https://en.wikipedia.org/wiki/Culture_industry
I also guess it is just a wordy description of the combination of commercial entertainment and industrialization.
I like your point, although I feel that in some contexts, it was probably _easier_ for people to create something they feel is valuable as art and also can earn them money, a few decades ago.
I don't think the tension has evaporated, it's just the difference between "art" and "entertainment". Sure, you can always say that entertainment is art. No matter if you're Christopher Nolan or a street musician who knows what to play to get some money.
The tension is still there, there's just a mass-scale production of commercial art that hasn't been there before.
But I'd say that probably, with these products that have giant budgets and are feeding thousands of people, there are just a few people involved who consider themselves artists in a sense that isn't the same in that a baker or sewer is also an artist.
No coincidence we're discussing this in a forum that has software development as a main subject.
Christopher Nolan's movies are "art" the same way Microsofts UI design is art, IMHO.
I didn't bring Nolan into this in order to be smug about him, his work just feels like it symbolizes this kind of industrial cultural production well, especially because many people might consider him a top-notch _artist_.
I'm more curious if the periphery has declined in coherence thanks to "autocuration" as by TikTok & YouTube.
(creators of GangnamStyle or BabyShark have industrial funding to outdo themselves on their preferred axes just like Nolan but..?)
Opposite, less quantitative take:
https://contraptions.venkateshrao.com/p/the-new-systems-of-s...
(author sorta argued that we're deep in the Perma_weirdo_cene)
It's easy on HN where "votes have won".. evenso I've given up and have resorted to reviewing what 1-pointers PaulHoule and his machine deign coherent enough to respond to
One in a thousand talented artists will get lucky, but I suspect the ratio is historically low. Everyone else more or less needs to find another job.
There are other things that probably push artists toward the cultural mean. You're no longer trying to cater to the tastes of a wealthy patron or even a record studio executive. Now, you gotta get enough clicks on YouTube first. The surest way to do this is to look nice and do some unoffensive covers of well-known pop songs.
Your comment supports this. While you may talk about how it's harder to "break through" or "get lucky" than it was, it presents both of those as good things.
There used to be other measures of success for musicians other than financial.
i can't tell if you're trying to make a point about people who don't practice wealth accumulation. probably because i have a room temperature IQ.
Let's send the author to a furry con.
Show me the modern counter-culture movement. Show me the modern Firesign Theater. Show me today's National Lampoon. Show me the modern Anarchist's Cookbook.
No, 2600 doesn't count. It's a toothless parody of what it once was that you can buy on the shelf at Barnes and Noble next to Taylor Swift magazines.
Heck, even the 2000's had hipsters.
Where are the protest songs? I think this is the first generation that doesn't have mainstream protest songs.
And let's not forget that protest songs aren't usually promoted by those in power...
The last century was full of them. From Bob Dylan to Marvin Gaye to Crosby, Stills, Nash and Young to Sting to U2.
There were probably hundreds that made the Top 40 charts.
That's exactly the kind of stuff everybody is saying that doesn't count. It's not deviant if everybody is doing it.
The only thing that this may say is that in USA the regime fights dissent in mainstream media. Like, if you want to catch signs of a product made out of popular discontent, you can't e.g. find in UK charts the Sleaford Mods or Kneecap?
I think the author isn't considering that people's bubbles have gotten smaller and more opaque. There's still plenty of weird hackers innovating, they just do it with their chosen peers, not in mass-culture.
As predicted "The revolutions are not being televised."
Which is why this Jesse Welles's stuff hits me like a freight train
it’s your own damn fault you’re so damn fat / Shame shame shame
All the food on the shelf was engineered for your health / So you’re gonna have to take the blame
Deviance is all around, the author is too trapped in a bubble to see it.