I disagree, I feel like its the same as all the rest but the writers in the board meetings are like.. We need to make Star Wars for 25-40 year old men to feel like adults watching it.
> slow burn
planned that way not because it is a slow burn high pay off scenario. But because it is planned to drag on so you just keep watching it consistently. Most of these garbage shows in the last 5 years or so have embraced this 'pseudo-slowburn' style to make baby men feel more sophisticated while hooking them into consistently watching.
I feel like the writers and decision makers saw all the funko pop marvel watching 30 year open mouth beard consumers and wanted to 'blow their minds' with 'slowburn' to remind them that consuming childrens movies are actually sophisticated and adult
No one said anything about blowing minds.
>But because it is planned to drag on
Unfortunately all shows are infected with this garbage. You end up grading this stuff relatively on a spectrum (“don’t let the perfect be the enemy of the good” etc) . This the “ads” of the streaming era. It is so ubiquitous people either build a tolerance, tune-out during the interval, or stop watching tv all together in protest.
>to make baby men feel more sophisticated while hooking them into consistently watching
A more sophisticated show with better writing and actors would indeed make people feel more sophisticated…yes. If, to take another example, somebody pitched me “Better Call Saul, but in space,” I’d probably watch that as well. Frankly, Dune is more a children’s movie than Andor, so you might as well say that 25-40 year olds have no business amusing themselves with science fantasy or sci-fi at all.
The litmus test for this seems to be: Make the exact same scifi show (space etc) but without the Star Wars branding. Will it be considered a children’s move? My answer in this case, no. Will it still be decent? Yes it would.
Mandalorian, Boba Fett, Obi-Wan are all magnitudes more juvenile than this attempt.
A quasi-spoiler perhaps, but I personally find it hilarious that a subplot involves a workers revolt in what could be a Tesla gigafactory 20 years from now…in a tv show produced by Disney.
The thing about Andor is that the Star Wars setting is entirely unnecessary. That series could be set anywhere; the setting is just a cash grab.
Except it would need to compete on a different field, and wouldn’t fare as well.
"A bunch of bothans died to bring us this intel" is literally a more compelling story than rogue one.
Does Andor break that formula? Does it paint the empire / the rebels in a less cartoonish light than other star wars?
Also, in the episode where she and Mando are (kidnapped/stowaway whatever, can't quite remember) on the Imperial shuttle. The Imperial pilot makes it clear that his hatred of the rebellion is deep, personal, and 'moral'. "Do you have any idea how many millions of people were on that battle station?" Not that he has exactly seized the moral high ground, working for the Empire, but I definitely saw that as a "rebellion ~ al Qaeda" moment.