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Re:Who's winning in Sarah Silverman's copyright suit against... by elif on Sunday February 18, 2024 @10:15PM (#39425915)
It's time to let (most of) copyright go. Ideas are copied around the world at light speed and so much content is being produced that no individual has a chance to consume all the media the world produces in a single minute.

The value is in the copying not the material. In having a mechanism to spread your material to as many eyes as possible. Hanging onto Micky Mouse's anachronistic paradigm does not encourage more art, it only performs an oligopolistic role for artists already at the top, already with the copy mechanism and attention to spread their ideas.

Re:Who's winning in Sarah Silverman's copyright suit against... by jrm4 on Sunday February 18, 2024 @10:43PM (#39426056)
Nah, it's time to remember the spirit of it, not the letter. It was designed primarily to give leverage to the little guys against the big companies who had more power to copy, and it's needed now more than ever.
Re:Who's winning in Sarah Silverman's copyright suit against... by ronsor on Sunday February 18, 2024 @10:44PM (#39426061)
Then reform it and reduce term length, perhaps?
Re:Who's winning in Sarah Silverman's copyright suit against... by corysama on Sunday February 18, 2024 @11:16PM (#39426180)
I think the original law was: Manual registration required for 22 years of protection. Manual re-registration required for a 22-year extension. Public domain after 44 years at most. I’d support that. Make something at 18. Sell it until you are 62.

“Author’s life + 70 years” is much too slow for the pace of culture in the past 70 years.

Re:Who's winning in Sarah Silverman's copyright suit against... by a_vanderbilt on Sunday February 18, 2024 @11:35PM (#39426253)
I think this would be an equitable compromise. AI can use the older stuff to build a foundation and license the newer stuff. Artists alive today get paid for their work, and we as a society can reap the benefits of art in a reasonable time frame. I have a speech I am delivering on this issue in a few months, would you mind if I adapt your comment and cite you?
Re:Who's winning in Sarah Silverman's copyright suit against... by kemotep on Monday February 19, 2024 @06:12AM (#39428482)
Original copyright in the US was 14 years with the option to extend for 1 additional 14 year term. In 1831 it was changed to 28 years for the base term and the option to renew it for an additional 14 years or 42 years total. That was the copy right law for nearly 200 years.

Today it is actually 95 years or 70 years after the death of the author, whichever one is sooner.

I think a return to the 1831 copyright regime is pretty fair. Even just 28 years no extensions is enough time to have a full career in something.

Re:Who's winning in Sarah Silverman's copyright suit against... by jrm4 on Sunday February 18, 2024 @10:48PM (#39426077)
Absolutely. 100%
Re:Who's winning in Sarah Silverman's copyright suit against... by ronsor on Sunday February 18, 2024 @10:52PM (#39426100)
I'm on board then. Now, if only legislators actually seemed to care what average people thought.
Re:Who's winning in Sarah Silverman's copyright suit against... by wwweston on Sunday February 18, 2024 @11:15PM (#39426176)
If you believe the value isn’t in the material, then it should be a simple matter for you to avoid using it, and naturally doing so won’t be an inconvenience for you because there’s no value in it.

Not really clear why the means of distribution are valuable without anything of value to distribute, though…

Re:Who's winning in Sarah Silverman's copyright suit against... by hyggetrold on Sunday February 18, 2024 @11:31PM (#39426237)
> The value is in the copying not the material. In having a mechanism to spread your material to as many eyes as possible.

Sorry friend but this is a really bad take. I sink my time and energy into creating something and then when I get ripped off I should be happy because of the exposure?

https://theoatmeal.com/comics/exposure

Re:Who's winning in Sarah Silverman's copyright suit against... by Ludleth19 on Sunday February 18, 2024 @11:36PM (#39426257)
Agreed, I feel like this attitude comes from people who consume content but never have tried to make and disseminate anything themselves. I genuinely feel so bad for anyone making music the last 10/15 years, it's been so undervalued socially and from within the recording/streaming industry itself.
Re:Who's winning in Sarah Silverman's copyright suit against... by tivert on Monday February 19, 2024 @02:28AM (#39427042)
> Agreed, I feel like this attitude comes from people who consume content but never have tried to make and disseminate anything themselves.

Yeah, I agree. I think most absolutist rejections of copyright and intellectual property are, at their core, a reaction against attempts to prevent piracy the person wants to engage in. Maybe mixed in with some misplaced Free Software idealism (that ignores stuff like the fact that copyright is the literal foundation of Free Software).

Re:Who's winning in Sarah Silverman's copyright suit against... by zirgs on Monday February 19, 2024 @07:35AM (#39429074)
Attempts to prevent piracy are laughable and ineffective. Even North Korea can't fully prevent imports of Western cultural products.

This is why the music industry gave up and now we have services like Tidal, Spotify and Youtube.

Re:Who's winning in Sarah Silverman's copyright suit against... by zirgs on Monday February 19, 2024 @07:31AM (#39429050)
That's because the musicians flooded the market. Good music isn't rare and it is not hard to find it. Spotify has 100M tracks - even if 99% of them were crap - that would still mean that there are 1 million good songs. More than you can listen in a lifetime.
Re:Who's winning in Sarah Silverman's copyright suit against... by Ludleth19 on Monday February 19, 2024 @09:23PM (#39437347)
>Good music isn't rare and it is not hard to find it.

I think you and I may have different standards and taste. I don't disagree that there's plenty of good stuff being made, but a lot of it is hard to find and sorting through all the chaff is a gigantic pain.

This just points to the broader issue I was getting at in my previous comment. Record labels have never been great for artists, but they've pretty much abdicated any value they brought as a sort of filter awhile ago and have handed that off to algorithms that are questionable at best.

Quality also isn't always rewarded "fairly" or given a fair chance to catch on with a different market than whatever insular scene it exists within- this is compounded further via the insular nature of online groups too. Music labels and streaming platforms offer basically no support to musicians and groups who need it the most and who could benefit from a more hands on approach, and instead defer all their resources onto a few golden geese, because its safe and pays the bills.

This is short sighted though and creates an atmosphere of stagnation- a similar process is happening in film as well, culture is just being mediated by algorithms and markets, which is why culture has become so stagnant, predictable, boring, and circular.

Re:Who's winning in Sarah Silverman's copyright suit against... by tdb7893 on Sunday February 18, 2024 @11:42PM (#39426297)
Yeah it read to me like the original comment is discounting the importance of the actual material for content, which would be the most hilariously tech bro thing I've read in a long time.
Re:Who's winning in Sarah Silverman's copyright suit against... by rvz on Sunday February 18, 2024 @11:57PM (#39426360)
Just ignore these HN folk about copyright as they clearly don't have a clue about it and all they can do is complain about it.

What they want is for you to be very happy about you getting ripped off by them whilst they infringe and grift on your work for free with zero credit.

Re:Who's winning in Sarah Silverman's copyright suit against... by hyggetrold on Monday February 19, 2024 @12:04AM (#39426406)
Generally speaking I do but when I see a top comment like that I feel compelled.

It’s honestly somewhat schizophrenic on HN sometimes. You’ll read comments on one article and everybody goes full-bore Bay Area tech bro libertarian - no regulation, ever!!! And then in literally the next comment thread everybody is up in arms because why isn’t there government protection around this vitally important issue?!? Come on Uncle Sam!

I’m old enough to know that I’m dealing with people and so there’s no reason to expect anyone to make sense or be consistent. But I’ll be darned if I don’t feel the cognitive dissonance from time to time.

Re:Who's winning in Sarah Silverman's copyright suit against... by grandma_tea on Monday February 19, 2024 @12:16AM (#39426444)
It's not inconsistent. Different articles attract different commenters.
Re:Who's winning in Sarah Silverman's copyright suit against... by hyggetrold on Monday February 19, 2024 @12:28AM (#39426493)
Mmm I’ve been on this site for over a decade and it is definitely inconsistent. Hang around and you will see it too. Like I said I don’t mind.
Re:Who's winning in Sarah Silverman's copyright suit against... by grandma_tea on Monday February 19, 2024 @12:36PM (#39432423)
I think you mistake my meaning. I'm saying the HN audience is not a hive mind. Different articles attract different commenters which have different opinions.
Re:Who's winning in Sarah Silverman's copyright suit against... by hyggetrold on Monday February 19, 2024 @04:57PM (#39435323)
No, I got exactly what you meant. And I stand by what I said.
Re:Who's winning in Sarah Silverman's copyright suit against... by Turing_Machine on Monday February 19, 2024 @01:55AM (#39426873)
Copyright as we know it didn't exist before the Statute of Anne in 1709.

Shakespeare. Leonardo. Michelangelo. Aristotle.

All of them produced their timeless works without copyright.

Copyright was a workable hack as long as making copies required buying a printing press (or equivalent), but those days are over and they aren't ever coming back.

Rather than continuing to bail out the sinking ship of copyright, artists need to start thinking about (and working on) new ways to get paid.

Re:Who's winning in Sarah Silverman's copyright suit against... by hyggetrold on Monday February 19, 2024 @02:00AM (#39426897)
Do you know anything at all about how all those artists got paid?

Why is it on the exploited to figure it out?

“Sorry bud, I know I keep holding you up for money. You really ought to figure out a way not to get robbed.”

Re:Who's winning in Sarah Silverman's copyright suit against... by Turing_Machine on Monday February 19, 2024 @10:34AM (#39430874)
> Do you know anything at all about how all those artists got paid?

Do you?

Besides, that's not the point. Your previous way of making money is untenable, and has been since the invention of the Xerox machine.

What are you doing about it?

The manual drafters either learned CAD or got out of the trade.

The blacksmiths either learned how to be machinists or got out of the trade.

The farmers either learned how to use tractors or got out of the trade.

Your current business model is utterly dependent on the assumption that making copies is difficult and/or expensive. That's not true, and hasn't been true for quite some time. You can either deal with that fact or find yourself in the position of whalers after Rockefeller started cranking out fuel for kerosene lamps by the trainload.

> Why is it on the exploited to figure it out?

No one is being "exploited". No one is standing over you with a whip and forcing you to work.

Other people get paid for doing a job at the end of a week or month, and that's it. They don't continue to get paid for 90 years for one piece of work. I mean, yeah, that's a sweet deal, but sweet deals rarely last forever.

The stated reason for copyright (at least in the US) is to improve society by "promot[ing] the Progress of Science and useful Arts", not to enrich the authors per se.

> “Sorry bud, I know I keep holding you up for money. You really ought to figure out a way not to get robbed.”

Casual copyright violation is not, and never has been, prosecuted as theft or "robbery". The very concept didn't even exist until recent times, while real theft and robbery go all the way back to the beginning of history, likely long before.

Re:Who's winning in Sarah Silverman's copyright suit against... by hyggetrold on Monday February 19, 2024 @11:42AM (#39431798)
Wow. You wrote so many words and yet you said nothing substantive whatsoever. Good riddance!
Re:Who's winning in Sarah Silverman's copyright suit against... by Turing_Machine on Tuesday February 20, 2024 @08:05AM (#39440724)
Whatever, dude.

I'd still recommend that you work on alternative methods of getting paid.

Re:Who's winning in Sarah Silverman's copyright suit against... by petermcneeley on Sunday February 18, 2024 @10:51PM (#39426095)
Comments like this remind me of this sketch https://www.youtube.com/watch?v=fibDNwF8bjs
Re:Who's winning in Sarah Silverman's copyright suit against... by artninja1988 on Sunday February 18, 2024 @10:54PM (#39426104)
Reducing copyright monopolies is literally anarchy!
Re:Who's winning in Sarah Silverman's copyright suit against... by santoshalper on Sunday February 18, 2024 @10:24PM (#39425971)
But in these scenarios, it is overwhelmingly large, powerful corporations using the work of individuals. Sarah Silverman has been successful as a comedian, but when it comes to her versus Microsoft, OpenAI, AWS, et al. she is the one clearly being taken advantage of by someone far wealthier and more powerful.
Re:Who's winning in Sarah Silverman's copyright suit against... by p1dda on Monday February 19, 2024 @12:12AM (#39426425)
> Sarah Silverman has been successful yes, but as a performer not a real comedian though
Re:Who's winning in Sarah Silverman's copyright suit against... by ronsor on Sunday February 18, 2024 @10:30PM (#39426001)
I'm no fan of OpenAI's aggressive tactics, but I'd rather not risk harming open-source AI projects just to deal with them. Regardless of how any lawsuit comes out, OpenAI/Microsoft/whatever isn't going anywhere: like you said, they're powerful. They can afford to work around whatever laws or rulings that happen.

OSS projects won't have this luxury. So while I have my issues with OpenAI and the other tech companies, I think advocating for more copyright is like cutting off your nose to spite your face.

Re:Who's winning in Sarah Silverman's copyright suit against... by jrm4 on Sunday February 18, 2024 @10:47PM (#39426074)
What makes you think this would strongly harm open-source AI projects? Do you mean e.g. small "companies trying to make money?" If so, I see that danger, but I also kind of don't care.

What I don't think it would harm is actual "free/free-ish open source, just OUT there" AI projects in terms of pure "software that's available for everyone to mess around with, regardless of legality," -- and (as a lawyer I can't recommend doing this at all of course, but) I think it would end up mostly being a good and safer thing (in the same way that having e.g. Kali Linux out there is a good thing).

The models are out there and it's hard to think that any single player could have a real big advantage here. I say let the suits commence.

Re:Who's winning in Sarah Silverman's copyright suit against... by ronsor on Sunday February 18, 2024 @10:50PM (#39426091)
It's pretty hard to develop an open-source project in the open if your activity is seen as illegal. We don't need AI projects lumped in with Popcorn Time and movie torrents.
Re:Who's winning in Sarah Silverman's copyright suit against... by jrm4 on Sunday February 18, 2024 @11:21PM (#39426194)
Interesting examples you put there; FWIW you named the things that typically strongly favor the rights and desires of the consumer, despite the law, and give them a significantly superior experience to their legal alternatives (at least in the foreseeable short term.)
Re:Who's winning in Sarah Silverman's copyright suit against... by stale2002 on Sunday February 18, 2024 @11:34PM (#39426245)
> Do you mean e.g. small "companies trying to make money?"

No they mean open source projects.

The overwhelming majority of all generative AI related open source projects depend on, use, or are related to publicly available weights that were trained without permission on other people's data.

The entire open source AI community wouldn't exist if those weights weren't available for everyone to use for basically any reason.

One could argue that the existing weights aren't going to disappear as thats impossible to enforce.

But what about the updated weights? If nobody is allowed to spend 50 million dollars training a new model and then releasing that model publicly for anyone to use, without getting permission from the entire internet to make that model, well then there aren't going to be anymore new models coming out.

The government isn't going to be able to confiscate everyone's gamer PCs in order to ban inference, but they can stop someone from spending that 50 mil training the next cutting edge open source model.

Which means that the existing models will be all that the open source community has. Yeah they could fine tune them, but cutting edge base models are still extremely important for open source AI progress.

Re:Who's winning in Sarah Silverman's copyright suit against... by zirgs on Monday February 19, 2024 @07:46AM (#39429153)
But you won't need to spend 50M in the future. Hardware improves all the time.

Remember all those "can it run crysis?" memes? Those GPUs are now slower than mobile phones.

Re:Who's winning in Sarah Silverman's copyright suit against... by stale2002 on Monday February 19, 2024 @04:36PM (#39435107)
Moore's law takes quite literally years to come into effect.

And the AI progress time gap we are seeing right now, of "amount of time between major AI breakthroughs" is measured in weeks, not years.

Going back to waiting years instead of weeks for entire technologies to be revolutionized is a major slowdown.

Re:Who's winning in Sarah Silverman's copyright suit against... by jrm4 on Monday February 19, 2024 @11:13AM (#39431387)
Right. I think you hit on the biggest question -- what is the likely MARGINAL improvements in weights that your hypothetical 50 million buys? -- even if you accept that we wouldn't be here without that first "50 million" that already went in?

A reasonable argument, a possibility, is "very little." Perhaps compare to "so and so is going to put 50 million in improving the Linux Kernel?" I'm not sure this would improve anything at ALL, in fact, maybe make it worse -- given that someone will want to get something out of 50 million?

Re:Who's winning in Sarah Silverman's copyright suit against... by stale2002 on Monday February 19, 2024 @03:06PM (#39434119)
> what is the likely MARGINAL improvements in weights that your hypothetical 50 million buys

Wrong question.

The marginal improvements of a specific model might be marginal, but what matters is new models for different usecases.

For example, we have great image generation models 6 months ago, and one coming out now isn't going to be that much better. But, what is starting to get good right now is generative video models. And the video models are a huge marginal improvement over what was available 6 months ago.

Now do the same thing for any other use case. We have reasonable good videos now, but what about 3d models? Those mostly suck right now. Lots of improvement opportunities that wouldn't exist if training new models was banned.

There might be a dozen such major usecases that don't exist yet, where we can't repurpose old models, and instead need to train an entirely new model with different data. Making sure we still get that innovation is still important.

Re:Who's winning in Sarah Silverman's copyright suit against... by jrm4 on Monday February 19, 2024 @11:52PM (#39438176)
No one actually knows "what matters" yet, and also no one knows whether or not you actually need "new models."

Everything you're saying right now is extremely hypothetical.

The tech is very shiny, no doubt about that. But it's wildly conclusory to think "Yes, there will definitely be a demand for new use cases AND ALSO you definitely will be unable to create those new models without big money investment."

Again, it sounds to me exactly like someone clamoring for "big investment in a new, revolutionary, operating system." Nothing at all inevitable about that for MANY reasons, most having to do with "incremental building on the past thing that already works is probably the most feasible."

Re:Who's winning in Sarah Silverman's copyright suit against... by stale2002 on Tuesday February 20, 2024 @03:04PM (#39446184)
> and also no one knows whether or not you actually need "new models."

All the more reason to not make it illegal to train these new models.

There are massively improved models coming out once a month.

There could be many more to come.

As you said, we don't even know where this stops! and the current innovation is very large right now.

Therefore, it is premature to just ban all of that, when we don't even know how much more innovation there is to go.

So the point stands. The massive amount of innovation that has helped open source has all been driving by these new models being released.

And there could be many more to come.

> Everything you're saying right now is extremely hypothetical.

Looking at the fact that we come out with a powerful new model every month is not hypothetical.

I am referencing existing reality here.

Re:Who's winning in Sarah Silverman's copyright suit against... by CPLX on Sunday February 18, 2024 @10:42PM (#39426052)
Here’s a counterpoint. Fuck that.

We’ve had enough concentration of resources in the hands of those who merely build technology that connects valuable things together, after having exploited market power to siphon off all the profit from the actually valuable things.

Re:Who's winning in Sarah Silverman's copyright suit against... by jph00 on Sunday February 18, 2024 @11:23PM (#39426205)
But hasn't the concentration you're describing been created under the current copyright system? Those winning from this system appear to be exactly those groups that are concentrating power the way you describe.
Re:Who's winning in Sarah Silverman's copyright suit against... by Jensson on Monday February 19, 2024 @02:52AM (#39427157)
Currently there is little concentration compared to what it would be, without copyright you would have a single big corporation where people get all their content. You either get paid by them to create content or they distribute your content anyway without paying you. Under such a system no way youtube would pay creators 55% of revenue and so on, big corporations gains way more power when you remove copyright.

That wasn't much of a problem before copying was so cheap and easy, but today that would absolutely happen.

Re:Who's winning in Sarah Silverman's copyright suit against... by hackerlight on Sunday February 18, 2024 @10:56PM (#39426118)
We need a special AI tax. Profits made by foundational models (not the application layer) get an additional tax.

We're entering a new paradigm that copyright is not sufficient to handle. These AI models have sucked up the output of humanity itself, the entire commons. The public vs private distinction isn't that important. They're going to cause job losses across many fields, so we need a new solution. Relying on the court system to enforce copyright claims for the benefit of a single claimant is not a solution that scales to solve the actual problem here. Another thing is, foundational models are prone to monopoly because the barriers to access compute are so steep.

Re:Who's winning in Sarah Silverman's copyright suit against... by hadlock on Sunday February 18, 2024 @11:43PM (#39426302)
The barrier of entry to building a "foundational model" is less than $400 of compute time (72 hours) on a handful of rental A100 using widely available open source data sets. Open source projects by ICs are already on par with GPT3. It's gonna be really hard to regulate stuff in its current form, which is already commercially beneficial
Re:Who's winning in Sarah Silverman's copyright suit against... by s1gnp0st on Sunday February 18, 2024 @10:58PM (#39426125)
I can think of several large organizations who would love small AI companies to be pushed out of the space with a tax.
Re:Who's winning in Sarah Silverman's copyright suit against... by hackerlight on Sunday February 18, 2024 @11:03PM (#39426137)
No. These are profits on foundational models. Small companies playing catch up don't make profits on foundational models.
Re:Who's winning in Sarah Silverman's copyright suit against... by jongjong on Sunday February 18, 2024 @10:40PM (#39426044)
Only if we first let go of patent laws. Copyright is the only law which protects the rights of regular citizens because patents are often prohibitively expensive.
Re:Who's winning in Sarah Silverman's copyright suit against... by Supermancho on Sunday February 18, 2024 @10:46PM (#39426070)
How does this follow? I take a picture (or make any other work of art), I have the copyright. This is outside of what is patented or not. They are not equivalent. Even in absence of the other, patents and copyrights do not offer the same protections.

Granted, the US patent system is broken.

Re:Who's winning in Sarah Silverman's copyright suit against... by jongjong on Sunday February 18, 2024 @11:11PM (#39426162)
They have differences but they are both forms of IP protection.

Citizens need some form of automatic IP protection or else anybody could (for example) copy someone's proprietary code and start offering a competing software service without any legal repercussions.

That would be completely wrong since the person who wrote the code invested a substantial amount of effort to write it. Someone who has better business connections shouldn't be able to just copy it and use it to launch a competing service... Such competitor could leverage their business connections to secure funding to drive the original author of the software out of business using their own work against them.

Re:Who's winning in Sarah Silverman's copyright suit against... by tailspin2019 on Monday February 19, 2024 @12:21AM (#39426463)
With respect, I find this position quite baffling.

The ability to use your years of experience and hard-earned skills in your particular craft to make something and then have ownership of the thing you made allowing you to make money from that thing, or sell it, should be something we absolutely protect.

It’s a foundational principle behind capitalism and the very startup culture that HN/Ycombinator is built around.

Saying that we should abandon copyright is a bit like saying we should abandon “ownership”.

Too often I see this framing referring to the likes of Disney but this is to ignore the vast majority of individual small creators, who are not huge corporations, and absolutely need the protections that copyright provides in order to make a living from their craft.