I'm a huge fan of cheesy synthwave and would have never known had Trevor Something - Death Dream not been a freeleech pick on w.cd years ago.
Curation + association is the key.
But yes, if you really want unexpected paths, you have to just keep your ear to the ground. The way I discovered I liked Goa music was that I randomly clicked on it while surfing Shoutcast 15 years ago.
EDIT: (of course the disadvantage is that you have to sort through a lot of chaff)
They love TS as well, and make sure to upload his new stuff with a custom video.
It's a shame because I don't know where to talk about it anymore. r doesn't come close, at least not yet. The community music collages on w.cd were unreal.
In other words, two bands in totally different genres who both call Led Zeppelin an influence
What you're suggesting is definitely feasible with the larger acts that have been around and have been thoroughly psychoanalyzed.
I find Spotify's suggestions closer to "Here's things we're confident you won't hate." Which makes sense if "engagement" is their measurement. But by my measurement, it's yawn-city. Beige.
My best source used to be BBC Radio Music 6. But about a year ago they shuffled their DJs, as well as the programming. Still better than Spotify, but it's rare I'm wow'ed. Previous to the change it was weekly.
p.s. I work from home. Traditonal radio often feels like a convenient proxy for human contact. Just me?
Streaming networks need users to be able to see something they can hit Play on, not have the user click on a producer's name and see no information and no tracks.
If Streaming Service X's value add is beige recommendations - and the music industry is content with such "product placement", then they both deserve to suffer. If only that pain was 10% of my boredom.
When I was working on it, it seemed a lot simpler to query the Musicbrainz API for a lot of the information.
but sometimes it's nice to get something that goes a bit weirder than what the algos typically give you.
Works for software, too. What’s new is old, and the old stuff is often quite good.
There’s a lot of stuff that was way “ahead of its time”, to borrow an aphorism, but nobody knows this because it hasn’t been “rediscovered”, to borrow another.
-Find out who they've toured with - this is one of the strongest signals possible
-Find out who produced their albums, and check out other albums produced by those folks
-See if people in their band(s) have released their own work
-Read interviews to find out who their influences are and who they like currently
-If they're on a small, focused label (Amphetamine Reptile, Elephant 6), go listen to their labelmates