The internet did not become a new reality. Instead, our own reality is melding with the internet through always-on devices and miniaturized sensors and wide wireless networks.

Instead of some kind of digital lovecraftian portals hidden away in parts of realspace that connect to this magical deadly realm, the modern vision of cyperbpunk should probably have included something more like an ethereal plane -- a perfect mirror of the real world that happens to ignore its physical constraints and provide ways to manipulate and bypass the realspace.

And then the artist says 'the internet is e-ver-ting'.

Chombo says "Somebody told me that cyberspace was 'everting'. That was how she put it." (Spook Country, pp. 64). Feel like the girl he is referring to may be the one I'm thinking of. Must be Pattern Recognition.

Thanks :)

The data analyst guy who ends up obsessing over the VR idol and ends up in a cardboard box in the Tokyo subway is super super interesting. Probably my favorite part of the whole trilogy. If I am not mistaken, Gibson actually took a lot of inspiration for that character from his own experiences with photography. The ability to intuitively line up the right F-stop, shutter speed, and film speed with a scene and natural light in a second is the inspiration for the way the analyst intuitively senses 'nodes' in a social network.

And I personally think that it is this notion that led the author to write about causality in the Peripheral-Agency series.

I still love his vision.

“I was actually able to write Neuromancer because I didn’t know anything about computers,” he says. “I knew literally nothing. What I did was deconstruct the poetics of the language of people who were already working in the field. I’d stand in the hotel bar at the Seattle science fiction convention listening to these guys who were the first computer programmers I ever saw talk about their work. I had no idea what they were talking about, but that was the first time that I ever heard the word ‘interface’ used as a verb. And I swooned. Wow, that’s a verb. Seriously, poetically that was wonderful. “So I was listening to it as an English honours student. I would take it back out, deconstruct it poetically, and build a world from those bricks. Consequently there are other things in Neuromancer that make no sense. When the going gets really tough in cyberspace, what does Case do? He sends out for a modem. He does! He says: ‘Get me a modem! I’m in deep shit!’ I didn’t know what one was, but I had just heard the word. And I thought: man, it’s sexy.”

https://www.theguardian.com/books/2020/jan/11/william-gibson...

His other inspiration for cyberspace is presciently metaverse-like:

The idea came to him from watching kids playing arcade games – "it seemed to me that what they wanted was to be inside the games, within the notional space of the machine" – and an advertisement at a bus stop for Apple computers. "Everyone is going to have one of these, I thought, and everyone is going to want to live inside them. And somehow I knew that the notional space behind all of the computer screens would be one single universe."

https://www.theguardian.com/books/2011/sep/22/william-gibson...

Neuromancer is not supposed to be a manual on navigating real-life computer networks.

It's science fiction. Readers are expected to suspend disbelief.