But as usual for nytimes journalists, the reading is barely tolerable.
Seems reasonable, but perhaps it might be premature, given the premise is that we have some problems empathizing in certain contexts. Maybe this is one of them.
After studying over 180 google teams they didn't find any evidence that the composition of the teams mattered (i.e. friends outside of work, male/female, introverts, extroverts, intelligence). Instead what they focused on were the “group norms” or unwritten rules of how the groups interacted with each other. There were two norms that were most important to a successful group.
1) Members spoke in roughly the same proportion, what the researchers call, ‘‘equality in distribution of conversational turn-taking.’’
2) Members all had “average social sensitivity”. They could understand how other team members felt based on non-verbal queues. The underperforming teams had low sensitivity amongst the team members.
Storytelling is sometimes the only way to properly convey information.
- slightly edited for clarity -
Anecdotes are still relevant. But using them religiously as the opening turns me away.
http://www.audible.com/pd/Business/Smarter-Faster-Better-Aud...
It also deals with how the script of movie "Frozen" evolved and I found that very interesting as well. It showcases how your idea gets better & better for execution because of the team.
Using "What" in the title was a mistake here. When you see "What" you expect mostly facts, mostly findings. If they had titled it with "How" I would have been more prepared for a lack of immediate answer. "How" denotes that an explanation is needed, and backstory is often necessary in explaining.
Titles are especially important on the web because links only have titles. There's no other context to which you can get an idea of what you're getting into. It's not like in newspapers where you have the context of what section an article is in or visually see how long it is from a glance.
Let's not confuse long-form "there's a lot to be said here" with long-form "we really like padding".
So here, it definitely doesn't make sense for writers to be as straight-to-the-point as possible. It's like asking for some long, cinematic movie (e.g., Lawrence of Arabia or The Revenant) to be edited down to a 60-second YouTube video. Sure, you could squeeze in the highlights, but it would miss the point.
Sometimes you want a grab-and-go sandwich from a drive-through. Sometimes you want a relaxed 2-hour meal with old friends.
I've been trying to think of a new term for this type of writing as it's not quite clickbait but I haven't come up with anything quite as catchy.
https://en.wikipedia.org/wiki/Hiroshima_(book)
I'd recommend you try and read it again.
Increasing I find storytelling in journalism to be less and less tolerable. Don't get me wrong, there is absolutely a place for long form non-fiction. If this were titled in such a way that it were to be a story and not a fact-piece I would probably have less of a problem with it; I could have filed it away in a to-read-later bookmark.
But when the title elicits that there is information to be had; I want that information, and nothing else.