From this myth-busting movie review (sorry not in English I should probably make a translation) at 17:45
https://en.m.wikipedia.org/wiki/The_Origin_of_Consciousness_...
What about Sumerian or Chinese history makes the book "bullshit" according to you?
I think Jaynes' actually seems to argue for consciousness as a cultural construct. While this makes sense in a way, it largely conflicts with how consciousness is commonly understood, especially in the context of moral, ethical or religious arguments.
I'm also not sure to what degree the "bicameral mind" would have been a universal experience. While self-talk is extremely understudied we now at least know that some people have inner dialogues (which we usually consider a form of hallucination or schizophrenia), most have inner monologues and some have no active inner voice whatsoever (if we ignore subvocalizations and only focus on internal "thought"). In religious contexts we still often treat ancient stories of people "hearing the gods" at face value even if it is no longer culturally acceptable to claim the same today (i.e. you'd rightfully be considered to be suffering from hallucinations). I'm unconvinced the examples Jaynes gives are more than just artifacts of cultures that treated hallucinations as a meaningful part of the human experience the same way some cultures (including people as recent as Freud and Jung) treat dreams as meaningful parts of the human experience or religious practice.
Also externalization of intrusive thoughts or emotions is actually part of therapeutical approaches to disorders like depression. Even meditation and mindfulness often involves viewing the inner mind as a detached observer. I'm not convinced attributing these uncontrolled experiences to an internal "id" (with full acknowledgement of the caveats that come with referring to Freud in the context of modern psychology) is much more sophisticated than attributing them to external "gods" or demons. So in a way the "bicameral mind" still seems to exist, except that we have changed our cultural narrative around it to one that favors the fiction of individual responsibility over the fiction of supernatural forces outside our control.
I think the only reason the book has been so influential is that people misread the argument as an evolutionary one rather than a cultural one and conflate Jaynes' meaning of the word "consciousness" with the popular and religious concepts of it. I also think this mistake is particularly appealing to those already looking for reasons to justify treating "Europeans" (i.e. white people) as biologically superior to others as it neatly fits into the colonial era racist idea of the "industrious Asians" only being intellectually superior by having a "hive mind" mentality and being individually empty and lacking original thought (and likewise Black people being too primitive for complex thought and thus stronger and more violent). I'm not saying Jaynes would agree with any of these ideas, I'm just saying people looking to justify these ideas (whether or not they're willing to openly state them in public) will happily misinterpret Jaynes' work to do so.
https://en.m.wikipedia.org/wiki/Coria_del_R%C3%ADo
The Anglo-Saxon mindset it's really outdated then...
Your point on the Jaynes fandom is interesting, though. I'll make sure to keep the in mind the next time the topic comes up here.
Which of the warriors were not bloodthirsty? Ajax, for example, was not bloodthirsty, who stood strong with his shield and without the help of the gods, a defensive bullwark for the Acheans. Hector, was not bloodthristy, who was just trying to defend his city and his people from the calamity brought on by his idiot brother who couldn't keep it in his pants. Aeneas was not bloodthirsty, who escaped the burning Troy to found Rome. Patroklus was not bloodthirsty but was just trying to save his friend's honour (by killing people, no doubt, but in the middle of a war).
Achilles killed Hector and dragged his dead body behind his chariot to desecrate it. He refused to hand it over to Priam, Hector's father, the king of Troy, when he, an old man, came begging on his knees in grief asking for Achilles to do the right thing by the gods. Achilles was an asshole. It is a disgrace that an entire epic poem was written for his "rage". Screw his rage.
Edit: remember also that Achilles was the only one of the Achean lords that didn't have to fight, because he hadn't taken the oath at Menelaus' and Helen's wedding (he was living as a girl at the time). He accepted the invitation to go to the war for glory- the glory of killing men. What a glory. Unlike the rest, he did not leave behind wife and children, and loyal dogs and slaves, because he had none to leave (though he did have a wife, I think). Not to mention: he was invulnerable (mostly) so he could cover himself in guts and glory without fear. Yeah, what a great hero.
There's a lot of mythology around the Iliad and you're probably right and I just don't remember it.
The Iliad is particularly challenging when we project our current values back onto this ancient story. If we can suspend that, it contains timeless human questions, particularly on the role of fate and the forces that drive us. I feel that we lose the thread if we focus too much on whether the characters are likable.
Also, why are you so certain that the bards would have found the analysis boring? Truly great works can operate on multiple levels.