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Re:Popeye and Tintin enter the public domain in 2025 along w... by magicalhippo on Tuesday December 17, 2024 @04:58AM (#42439973)
As well as Tintin, I also got Spirou[1], and my personal favorite, Gaston[2]. Gaston was more short format, but the slapstick humor and absurd scenarios really resonated with me as a kid.

They were translated to Norwegian and came in bound books. Still have them.

[1]: https://en.wikipedia.org/wiki/Spirou_%26_Fantasio

[2]: https://en.wikipedia.org/wiki/Gaston_(comics)

Re:Popeye and Tintin enter the public domain in 2025 along w... by tekkk on Tuesday December 17, 2024 @08:33AM (#42441202)
Wow, haven't seen those images in a long time. I can't recall where I read this Gaston comic—translated of course—but I have never laughed so much at comic strips in my life. I still remember that cigarette machine he built as well as alcoholmeter.

Should have been made into cartoon series, but seeing how old it is I wonder if it was before its time. It really had an originality unlike anything I've read before or since.

Re:Popeye and Tintin enter the public domain in 2025 along w... by arp242 on Tuesday December 17, 2024 @10:38AM (#42442220)
It's The Office of the 50s-80s.

Amazingly it wasn't translated into English until 2017, which is probably why it's lesser known outside of Europe. I assume this is because the translation rights/contracts with Mr. De Mesmaeker took a long time to get signed.

Re:Popeye and Tintin enter the public domain in 2025 along w... by pvaldes on Tuesday December 17, 2024 @04:47PM (#42445646)
If you like cartoons and find a comic of Gaston somewhere in USA, just grab it. Is a gem.
Re:Popeye and Tintin enter the public domain in 2025 along w... by anthk on Tuesday December 17, 2024 @10:02AM (#42441881)
As a Spaniard, Gaston and such were the main reference for the Bruguera School (Mortadelo y Filemón and such).
Re:Popeye and Tintin enter the public domain in 2025 along w... by pvaldes on Tuesday December 17, 2024 @04:18PM (#42445420)
More than a reference. Ibañez, the creator of Mortadelo stole a lot from the creator of Gaston. He even created a character, Sacarino that was an obvious plagiarism (a mix of Gaston and Spirou). When pressed by deadlines the young Ibañez recycled entire vignettes and old histories redrawn with his own characters. He disliked the character but it grow so popular that couldn't stop drawing it. Finally Ibañez removed the character and apologized to the master Franquin for that.
Re:Popeye and Tintin enter the public domain in 2025 along w... by anthk on Wednesday December 18, 2024 @07:16AM (#42449878)
Sacarino didn't end until the 80's. The point is Bruguera was highly exploitative with crazy deadlines and tons of short stories published, even from ghost writers. Ibañez was milked down. If he had a slower pace, yes, it could still create long story albums similar to the Franco-Belgian trend, but with its own detailed style. Such as the ones from El Sulfato Atómico and Valor y Al Toro, where you can see the obvious inspration from Gaston/Spirou, but you can also spot his own style on depicting the environment. Don't blame Ibañez, but the publisher.
Re:Popeye and Tintin enter the public domain in 2025 along w... by nom on Thursday December 19, 2024 @09:04AM (#42461467)
Oh man I remember Gaston, I found some books in the library as a kid and loved them. I distinctly remember his car, he once modified it to run on wood-gas.