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Re:The Chinese Typewriter: A History by Jun8 on Thursday August 09, 2018 @12:17AM (#17721619)
The question why an alphabetic Chinese script was never developed is often asked, a good answer is here: https://www.quora.com/Why-does-China-have-no-alphabet-Why-di.... Non-Chinese speakers focus on the cumbersomeness of the script while overlooking how good it fits the tonal languages it's used for (not just Mandarin) and the benefits of radicals.

Western alphabetic supremacists weren't the first ones to suggest that an alphabetic script should be created, Chinese scholars also thought about this quite early but tradition was probably too string even at that time. A similar situation also applies to Egyptian hieroglyphic writing.

Another good writeup of Tom Mullaney's work with more details on early ways of writing Chinese characters using codes, etc. https://www.theatlantic.com/technology/archive/2016/11/chine...

Re:The Chinese Typewriter: A History by mislankanova on Thursday August 09, 2018 @07:28AM (#17723218)
It seems to me (a native speaker of Mandarin) that the written Chinese is not closely tied to the phonetics or spoken Chinese. A person who could only speak Cantonese can write something that can be easily understood by someone who speaks only Wu. While an alphabetic writing system seems to be secondary to an underlying, spoken language, in which case the written language represents the way in which the language is spoken.

Such a perception might be the result of the divide between vernacular and written/literary Chinese that remained uncontested until a hundred years ago. An alphabetic writing system for Chinese would essentially unify spoken and written Chinese, which goes against the aforementioned perception. Hence the resistance against an alphabetic writing system.

Re:The Chinese Typewriter: A History by wahern on Thursday August 09, 2018 @04:20AM (#17722460)
> how good it fits the tonal languages

Chinese may not have been tonal when the script originally arose. See https://en.wikipedia.org/wiki/Old_Chinese_phonology#Tones_an... and http://languagelog.ldc.upenn.edu/nll/?p=4906

Re:The Chinese Typewriter: A History by realusername on Thursday August 09, 2018 @02:20AM (#17721989)
> Non-Chinese speakers focus on the cumbersomeness of the script while overlooking how good it fits the tonal languages it's used for (not just Mandarin) and the benefits of radicals.

Can you really know the tone from a Chinese character or you have to learn categories of them one by one? Vietnamese seems much better in this aspect, you instantly know how to pronounce anything you see.

Re:The Chinese Typewriter: A History by lokedhs on Thursday August 09, 2018 @09:06AM (#17723844)
No, you can't. You have to learn each character individually.

That said, when I studied Chinese, I found it easier to learn the words and how to write them compared to other languages I had learnt before. Perhaps it's just me, but I find learning symbols easier than words made up from letters.

Re:The Chinese Typewriter: A History by xenadu02 on Thursday August 09, 2018 @01:59AM (#17721910)
Yes but later Egyptian eras began using hieroglyphs as a syllabary then eventually an alphabet, with various mixed usage as one might expect.

We can also see a partial transition with Japanese hiragana and katakana.

The mystery to me is why China never took the next step?

Perhaps the two are related. Maybe if you don't switch to an alphabet before your society builds up too many traditions and too much structure, the weight of history (and the social status of using a complex script) tends to calcify many aspects of that society, including the writing?

Re:The Chinese Typewriter: A History by DonaldFisk on Thursday August 09, 2018 @06:54AM (#17723078)
Egyptian is the oldest written language. In its final stage (Coptic) Egyptian adopted a modified Greek alphabet.

Greek is the oldest written language still in use today. It was originally written in a syllabary (Linear B) but, 3000 years ago, adopted the Phoenician abjad, adding vowels. Like modern Chinese languages, Ancient Greek had word tones, indicated by accents.

Chinese is the oldest script still in use today in a relatively unmodified form.

One Sinitic language (Dungan), which is to a large extent mutually intelligible with Mandarin, is written entirely in the Cyrillic alphabet.

Re:The Chinese Typewriter: A History by azurezyq on Thursday August 09, 2018 @02:42AM (#17722073)
Japanese is no example. Actually you can refer to Wikipedia and you'll find Japanese and Chinese are totally different languages. Japanese "leveraged" some Chinese characters while building the writing system. There's really not a "next step" here.

As a Chinese, I've never had difficulty learning to recognize characters when I was a kid. Also they are not random stroke combinations, there's always logic inside and you get that easily after your Chinese reach a certain level. Just like when you see hydro- in Eng, you know it has something with water. Chinese may be difficult as a second language but I cannot find data to support it also difficult as a first language from personal experience. I began to read novels before 10yo anyway.

Re:The Chinese Typewriter: A History by EdwardDiego on Thursday August 09, 2018 @07:13AM (#17723155)
My Chinese colleague can't write the character for "sneeze" without looking it up. Anecdotally, that suggests that Chinese script is somewhat harder than others.
Re:The Chinese Typewriter: A History by yeehong85 on Thursday August 09, 2018 @02:30AM (#17722013)
Chinese characters are way more difficult to learn than learning any alphabet. And a large part of Chinese Characters are already sort of phonetic. However I’m against alphabetizing Mandarin for the below reasons.

1. Chinese Characters just looks better than an alphabet with tons of diacritics. How many people tattoo Pinyin to look cool?

2. Knowledge of Chinese Characters is seen as a tool that is worth the effort - it gives a different level of understanding of the meaning and words of the language, something that is arguably not immediately available to speakers of English. Who can forget that “tomorrow” is made up of “sun” and “moon” rising and setting, or that “rest” is a “person” leaning on a “tree”?

3. Medical and scientific terminology is far easier to write and understand in Chinese than spell in English. The Chinese word also gives a better clue as to what a given term means, e.g., “肝硬化” literally translates to "liver hardening", ”眼科” literally means “study of the eye”, “儿科” literally means “study of children”, which can be understood even by a low-level, non-native speaker; without more context.

4. The gap between colloquial speech and formal writing can be quite large. For Chinese to be written in Pinyin, Chinese writers would just have to avoid overly ambiguous vocabulary terms and devise some new standard replacements if it became necessary. In addition, writers have to avoid writing in a terse and poetic style influenced by Classical Chinese and more in a informal speaking style. This kind of vocabulary and grammer replacement would have massive linguistic and cultural impacts, similiar to removing all the latin and greek vocabulary in English. It would almost make current formal Chinese writing unintelligible.

5. Chinese Characters allows the Chinese people to access their history and culture directly. Like most technology, backwards compatibility and not ease of learning is a good point for not switching to Pinyin. Switching to Pinyin would cut the Chinese people from thousands of year of culture and history. Every Chinese people is at least familiar with a few lines in ancient Chinese books like Art of War, Analects, Dao De Jing and Han/Tang/Song poetry in the written language. Can you think of a comparable piece of Latin or Greek writing that the average Westerner knows by heart? How many people can recite Virgil and Homer? Bonus if they can do it in the original Latin or Greek. Greek and Latin in the West have been the bastion of the Western civilization, and in this age, all but forgotten.

6. Chinese characters promotes national unity and cohesiveness. The stature of Han Chinese as the largest national grouping in the world can be explained partially by the writing system. All literate Chinese, even if they speak mutually unintelligible “dialects”, can read the same books and feel that Chinese Characters is their own language. If they had a phonetic writing system, they might have broken up into separate national groups, as did the Italians, French, Spanish, Portuguese and Romanian.

7. Chinese characters are part of Chinese identity. From a western perspective it's difficult to truly understand the degree to which Chinese characters are interwoven into Chinese cultural identity. In the West, calligraphy is seen as a niche interest, while in China you have people studying and imitating the ancient calligraphy masters, students taking calligraphy courses, elderly writing characters in parks, families hanging proverbs outside their doors, decorating homes with calligraphic art etc. If Chinese characters were abandoned, Chinese calligraphy would not be the same, all riddles/ jokes/ puns/ poetry would become meaningless, Chinese names would become gibberish. Chinese characters are an extremely emotional issue and are something more than just writing. That is why even the idea of simplifying Characters outraged so many people.

Re:The Chinese Typewriter: A History by DonaldFisk on Thursday August 09, 2018 @06:26AM (#17722972)
3. Translating into Greek, Russian, Portuguese, and Turkish, you get:

    肝硬化 Κίρρωση цирроз cirrose siroz
    眼科 Οφθαλμολογία офтальмология oftalmologia oftalmoloji
    儿科 Παιδιατρική педиатрия pediatria pediatri
So you could go into a hospital in Athens, Moscow, Rio de Janeiro, or Ankara and, without learning the local languages, find the opthalmology or paediatric departments. Plenty of other technical vocabulary is shared between different languages in Europe and beyond.

5. Modern Standard Chinese is about 100 years old and even the script has changed. Before that, with a few notable exceptions, Classical Chinese was used and that's quite different to the modern written language. You would have to learn it to be able to read it, just as you have to learn Classical Greek or Latin, neither of which is a close relative of English, to be able to read them.

Re:The Chinese Typewriter: A History by Asooka on Thursday August 09, 2018 @08:43AM (#17723683)
3. Not to mention, ophthalmology is literally "study of the eye" and pediatrics is literally "child doctors". Those are made of very common greek and latin words that are in common usage today among many medical terms, so it's not like people don't learn and know them. I'll grant GP cirrhosis though, that's "weirdly off-coloured", which can be any number of conditions. Those words are sometimes locally translated as well, but almost everyone will understand the common latin/greek terms.

5. I really would be interested in seeing how comprehensible Chinese texts older than 100 years are to a modern reader. While the characters may have remained the same, pronunciation and grammar have surely changed in that time. Even if you can read it, the meaning might not be apparent e.g. Shakespeare's

And so, from hour to hour, we ripe and ripe. And then, from hour to hour, we rot and rot; And thereby hangs a tale.

relies on "hour" and "whore" sounding the same, which is lost on modern readers.

Re:The Chinese Typewriter: A History by DonaldFisk on Thursday August 09, 2018 @09:38AM (#17724041)
Cirrhosis, ophthalmology, and paediatrics are all derived from Classical Greek. English, Russian, Portuguese, and Turkish all have the option of borrowing technical vocabulary from Greek (or other languages), but because of its syllabic structure, borrowing into Chinese is more problematic as it's difficult or impossible to render foreign words phonetically.
Re:The Chinese Typewriter: A History by realusername on Thursday August 09, 2018 @03:25AM (#17722227)
> 1. Chinese Characters just looks better than an alphabet with tons of diacritics. How many people tattoo Pinyin to look cool?

I'm not sure it's a good argument to keep the current system just to make cool tattoos

> Who can forget that “tomorrow” is made up of “sun” and “moon” rising and setting, or that “rest” is a “person” leaning on a “tree”?

All of those second meanings are arbitrary so I don't get your point here, any other combination could have been picked up instead.

> 5. Chinese Characters allows the Chinese people to access their history and culture directly. Like most technology, backwards compatibility and not ease of learning is a good point for not switching to Pinyin. Switching to Pinyin would cut the Chinese people from thousands of year of culture and history.

That is maybe the best side of the Chinese Characters but again I doubt people can read ancient Chinese easily nowadays, they still need some small training, a lot of things changed during that time. And nothing of Latin or Greek is forgotten, the texts are studied in school.

> 6. Chinese characters promotes national unity and cohesiveness. The stature of Han Chinese as the largest national grouping in the world can be explained partially by the writing system. All literate Chinese, even if they speak mutually unintelligible “dialects”, can read the same books and feel that Chinese Characters is their own language

Does that even works properly in practice or do people have to specifically chose characters based on their mutual understanding?

> 4. The gap between colloquial speech and formal writing can be quite large. For Chinese to be written in Pinyin, Chinese writers would just have to avoid overly ambiguous vocabulary terms and devise some new standard replacements if it became necessary.

That's not really a great point because when people speak, these non-ambiguous spoken terms already need to exist anyway.

One point you might have not considered is giving up the characters might open-up a whole new world of internationalization of Chinese which would have a status similar to English nowadays, keeping the characters is preventing that.

Re:The Chinese Typewriter: A History by fiblye on Thursday August 09, 2018 @06:46AM (#17723050)
>One point you might have not considered is giving up the characters might open-up a whole new world of internationalization of Chinese which would have a status similar to English nowadays

On the contrary, using Chinese characters makes the language more accessible to other Asian learners, due to many having some degree of formal study of the writing system. And in countries that don't use the latin alphabet, pinyin is no more useful than chinese characters--and if a person actually devotes time to studying, likely worse.

Having learned Japanese, after about a year of study, it's quite easy to guess the meaning of a word just by knowing the meaning of at least one character. As a native English speaker, there are still words that I encounter from time to time and I can't possibly guess what their meaning could be even with context.

Re:The Chinese Typewriter: A History by realusername on Thursday August 09, 2018 @08:47AM (#17723717)
> On the contrary, using Chinese characters makes the language more accessible to other Asian learners, due to many having some degree of formal study of the writing system

That's because you picked Japanese as an example. If I pick Vietnamese that's the opposite, the Chinese characters are hiding the similarities of both languages to a non-initiate Vietnamese speaker. Japanese is maybe the only language which benefits from the current writing.

Re:The Chinese Typewriter: A History by fiblye on Friday August 10, 2018 @04:39AM (#17731642)
And had Vietnamese used Chinese characters to this day, learning Chinese and vice versa would be easier for those with a full education.

Not using hanzi makes learning language at the elementary level much easier, and many countries dropped use of them to improve literacy rates during their process into developed countries. But once your country is developed and education is good, hanzi has the advantage in that its fairly uniform and lets readers quickly understand new words even in different language.

Re:The Chinese Typewriter: A History by peterburkimsher on Thursday August 09, 2018 @04:52AM (#17722597)
I spent the last 4 years in Taiwan, although I also lived in China for 5 months before that.

Traditional characters are easier to read, in my opinion. There's more radicals to guess the meaning. I can also use my program https://pingtype.github.io to decompose the character if I write it wrong.

Simplifying the number of strokes made it faster to write. This helped literacy because the education system is built on copying characters by rote - a terrible method, in my opinion. I prefer reading in parallel, with the pinyin and literal translations below (also in Pingtype).

What Chinese really needs, and doesn't contradict the history, is spaces between words. Imaginehavingtoreadenglishwithoutanypunctuationandyoullsurelyrecognisethatitsabarriertolearning.

Re:The Chinese Typewriter: A History by azurezyq on Thursday August 09, 2018 @05:30AM (#17722739)
For your last point, you can probably check with your Chinese friend and I'm pretty sure they don't buy the idea.

Basically our brain already has built-in text segmentation (https://en.wikipedia.org/wiki/Text_segmentation). I tried to think how I actually do that. It's more like prefix matching over a moderate large dict. It's not complicated and worked pretty well for Chinese. For your particular example, maybe the difference lies in word lengths. Most Chinese words are under 2~3 characters, makes prefix matching way more efficient.

Re:The Chinese Typewriter: A History by JdeBP on Thursday August 09, 2018 @12:17PM (#17725527)
Lack of punctuation is not the same as lack of spaces, though.
Re:The Chinese Typewriter: A History by 628C6l0 on Friday August 10, 2018 @10:56AM (#17733787)
English needed spaces because the graphemes are of variable length, so without spacing there is no telling in any quick way where one meaning unit ends and another begins. The idea that Chinese "needs" spacing is a little like a UTF-16 advocate saying "what UTF-32 really needs is surrogate pairs". No, spacing is not some kind of high tech invention by English, it's a necessity that follows from the its special design (also think the use of null characters to terminate strings)