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Re:Gitlab: don't discuss politics at work by dcolkitt on Thursday October 17, 2019 @01:25AM (#21279136)
If you're in an area where discrimination against LGBT people is still widespread, then keeping politics out of the office most likely benefits LGBT workers.

In San Francisco, almost everyone expressing a political opinion will support gay rights. In rural Mississippi, many of those workers will be bringing out their anti-gay inflammatory baggage when discussing politics. I'm virtually certain that far more anti-LGBT vitriol occurs within political discussions than the average non-political conversation.

This isn't unusual either. Throughout history oppressed groups have very frequently found refuge in the apolitical world of commerce. Just look at the history of Jews in Europe. Even when surrounded by a bigoted culture, trade and business ties encouraged tolerance and cooperation. The worse periods always tended to be the points where some ruler decided that politics all of a sudden needed to be injected into every sphere of life. Just look at the Spanish Inquisition or the Nuremberg Laws.

Re:Gitlab: don't discuss politics at work by zer0tonin on Thursday October 17, 2019 @06:05AM (#21280401)
I don't think the closet ever benefited gay people. Also commerce is probably the furthest you can get from being apolitical so I'm not sure of the point you're trying to make.
Re:Gitlab: don't discuss politics at work by MrRadar on Thursday October 17, 2019 @09:30AM (#21281821)
Your argument is the same one made by this satirical political cartoon from The Onion: https://i.imgur.com/XCPFpnd.jpg

Not talking about these issues allows the underlying bigotry to fester unchallenged.

Re:Gitlab: don't discuss politics at work by therealdrag0 on Thursday October 17, 2019 @02:52PM (#21285232)
Personally I'd prefer to live/work in the left panel of that comic.
Re:Gitlab: don't discuss politics at work by MrRadar on Thursday October 17, 2019 @04:48PM (#21286233)
The point the comic is trying to make (from the satirist's perspective, not the fictional Kelly's perspective) is that both of the depicted scenarios only exist in the flawed perspective of highly-priviledged people who don't have to think about racial issues on a regular basis. When interpreting this comic, keep in mind that it is being told from the perspective of the fictional character of Kelly who is very white, very middle-aged[1], and moderately conservative (in the sense that Kelly is vaguely patriotic and doesn't like changes to the status quo that do not directly benefit him -- as far as I can tell Kelly has no coherent politics beyond this).

The first panel depicts Kelly's perception of race in America in his everyday life: people of different races exist (as horrific outdated stereotypes) but there is absolutely no tensions between them. The second panel depicts Kelly's perception of what it feels like to him when racial tensions are discussed. Kelly, like most white people in America, experiences "white fragility"[2] when race is discussed. Because white people have usually not been regularly exposed to racial issues discussions of such create mental stress which can feel like a personal attack on them which Kelly depicts as a general riot. To white people, the easiest way to alleviate this stress is to shut down the discussion altogether and return themselves to the ignorance depicted in the first panel.

[1] https://i.imgur.com/vIHrvlg.jpg

[2] https://www.newyorker.com/books/page-turner/a-sociologist-ex...