Netflix has produced a lot of fairly solid content. Not at the level of the all-time great prestige TV shows like the ones you mentioned, but enough to keep a lot of subscribers happy for long periods of time at an accessible price. House of Cards (at least until the Kevin Spacey scandal blew up), Stranger Things, Orange is the New Black, BoJack Horseman, Disenchantment, etc are a few that come to mind that I watched and enjoyed.

I think Netflix has two big issues. The first is the way they drop seasons all at once prevents the natural cycle of pre-episode hype, post-episode interviews, speculation and leaks, fan anticipation, fan arguments (ship wars, etc), etc. Fan culture can't develop around this content as easily because there's never any breathing space for fans to collectively sit with the story so far. The shows that become a cultural force like Breaking Bad or Game of Thrones need us to keep coming back to the conversation every week. They have us talking about what happened last week and will happen this week with our colleagues at work and around the dinner table. How can these Netflix IPs enter stable orbit in the cultural zeitgeist when they're once-a-year events? It devalues the work, positioning it more like a movie that you watch and then forget rather than a story you become invested in over a long period of time.

Full season drops also allow people to binge a whole season of content for a single month's subscription and then immediately churn (ask me how I know). I assume they have some data-driven reasons for doing this, but it makes absolutely no sense to me.

Besides that, I think they should put more wood behind fewer arrows. They've developed a reputation for aggressively cancelling smaller shows with passionate followings which makes a lot of people not even want to bother until something has become an established mainstream success. I think of them now as the Google of content-creation, putting out a lot of solid (but not amazing) products and then cancelling them once people start to grow attached.

Wrote something similar before: "The writing has been on the wall for some time: 1. Grading system changed from 1-5 to 1-2 (thumbs up/down). They thought that the users where full of crap when rating. I do believe some bosses just looked "bad" when buying in the next Adam Sandler movie. This started a cozy culture where no one in Netflix was wrong. Recommendation engine becomes comically bad, even with the best and the brightest. 2. They started to buy everything under the sun. South park made an episode about it even. All the comedians got their own stand up specials. It was now way easier to get a top score (thumbs up). Bosses where happy. 3. As they no longer focuses on quality which they no longer can measure (measuring time watched and churn is not that useful!), they start to strive for quantity. Which is expensive, very expensive. I guess that in the next decade Netflix will become the next Comcast and cost 35 USD per month, and it all started in an innocent change to the grading system."

> Netflix should be putting out nothing but hits.

That's not how the entertainment business works. If I had to guess, Netflix's data-driven approach to content production is like card-counting in blackjack. It only gives them a slight edge on the house. A net positive outcome over hundreds or thousands of hands but offering no guarantee over the outcome of any single hand.

> HBO and AMC are running laps around Netflix

Netflix did win the most Emmys in 2021.[1] And they only started producing original content in 2013 or so. That's pretty good.

1. https://variety.com/2021/tv/news/netflix-emmys-the-crown-que...

> Then there is the personalization. The fact that there is a meme about spending more time browsing the Netflix catalog than watching content tells you everything you need to know about how little people trust Netflix recommendations. Their new "top 10" feature is just depressing most of the time. It looks like a list of ten random DVDs in the bargain bin near the Walmart checkout line.

They may also be optimizing for revenues as opposed to recommendation quality (homegrown content being cheaper than licensed)

Part of this might just be account switching issues though. If I’m watching for myself I can usually find what I want quickly. The problem comes when I’m trying to browse with my wife to find something we can both live with. At best it gives the my preferences and the Union of me + wife’s preferences (and vice versa on her account.) But what we’d really want is a separate recommendation feed that shows the intercept of me + wife’s preferences.

But most people are lazy and won’t account switch for different contexts like that anyway, so there’s just no way they can keep the profile data as clean as it needs to be for a television.

Netflix is not recommending what they think you'll like, they are recommending what they want you to watch. Once you're a subscriber, they want to keep you there as cheaply as possible.

This is exactly what their data analytics has told them to do.

Have a few popular, quality tv shows with star-studded casts as loss-leaders to bring in new viewers. Otherwise the model is to produce and recommend the shows that get them the most eyeballs per dollar; the bare-minimum to keep their subscribers there:

- Stand up specials are dirt-cheap, quite popular, and provide never-ending variety.

- Ditto with 'reality' shows, bake-offs, make-offs, expose documentaries, etc.

- Old sitcoms and b-movies that have a proven re-watch-rate.

Throw in a handful of first seasons to keep the FOMO up, and you've got a captive audience on the cheap. Maybe one or two will catch on and become the next loss-leaders.

They may not have the quality shows that are 'running laps around' HBO and AMC, but by any of the metrics Netflix cares about they are simply running laps around HBO, AMC and everyone else.

>And yet, it's hard to look at Netflix as anything more than a total failure of the promises of data analytics and personalization. Netflix should be putting out nothing but hits. A dozen Breaking Bads or Game of Thrones.

I don't follow this argument. Knowing what people like has very little to do with the quality of original creative content; surely you don't expect Goodreads to put out Shakespearean novels, or Spotify to be producing original hits on par with the Rolling Stones? Should ESPN have better pro sports scouting and coaching talent than the professional leagues?

Knowing what people like, however, _does_ have to do quite a bit with selling those people a product - which Netflix just reported 15% YoY growth to $7.7B yearly revenue, they're clearly very successful to this end. I think you actually have it backwards - if anything, Netflix represents a total fulfillment of the promises of data analytics and personalization. Despite mediocre original content, this is a $200B company with 200M subscribers growing revenues by double digits two decades after IPO.

If Netflix paid $450k+ salaries to screenwriters instead of engineers, you'd very likely get better movies on a worse streaming platform. And when Netflix has shelled out for Hollywood talent, like Mindhunter which has David Fincher and Charlize Theron, the results are quite good.

Regardless, to take the fact that Netflix pays for premium engineering and analytics talent, but does not pay for premium filmmaking talent, and then spin that fact into Netflix being "a total failure of the promises of data analytics and personalization" is a questionable criticism.

Strong comment. I agree completely with your negative assessment of the “value” of consumer habits to optimize Netflix recommendation. In my own case I feel trapped in a very shallow local minimum. Yes I watched a revenge flick or two but now I am type-cast for life.

Netflix really doesn't need to produce something like the wire or mad men or breaking bad. There's no reason to make a show that appeals strongly to 70% of the market when they could make 70 shows that 1% of the market is fanatical about. They don't have only one channel that competes for content and they don't seem budget limited.

Ironically, it seems like AmazonPrime is far better at that.

As for then top ten being bottom barrel stuff, I think you overestimate how popular mad men was vs. something like king of queens.

I will say, Netflix seems to fail in many cases, and I don't understand how they think content discovery is supposed to work.

“If I had asked people what they wanted, they would have said faster horses.”

> Yet they are not. In fact, they do not even have a single show that is to the level of Mad Men, Breaking Bad, or The Wire.

There may be others, but off the top of my head: Bojack Horseman.

Mindhunter and House of Cards are incredible shows. I agree with your full sentiment though.