space (the first season only)
- Batmat TAS
- Gargoyles
- Howl's moving castle
And if you'll allow "animation" to also cover animatronics and puppetry:
- The Storyteller
- Labyrinth
Even on rewatches, the show is powerful for me. There are two episodes that will always make me at least tear up. I would almost hazard to say it is a perfect show for youth. Even the youth qualifier feels shaky sometimes.
Just to add in, an animated show I have rewatched a lot that still inspires me is "Ping Pong the Animation". I recommend the original voice work for the initial run, especially if you understand Chinese. They recasted one of the characters for the bluray release, and the delivery is not quite right in my opinion.
Tales of Ba Sing Se & Sozin's Comet, Part 2: The Old Masters? ;)
Half right! "Tales of Ba Sing Se" and the very next episode "Appa's Lost Days", which apparently won a Genesis Award for Outstanding Children's Programming [0].
- Spirited Away
- Grave of the Fireflies
- Finding Dory
- Up
- Tokyo Godfathers
- Akira (NOT the English dub, which completely changes the story and dialogue for the worse, and for no good reason)
- Mononoke Hime
- Ghost in the Shell (the original one)
- My Neighbor Totoro
Animated series I'll rewatch:
- Guardian of the Sacred Spirit
- Castlevania
- Futurama
- Archer
- Arcane
- Cowboy Bebop
- Ergo Proxy
- The Dragon Prince
- Hakaba Kitaro
- Star Trek: Lower Decks