Twitter on the other hand seems to promote monoculture, and tends to push you towards what everyone else likes. It essentially pushes whatever is popular. Some of the most interesting content and users on Twitter are shadow banned, either intentionally or through poor auto moderation.
TikTok on the other hand doesn’t care what other people like, and given it’s Chinese ownership, has no political skin in the game. So you tend to see much more diverse views.
Yes, it absolutely does. Nonviolent social activism, LGBTQ content, and anything judged to be "subversive" is downranked/shadowbanned.
I’ve also heard that TikTok wasn’t showing the same contents inside China than abroad. It would be flattering the dopamine receptors worldwide, while flattering nationalist values inside China. Is it true? It could easily be that the engine is personalized enough that it does behave a bit differently.
However, China did pass "Recommendation Algorithm Regulations"[0]. Not sure if enforced.
ByteDance does operate a separate Chinese app specifically for kids[1], which is enforcing the recent anti-gaming regulation (no nighttime access, 40 minutes per day only).
The app also enforces that all kids use their real name, and they stated the following about content[2]:
In the youth mode, we have also prepared wonderful content for you, such as novel and interesting science experiments, exhibitions in museums and galleries, beautiful scenery all over the country, historical knowledge explanations, etc. I hope these contents can arouse children's interest in a certain field, and they will learn and gain something while watching the video.
[0]: https://www.china-briefing.com/news/china-passes-sweeping-re...[1]: https://www.bloomberg.com/news/articles/2021-09-20/bytedance...
I don’t use it as entertainment, I never tweet anything myself, I don’t read the replies to tweets and I have retweets turned off for almost all of the people I follow. If someone strays into tweeting about politics, culture wars, woke/antiwokeness then I cull them from my follow list.
It's like a discord server where you set "slow mode" to 5 minutes, remove reactions to comments, and require a 500 character limit to any message. That's one way to try and turn a normally chaotic, real time chat program into a sane platform for longform discussion, but few users would describe discord that was just because one niche server retrofitted it.
I suspect that is because TikTok has different goals compared to other social media companies. Their aim (right now) is to serve you better and/or more relevant content. Whereas other social media companies’ goals are to serve you ads and what do they know about you will not be as apparent to you. I would argue Facebook probably knows even more about you, more than just preferences, but social connections etc from its subsidiaries such as Instagram and WhatsApp.
And that just spelled the death toll. Why would a creator stay on one platform when the other is paying them? Consumers bemoan the constant bombardment of ads and now data tracking, but those are the costs of business if the user isn't directly paying a subscription (something services like Patreon and Onlyfans would take advantadge off around this same time that Vine was struggling. So Vine had potentially more than one way out). And if you don't/can't, some other billion dollar coporation will happily sell their soul for the trillionth time to outcompete.
This isn't to say that TikTok isn't addictive; it clearly is. But I think there are strong recency (it's the New Thing) and exoticism (it's a weird Chinese app) biases in how we talk about it compared to other addictive social media (e.g., saying that users are "obsessed with" $FACEBOOK_PROPERTY instead of describing them as digital addicts.)