Your problems with podcasts appear more related to propensity than inherent format issues - that is, books too can come off as self aggrandizing, fluff and winding, but you have found mode examples that don't do this perhaps?
Perhaps one thing inherent to podcasts vs books is that you can simply skip sections and skim past the content you find not worth your time, where podcasts are harder to do this without missing your spot, etc.
Podcasts like 99% invisible I find hit the right balance, but again, definitely have more emphasis on interviews than pure factual info compared to books. But I think that's kind of normal, as podcasts do suit discussion and interviews better than a more straight facts approach.
Still, I feel the points you've listed, while valid, are not always the case and like most mediums, you can find examples that would suit your style.
1. They cover a subject I was interested in (economics), but knew basically nothing about. This made it easier to listen to as I found I didn't space out when they were talking about things I already knew. 2. Nice, tight editing and good production. No hosts blathering on for hours - they keep it short and to the point. Most episodes are 20 minutes and easy to get through.
“Money has always been used to buy goods, but did you know you can also use it to buy services? Here’s some pop culture reference comparison to fake a narrative.”
I think the show started suffering when NPR turned every show into a podcast; it removes the ability to cater to a more focused audience because you have to waste half the show doing background.
I think media types decided everything needed to be like Vox Explainers, so now everything sounds like it’s designed for primary school students.
Yes, podcasts are reminding me 'the age of the feuilleton' from Hesses's Glass Bead Game.
Steve O has had some interesting people open up about their issues, same with Jon Bernthal. Especially his episode with Shia LaBeouf was amazing.
But these people are rare. They devolve too often into the host fawning over the guest. Nerdist podcast started doing this at one point.
Many popular podcasts just have guests who are obviously trying to promote a new Netflix special or book.
He stutters and the outcome isn’t that polished but if you can adapt to that his podcast feels very authentic.
It's fun to hear people talking about what they're interested in, or I get to hear people's personal experiences on a subject I care about (entrepreneurship, neurodivergence, software development). I'm here less for structured content than to expand my perspective on general experience and challenges of being in a given situation.
For what it's worth, there are also lots of other formats besides "two dudes/dudettes talking": scripted drama, documentary, unscripted/situational comedy. I even listen to a guy critique classic computer science research papers.
https://ericnormand.me/podcast
A couple episodes you may be interested in:
"In this episode, I excerpt from and comment on Allen Newell's and Herbert Simon's 1975 ACM Turing Award Lecture."
https://ericnormand.me/podcast/computer-science-as-empirical...
"In this first episode of season 3, we analyze a great paper called Lisp: A language for stratified design. The paper asks the question "What is Lisp good for?"
https://ericnormand.me/podcast/lisp-a-language-for-stratifie...
"We read one of the great articles by Alan Kay, inventor of Smalltalk, called The Early History of Smalltalk."
https://ericnormand.me/podcast/the-early-history-of-smalltal...
But to each their own. Not saying there's anything wrong at all with disliking podcasts for exactly these reasons, they're just not for everyone I suppose.
But when I start listening to something titled "X & Y talk about Z" and they tangent off to A, B and C. I just stop listening.
My pet peeve is shows that have interviews with people and preface it with 30 minutes of "banter" that doesn't interest anyone who hasn't listened to the previous 420 episodes.
Just have one episode with the catch-up part and one with just the interview, please.
Repeat listeners are most podcast producers' bread and butter, and those listeners tend to be invested in the hosts, and typically enjoy the banter.
It's sort of the reverse of radio - in a radio show you want to pander to the widest audience, every show must stand alone and can't rely on the audience's familiarity with the host or past content. In a podcast there's no one tuning in at random because it's something interesting that's "on" at the time that they happen to be listening, so podcasters get by from cultivating and pandering to a dedicated fanbase, who then end enjoy content that benefits from a deep familiarity with the show.
It sounds like you'd most enjoy "podcasts" that are really recordings of radio shows (99% Invisible, the many NPR podcasts etc).
Not all podcasts do that, though. I listen to about ten podcasts fairly regularly; one ("Behind the Bastards") has regular guests, though their purpose is largely to have someone for the host to tell a story to, two ("The Rest is History" and "The Rest is Politics") have occasional expert guests, on perhaps 10% of episodes, the remainder don't have guests at all.
My current list is only well-edited and produced stuff
- No Such Thing as a Fish (facts, trivia, comedy)
- 20kHz - audio production and sounds in general
- 99 Percent Invisible - random trivia and deep-dives
- More or Less - analysing statistics
- Cautionary Tales - historical failures, they have actual radio play style stuff with actual name actors (Helena Bonham-Carter for example)
And stuff I listen to on the background and usually fall asleep to: - Crowd Science - people as questions about science and the host interviews people who know about it
- Every Little Thing - More random trivia stuff
- 30 Animals that Made us Smarter - exactly what it says on the tin
My tolerance for "let's turn on the mic and chat for three hours without any plan and publish it as a podcast" is pretty close to zero.(Very strictly, a podcast requires an RSS feed and the ability to download to an iPod, but those criteria have been eroded to "any audio programme that is not on the radio")
https://www.bbc.co.uk/sounds/help/questions/features/subscri...
This thread is teaching me that people would even draw a boundary there at all. It's clear from the people posting here that many really think of podcasts as "couple of guys sitting around shooting the shit", but there's a hell of a lot out there outside of this one genre.
It's a bit "I tried a bunch of science fiction books, but I didn't like them so reading isn't for me."
BBC Radio podcasts are not representative of podcasts, nor is it the reference point for most people that start one. Those people very likely have the image of two friends shooting the shit in front of a mic.
I have 2 of the ones on your list: 99PI and Cautionary Tales and I notice that they are both publish about the ~30 minutes episodes once per week. I think all these podcasts that are 60-120 minutes > 2 times per week are really just replacing talk radio on people's long commutes. It's just a pleasant way to fill the air, not to actually learn anything.
This relies on the moderator / podcaster to have sufficient time / manpower to prepare, or sufficient authority to convince guests not to come without any serious preparations.
On the opposite, there's a podcast from the German Newspaper Die Zeit that has made the long rambling its concept. It's called "Alles gesagt?" and consists in a usually unedited interview with two journalists. The interview (in English or German) stops when the guest considers he has nothing more to say or pronounces a magic word. Yuval Noah Harari's interview lasted 10 hours IIRC. It's decently prepared, but that's not the kind of podcast you can listen to regularly.
- People I mostly Admire (Steven Levitt/Freakonomics Radio)
- The joy of X (Steven Strogatz, discontinued)
Both are in the style that the host talks with an interesting guest about their work. Coincidence has it that in the most recent episode of PIMA, the guest is the host of the other one, Steven Strogatz. They normally don't collaborate but have their similarities.Check out a big podcast producer like Wondery. They approach podcasts with production and professionalism. It takes a team to produce a good podcast.
If a professional podcast is like network TV, the podcasts you're describing are like the old public access channel on cable. They're both the same medium, sure, but they're in different leagues entirely. I don't listen to the podcasts with a random person with a mic chatting about what he thinks is interesting; that would indeed be boring and a waste of time.
If you’ve not tried it I would heartily recommend it - I really didn’t it would matter before I tried it.
I’d love 50% speed for tough concepts but 300% for the banter and their dumb stories.
Maybe a product idea actually? Feel free to run with it.
It’s hard to find good ones though. I haven’t had as much luck.
And for some good fun (and some occasional new insight), the Soft Skills Engineering podcast (https://softskills.audio/).
Maybe I'm not the target audience, but I'm rarely if ever interested in the speaker of whatever information I'm trying to consume, and podcasts' focus on guests (and hosts) always came off as self-aggrandizing and people speaking just to hear themselves speak. Especially with very little editing (uhs, pauses, and general dysfluency) and/or preparation (winding conversations with a lot of fluff instead of a structured outline), I'd almost always just prefer to listen to a narrated book or textbook on whatever topic I'm interested in.