That said, technical aspects matter, recording practices, mastering for loudness with little dynamic range (so that compressed voice blends with foley and the rest), and indeed encoding can definitely affect the ease of understanding human speech. Speaking of encoding… I couldn’t find it on the site, is Streamliner a one-time purchase?
[0] Well, not every film has to (Upstream Color comes to mind, as an example of a film with relatively little plot-advancing dialogue), but it seems that the majority of productions rely on dialogue and it isn’t going away.
https://www.slashfilm.com/673162/heres-why-movie-dialogue-ha...
Upload 320kbit encoded MP3? Sounds great.
Upload a high-khz WAV? It gets butchered, the top-end turns to glittery noise.
Maybe others have different experiences, but honestly it felt like I'd been duped when paying for the subscription but still got trash quality audio, only to have to pay more.
It's wild how many details sound people have to keep track of. I know when I upload to Youtube things get smoothed noticeably compared to say Soundcloud. Probably because I've mastered over their -14 LUFS requirement.
I wonder how much of the modern 'everyone needs to use closed captioning watching TV now' comes from the streaming services Codecs and other decisions and not just the A/V sound peoples' decisions. Do movies sound people now need to listen through on something like Streamliner above for every decision?