Quibi is different in that they tried to make a bunch of new content from scratch, and no one cared. They weren't tapping into an already existing well of demand for specific content.
Instead, there wasn't anything there that people already knew about/wanted. Consequently, there was no reason for people to want the platform. (i.e. Why do I want to pay for this new thing?!?)
Personally, I found Quibi's advertising so annoying and pointless that I would likely never be interested in looking past it to see what the platform was all about.
On the other hand, if they had started pushing shows/creators as an anchor for the platform (with something like an "only on Quibi ..." branding say) it might have been more interesting. I.e. make the platform secondary to the content, convince people they want the content, and that gives them a reason to look at the platform in the first place.
Basically, the consumers don't care about the platform itself so much as they care about what it provides them.
I'm not sure if that ad was targeted at Americans, at British, or at Americans who watch British stuff, but I can't imagine how it would come across well at any of those target audiences.
This is more like Vessel, the more tech-backed version of "let's split the middle of Youtube and Netflix for more short-form stuff" that nobody has shown they wanted, now or then. Just with shit-tons more money to throw at celebrities vs more youtube-creator stuff.
Kinda. It's USA/Japan only, so from the other side, it basically looks like "The American version of Crave", rather than Netflix, which a global behemoth.
But now the market is verrmy different. You are either going for niche ( educational, documentaries, animal planet.. you name it ) or attempt to compete with big boys, which invariably means heavy investment in licensing deals.
I personally think someone did not do their research.