I'm also finding very little relation between production budget (which mostly goes into things like SFX) and my enjoyment. Some of my favorite films were very low budget, from Dr. Horrible to some Bruce Campbell flicks.
Good writing makes a huge difference.
Decent acting and performance makes a bit of difference.
Replacing all the SFX with sixties-era Star Trek SFX wouldn't make a wit of difference to my enjoyment.
There is a correlation between finding good writers and having big budgets -- if you're dropping $300 million to make a film you might as well hire good writers -- but it's not a super-strong correlation.
If your enjoyment of big-budget movies doesn't infringe on that, go ahead and enjoy them. Since it does, I'll fight every step of the way. Perhaps I'll lose, but I'll fight.
When my parents were growing up, they could take things apart, tinker, and understand them as deeply as their hearts desired and intellects allowed them to. They could modify books (with pencils), archive them (in their basements), and even quote exerts. Building radios or modifying cars were mainstream hobbies.
I'm okay if your IP laws restrict my right to distribute copies of your work. I'm not okay with a copyright regime that makes it illegal for me to reverse-engineer and understand the software which controls my life, to tweak my car, or to understand my phone.
There's a possible dystopia where elections are de facto controlled by secret algorithms at Facebook, where all my information comes from a Google phone with a locked-down infrastructure I can't peak at or understand, where I can't record a 30 second clip of a movie to discuss it in my classroom, and where my car shuts down if I do an after-market repair.
At the time the DMCA came in, the RIAA and MPAA became major enemies of my personal freedom and my child's ability to learn.
It's an interesting case in that the internet has caused big media to push for stricter copyright enforcement and experiment with giving people less and less rights on their products, but at the same time the internet has made people much more aware of the downsides of copyright.
Truth is most (practically all) people want to watch Game of Thrones and are willing to pay for it.
My claim is that if MPAA profits went down even 50%, society wouldn't be any worse off at all. On the other hand, we are worse off for DRM.
I think most people would say were worse off if game of thrones was produced any different. You don’t like visual effects, but you’re in an extreme minority.
Until we see publishers closing doors due to lack of profits this argument doesn't really work.
I'm not a copyright abolitionist, but I'm curious what the second-order effects are to giving money to companies like Disney that are using that money to expand IP laws, buy up competitors, and impose one specific view of cinema on the entire market?
People should obey laws because generally it's a good idea in a functioning society to obey laws. But to the extent that people can deprive companies like Disney of revenue without breaking the law, I kind of feel like they should do so. Not just by avoiding their products, but by making it harder for them to make money in general. It would be good at this point for companies like Disney to fail and for the media ecosystem to become more diverse.
There are extremely negative effects that come from allowing one corporation to own so much culture. I'm not going to break the law, but I'm also not going to lose sleep over Disney the corporation losing profits, because I want Disney to lose money, and I want them to produce less content. I don't want Disney to be the biggest media producer on the market, they're crowding other people out and using their leverage to control things they shouldn't be able to control.
This is more like me buying from store A than from store B. Am I robbing store B?
Surely not giving to charity is worse than any other economic reallocation?
What do you mean by your first sentence? I am fairly sure that movies do actually cost quite a lot to produce.
That does not even matter since looking at marginal cost of a movie makes no sense. Do you want to see movies? If yes then pay for them, if no then simply don't watch them. Justifying stealing isn't the way to go.
I would guess that a lot of the jobs that are discussed in this thread are fairly specialised ones and if that industry would disappear they would be out of work.
That is an awful lot of time wasted of their lives.
Pay of individuals working on set, which the exception of huge name actors, is not really impacted by total movie revenue and they don’t often get dividends. Once the fixed cost is covered, which for most big movies it easily is, the rest is the gravy train for the investors.
The byzantine logic here on a supposedly 'smart site' really goes sideways on ideological issues were people have a) some ideology and b) they want it for free.
The failure of your comment is really quite evident: basically 'every purchaser' could make the same statement about 'marginal revenue' in which case, if nobody bought the content, then, there would be no content and no yachts.
Criminalising people isn't going to turn back this fundamental sea change.
What is also a problem is that prosecuting copyright infringement presents a nasty threat to privacy protections.
- Making private information available as a common activity is not inevitable.
- Staling private information is a crime by any account.
- The underlying economics are against your logic: it takes many workers, doing real work, to make those things. If they don't get paid, it doesn't get made.
- The 'yacht' analogy wrong - the entertainment industry is full of money losing projects, and zillions of people working really hard on stuff because they care and not earning a lot of money. There surely probably more arbitrarily rich people in tech than in entertainment.
You can say what you want about IP law; you wouldn't be able to enjoy many big-budget productions if it wouldn't exist. Many jobs, high-paying and low-paying, wouldn't exist. Of course, the business model for content distribution is somewhat nonsensical and the time until content gets in the public domain should be 10 years, but that doesn't mean that IP law shouldn't exist. Not to mention that the 29 billion number is probably also BS.