Re:With every good film I see, I feel reborn (1996)
by PyWoody on Sunday April 17, 2022 @10:19PM
(#31066604)
If anyone is looking for a streaming service to support, the Criterion Channel is phenomenal.
They do historical, current, American, gay, black, Latino, female, Chinese, Korean, Japanese, etc. films without any pretense other than a film in its honest self.
I've been introduced to so many films and ideas without pretext from the CC that I consider the fee worth it even as I return to the high seas.
Re:With every good film I see, I feel reborn (1996)
by somberi on Monday April 18, 2022 @01:07AM
(#31067632)
+1. If I am forced to choose just one "TV subscription" it will be Criterion. A close second will be Mubi. I see Mubi as the millennial's Criterion.
Re:With every good film I see, I feel reborn (1996)
by PyWoody on Monday April 18, 2022 @08:54PM
(#31078630)
I had never heard of Mubi before but,
```The Auteurs was founded in 2007 by Efe Çakarel, who began work on the business model for MUBI after being unable to watch In the Mood for Love online while in a café in Tokyo.```[0]
speaks to me on a spiritual level. I'll have to check it out. Thanks!
Re:With every good film I see, I feel reborn (1996)
by telesilla on Sunday April 17, 2022 @04:53PM
(#31064408)
I simply love this film and so many of Kiarostami. Close-up wins out in my top 3 because of just how brilliantly he and his found-actor make use of each other. To perfect ends.
(Where is the friend's house, and Through the olive trees are my other favourites, though truly all are fantastic)
Re:With every good film I see, I feel reborn (1996)
by srcreigh on Sunday April 17, 2022 @05:03PM
(#31064494)
This is on my list now. Sounds similar to one of my favs, Charlie Kaufman's Adaptation, a movie about himself and his alter ego struggling to write an adaptation of a book.
Re:With every good film I see, I feel reborn (1996)
by dang on Sunday April 17, 2022 @07:42PM
(#31065640)
https://www.bidoun.org/articles/kiarostami-s-close-up-revisi... is interesting too.
> Internationally revered Iranian filmmaker Abbas Kiarostami has created some of the most inventive and transcendent cinema of the past thirty years, and Close-up is his most radical, brilliant work. This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves. With its universal themes and fascinating narrative knots, Close-up has resonated with viewers around the world.
https://www.criterion.com/films/1092-close-up