add %rdi, %rax 01001000 00000001 11111000They are a bit similar to strong types in programming, you can have one sentence, and by changing its marks/diacritics (specifically called short vowels), you change what gets to be subject or object.
This is why Arabic poetry (especially Pre-Isalmic) is very interesting in its expressivenss and structural complexity even in the shortest poems (reminds me of code-golfing).
You must be Jesus. Most brains observe events first and use that information to reason about their causes.
Anyway, I think about causes first when I am either performing actions or processing other performances of actions. It's one of the reasons why I can appear to be good at empathy to certain people, because I can usually nail down the exact reason for something far better than others can guess why it maybe could have happened. It's weird how that works sometimes.
I'm not a huge fan of Scott Adams, because I disagree with his worldview, but I have other hills to die on.
He’s not wrong about this, but he’s just repeating very old “tribal knowledge,” about writing. I’ve been hearing the same advice, since I was a kid. Sometimes, I even follow it.
Didn't he write "no reasonable person doubts that the Holocaust happened" in the blog post you are referring to? That's an....unusual way to deny the Holocaust.
And you don't favor the shorter message?
Early on, I forced myself to write and speak in the active voice. Now, I believe, it comes naturally to write or speak English the “right” way.
Not really. The first sentence is about a boy, the second is about a ball. The best one to use depends on context.
I don't follow. How do you connect taste and efficiency in your perspective? Efficiency in what terms? They seem almost unrelated from my perspective.
> Most writers aren’t optimizing for anything at all, and they have no taste, and their writing is boring, and it wastes my time, and I hate it.
Wasting time is probably my favorite reason to read. Cannot disagree more.
This isn't true at all. Passive voice is extremely common in everyday speech, and sentences constructed with linking verbs are almost certainly more common than either active or passive voice.
And that accounting of the language considers only utterances consistinf od grammatically correct, complete main clauses, which constitute by far the minority of the sentential constructions a native speaker of English will produce in a day.
If everything you said in a normal day were a complete sentence, let alone uniformly or predominantly active voice, you'd sound completely deranged and unhinged.
If whatever's most common in the language really were easiest for readers or listeners to understand, then active-voice constructions should be the most cognitively challenging. They aren't.
I agree with this, but I doubt that all brains work this way. It's probably true of almost all English speakers.
I think the processing effort is likely a side effect of English mainly using sentence constructions that go subject->verb->object. Not all languages do that, so I suspect that your brain has an easier time processing whatever's most common in the language.