Instead I have about 9000 mp3 files.
I find streaming services frustrating because their recommendation algorithm suck. I tried playing "Swing" and it gave me "Volare" by Dean Martin. (that's not Swing), I pick Prince Radio and it plays rap (Prince has no relation to rap). My mom's into Tuba Skinny so I pick Tuba Skinny radio, every song it choose was nothing like Tuba Skinny (Dixieland Jazz). And on and on. It get music similar to the artists less than 1 out of 6 times.
Prince certainly created some songs that would qualify as rap, and they were some fairly big hits:
My Name is Prince: https://www.youtube.com/watch?v=w0g9Qkrc8nE
Sexy MF, including the rap section here: https://youtu.be/bfHsF6FKgb4?t=324
A compilation of some Prince raps: https://www.youtube.com/watch?v=9ez4iEHtAuw
I bounce between Spotify and Youtube Music and Apple Music. I recently got into Apple Music library curation but then I got a Tesla which supports Spotify (and Tidal, but...). So I'm back on Spotify. But Apple Music has one really nifty thing -- highlighting major tracks on albums so that album exploration can be enhanced a bit.
But honestly, my appetite for keeping up with and curating albums is waning. I wish there was a nice "cd changer" like interface to one of these services -- load up 6 albums and randomize. Queueing isn't the same.
(I'll repeat a desire I've had a long time -- playlists of albums, not tracks, with album-shuffle. So simple, yet nobody supports it).
I have a few online streaming radio stations I love -- Radio Paradise in particular. Someday I can see chucking all the "streaming service album" management and just going other-peoples-radio.
Slacker (in the Tesla) is also good enough.
If not yet, you're in for a unpleasant surprise.
Sure you can, hdtracks has been around for nearly 15 years now, and even offers the same redbook data you'd find on a CD if you don't trust their FLAC encoding.
2. This presumes 100% of the music collection is on Spotify. Personally speaking, 60%~ of the music I listen to ISN'T on Spotify.
3. This presumes music is only desired to be listened to when an available internet connection is available.
Having to shuffle my media collections around whenever a third party went out of business or pivoted was such a massive headache that it was the inspiration for just managing my own media collections locally.
Artist
Album
Artist
Album
Game OST
Game Name
Film OST
Film Name
works just fine.With WinAmp's quick jump it was a blast to navigate.
(just checked - my mp3 folder has 6231 files)
- bandcamp.com - mostly indie, but I've actually purchased a few more "mainstream" artists from here in the last couple years. - hdtracks.com - have a wide selection, but tend to be pretty pricey.
I bought some Peter Gabriel records and they came with a code for downloading multiple formats including huge, lossless. And the site for one wasn’t working because it was too old and I had to email someone. But an actual human responded and send me a code to the new site.
Not sure if that’s just for RealWorld or for all Geffen LPs.
I think this is a good model where you get some limited release physical world thing and then the digital version to go along.
Doing similar with movies/tv but more slowly. Partly because the only legal option is ripping blurays/uhds (Need to clarify I'm not in the US), which is more hassle and also they're bulkier to store and finally there's less tv/movie content I'm inclined to rewatch. But movies/tv have the plaftform fragmentation/content going away problem even worse, and the streaming services love to try serve low bitrate content, or even refuse higher resolutions altogether if you're not using a locked down enough setup, so that's been picking up steam for me
Sadly bandcamp has been bought by Epic, so it's unlikely to live long :(
Precisely. The same reason I am wary of digital money. Its just too easy for the powers that be to flip a bit to make it all inaccessible. I do not trust them enough to give them that much power. They can still make things inaccessible, but they would have to put up with some inconveniences.
Mark me old school, but I like the physical cover designs, art work and well done liner notes too.
I also find that when I commit to listening to physical media, I’m more likely to listen to the whole thing through, rather than cherry picking songs.
I do exactly like GP: I rip everything to bitperfect (and it's verifiably bitperfect, using online DBs of other people who ripped the same CDs) FLAC files but I still keep my audio CDs.
We do not care if they're unreadable: we've got the bitperfect digital files on our SSDs / servers / USB stick and whatnots.
Now of course it's not convenient if you're always on the road.
But yeah: moved to another country a few weeks ago. My trusty old CDs were in a big cardboard box!
Library discs are another story. Those are abused to hell and back.
Why exactly do you buy a physical medium?
Because you don't think you are able to store 1000 audio CDs loss less for the rest of your life?
I mean that's not that much of space.
You probably have other similar critical things like pictures or videos so you have to have a backup strategy for that anyway.
And what music would you have which would be so unique that in the worst case scenario you are happy that you still have those 1000 music CDs but no longer your pictures etc?
I have the same conflict with DVDs/BluRay. I want to play by the rules and pay for the media I enjoy, but it's absurd that it's illegal for me to rip the content that I've lawfully purchased for my own consumption.
With DVDs and Blu-Rays, the situation is less clear because there is a specific law against breaking DRM. However, to my knowledge, there has never been a lawsuit against a _user_ of software that lets you rip a DVD or BD, that law has only been used against companies that make or distribute the software itself. Either because of the fair-use right or plausible deniability, it's unclear whether enforcement of this provision against an individual end-user would be permissible.
Title 17 certainly does not say that. The closest it comes to talking about the subject is by saying that copies are only allowed if consented to by the copyright owner. Space shifting and other forms of personal copies are at best a gray area with little case law to work off of.
https://www.eff.org/deeplinks/2015/10/victory-users-libraria...
There's a summary of the context here: https://en.wikipedia.org/wiki/Compact_Disc_and_DVD_copy_prot...
It's totally legal both in the US and the EU (apparently not in the UK though).
Now I do very probably, without knowing it, break some law(s) every single freaking day because "the more corrupt the state, the more numerous the laws". And I feel exactly zero guilt about that.
On the other hand, the DMCA harms me by limiting my right to use content for which I legally hold the appropriate license.
Hard disagree.
I sold my large collection of records recently, for 2 reasons.
1. Because I realized I hadn't listened to effectively any of them in the past 5 years, across 2 house moves. I'm leaving on travel soon and may work abroad in the future, so better to liquidate now than later.
2. My entire collection had that "vintage" stink, aka mold/mildew/etc. I had mixed old and new records together, which effectively tainted the outer cardboard of the records. This caused me a serious amount of stress and anxiety (which is a separate problem to resolve) to the extent that I rushed selling the records to a record store (which I have minor regrets about, blog write-up to come on this all).
This all to say, while I really do dislike how plastic dependent we've become in society, from everything like fruits and plastic bags, I LOVE that CDs come in jewelcases for 3 distinct reasons
1. The plastic CD case protects the CD, and the inner paper booklet, from damage and other external factors, if stored properly. Also, cardboard cases for CDs often don't include inner booklet notes, which is disappointing. Cardboard CD cases are less resilient to damage as well.
I personally need some plastic archival bags (and if you can recommend some, please do), because I want to avoid my CDs coming to a similar fate as my vinyl. I found a few that caught a bit of a stink recently, and hurriedly cleaned the exterior cases (another benefit).
2. The plastic cases help with management and organization of the physical collection very easily, as every case is effectively the same size. While there are some slimline CD releases, and of course cardboard or double/deluxe CD releases, for single CD releases they all conform to the same size, making require space estimates and stacking very convenient to do.
3. Extremely easy to replace if damaged, dirty, smelly, etc. You can buy new blank CD cases so easily, and if you can't find an exact replacement, similar cases could be found. This is one reason I dislike vinyl cardboard covers: if the cover is damaged or stinky/moldy/etc enough, you're screwed. Throw it out, but good luck finding just a cover replacement. Whereas with a CD, you can get a digital copy of the inner booklet and CD one way or another, and remake a new physical copy if desired. Obviously, that's done for personal consumption only.
By extension of that last note, I want to say I love CDs for the fact that they're robust, reliable, DRM-free (excluding previous cases), high quality, and identical every play.
/end my input /start personal rant
Having the power to own your media physically and digitally is another benefit (by ripping the CD). I also love that many CDs come with the inner booklet which often contains interviews, lyrics, bonus photos, or other fun content that wouldn't be found in a vinyl release. I do admit that vinyl releases are beautiful with the large print 12" covers, but how many records do you realistically prop up on a shelf somewhere?
We moved off VHS tapes to DVD, and Blu-Ray has been around for years now, and yet despite that DVDs are still produced. I don't forsee any kind of death of CD or DVD in the near future, especially as more streaming services pull back or move media in and out of their catalogues; increasing costs don't help either.
Also separate side note, the case for a vinyl record being an involved process I agree with. I would say that limiting CD purchases per month could be viewed in a similar fashion, buying 1-3 a month and listening to each through.
Keep on collecting!
I still use the paper sleeve with window for individual discs. Then bag those + paper inserts. I like those particular bags because they're consistently thin unlike zip-lock style bags so they pack nicely, and they fit most DVD paper inserts/cardboard sleeves except some multi-disc sets.
However, my households use of streaming media (mainly Spotify) has increased for 'casual' listening, so I think there is a balance, and I hope that buying physical media for music wont disappear completely any time soon.
All my CDs (over 1,000 of popular/rock/metal and about 400 of classical, at the last count) are ripped in a lossless format, and on my file server, to be enjoyed in a modern way. I do dislike jewel cases, and all my CDs (and inlays etc.) have been re-homed into archival bags, which take up a lot less space. I think while CDs (and DVDs, and Blu-rays) are still being sold, they should 100% shift to carboard packaging instead of plastic.
I know I'm showing my age, but there's just something enjoyably tangible about physical media, as opposed ephemeral files stored in a cloud.