If you have an anecdote that goes against the narrative the fault is apparently still yours. The grand parent commenter made it as easily as possible to buy their book, which is what you’re “supposed” to do, yet that didn’t fix the problem. And somehow the recommended solution to poison the piracy well with basically content marketing for your book is somehow less “antagonistic” than what the gp commenter did.
This seems more like FUD for nagware than a proven system for not dealing with piracy.
https://www.theguardian.com/books/2012/feb/01/paulo-coelho-r...
https://www.facebook.com/notes/maggie-stiefvater-really-its-...
Non-FB: https://www.thepassivevoice.com/a-story-about-piracy/
Author Maggie Stiefvater regarding her work The Raven King.
https://www.theguardian.com/books/2012/mar/16/lloyd-shepherd...
There is a reason real authors and musicians have agents (who are actually reachable unlike the YouTube service ...).
The actual profession is a full time job.
But the actual professional isn't 100% writing, just as being an independent software developer isn't 100% coding. Half of your time (or more!) may be spent on other aspects of the profession.
But there are still those of us who still (maybe naively at this point in history) believe that if you do things honestly, in good faith, and play by the rules, you should be able to make money too.
This isn't a knock toward cynicism or dishonesty. Rather a knock toward the fact that sales, and self-promotion are necessary if you want to make money (why are people going to buy your stuff if they don't know about it and its benefits to them aren't communicated clearly). Also realize that some people are bad actors (pirates) and you need to emotionally and financially protect yourself.
It isnt unreasonable or wishful thinking to expect to never be robbed. I shouldn't have to lock the door to my apartment, I could probably get away with not locking the door to my apartment, but I lock it anyways.
That discussion needs to happen, and bad actors who won't recognize that they're bad actors are a huge problem.
But when an honest author games a system that tries to take advantage of them and manages to make that work, that's something I applaud.
A focus on 'greed' or 'honesty' is missing the mark on what I'm saying here. We currently have an economy built on a foundation of historical expropriation, enclosure, colonialism, subsidy, regulatory capture, rent-seeking, etc, and heavily biased towards the resultant monopolies/oligopolies. As a consequence, prices are set at this inflated level of profit, and those who perform labor outside of the interests of these corporations typically aren't able to afford the costs of living (especially without breaking the law). "Greed" isn't really the issue here; the issue is systemic privilege born through violence.
>History has shown me that it doesn't matter what economic and political system is instituted
It's pretty intuitive that a political system is generally going to be favorable towards those who instituted it, outside of happenstance benevolence from a political elite.
As someone who has pirated things in the past and ended up being pissed that it didn’t finish/wasn’t complete/etc. I don’t think that would send me screaming to spend money on it.
Quite the opposite, what this is proving is that providing an intro to your work to prove to the customer that they actually like it (like Amazon’s “try a sample”) is hugely valuable.
So what? You weren't going to buy it anyway, eh? What are you going to do, pirate harder?
It's entirely fair. You've got no business being pissed about something you got for free on a piracy site. Especially not when it actively points you where you can get the legitimate version.
I don't understand how your last line proves the opposite: if it's hugely valuable, that shows that this is a good idea, doesn't it?
I found the answer and posted in another comment: https://news.ycombinator.com/item?id=23312970
The first part, or first book in the series, is published for free, then a reasonable (key being reasonable) price to buy the rest of the series or book
I like this model, especially for fiction works
Yes, he actually released his eBooks for free onto the piracy sites - with a twist: he included the entire first portion (quarter or third, cannot remember) of the book, gave info on where to buy the full copies (with zero recriminations - just the facts!), and then repeated those same early chapters to plump out a fully-sized eBook. He then flooded all the file sharing networks with this copy so as to make it difficult to find legitimately complete copies.
The entire first quarter or third was used to get readers heavily enough invested into his novel to _want_ to run out and buy the official copy -- he _justified_ the effort and expenditure to his readers, and they responded (mostly) positively by actually doing so!
Granted, there was a lot more to it than that, but this was the basics, and it pushed a lot of people towards not just his eBooks but also his physical sales. And there are probably many other strategies out there as well that utilizes the “piracy” platforms to your benefit instead of leaving you tilting impotently at windmills.