Bulgakov's writings, if discovered, would have lead to him being executed. To people who lived in the system, their was an unacknowledged understanding that something bad was happening as people would mysteriously disappear on a regular basis. The movie "The Inner Circle" ( http://www.imdb.com/title/tt0103838/plotsummary?ref_=tt_ov_p... ) and "Burnt By The Sun" ( http://www.imdb.com/title/tt0111579/?ref_=fn_al_tt_1 ) are good depictions of what life was like during those times. It makes the high anxiety and paranoia of most characters in M & M much more understandable.
Bulgakov and his writings were well known to the authorities.
I think this is a bit of a red herring - the book is funny throughout and the humour is not dependent on a deep knowledge of the sociopolitical climate (which, incidentally, was not yet quite 'Stalinist'). I first read it in my mid-teens (in Russian) and didn't catch a bunch of that stuff either - but it was funny. Just like you don't need to know an awful lot about 19th century Britain to grasp the wry tone and irony in Austen or Dickens.
Try reading the Burgin/O'Connor translation and see how it goes. It's possible it might still not work for you but an audiobook of some unknown translation is an unfortunately pessimal way to approach this particular work - you're now dealing with not one but two layers of interpretation of a difficult-to-translate book.
Maybe I just spent too much time looking for an overarching plot instead of enjoying the ludicrous situations.
Hmm, yes, I do agree that it is interesting to see how everyone reacts to accusations of "holding foreign currency", but I think I'm missing most of the humour because I just don't know what it was like to live in a Stalinist sociopolitical climate.
I did enjoy the sub-book about Pontius Pilate indeed, and I also agree that the style feels very unique. I think the story with the Devil is just an excuse to orchestrate these unique situations and write the satirical/subversive reactions. I think that's what I don't like, the disjointed narrative without much of an arc, because I'm missing most of the subtext that is the payoff for the scenes.