The problem with higher frame rates is the same as higher resolution. It emphasizes even more the poor quality of the content. The low fidelity masks some of this, leaving more to your imagination (which is how impressionism works). If the content were of higher quality then it wouldn't be as much if an issue.

On the other hand, low frame rates put a ceiling on some measures of quality, just as low resolution does. A fast-paced fight scene or a panning shot over a field of gras in the wind is very limited by what 24fps can show.

Throw in as much garbage as you like, the human brain is only wired to appreciate a certain degree of information before it all gets washes out as noise. This is why imho the last 20 years in cinema has been a slow skid toward meteocracy.

The race to shove more crap at the screen to the appreciation of a younger and younger demographic to chase other tertiaries like toys, collectables, games etc.. means that the films are almost unwatchable by older people. I guess they're making their money so whatever, but it means that films feel more dead than ever before for myself. Admittedly, this may be more biased by aging out of existing target demos anyways, so shrugs.

Gemini Man was a poor movie, but it was really interesting how it tried to use and explore the opportunities offered by high frame rate. I'm 100% in the club of people who can barely look at 24fps pans on the big screen, and wish 48fps and higher became the norm, were explored deeper so they could find solutions for the "soap opera" look - most likely figuring out a new look.

We need to go back to 480i to increase immersion.

The lofi tv scene is waiting to explode.

What I find funny is looking at older TV shows that were clearly meant to be shown on old analog 4:3 CRT's but shot in film anyway. Now these shows show up in syndication and all that film got scanned as 16:8 HD. Some examples include Seinfeld, Friends, even Wizard of Oz. Many times it feels like you are watching a play instead of an immersive show. All the props look like props instead of something "real"

I had similar moments when watching the remastered Star Trek TNG. Some of the sets - the bridge set for one - had been built so that they would just barely hold up when viewed on analog video / SD TV. With the film scans, all the messy shortcuts and crimes are easily visible. The set builders must have had some deep knowledge of what shows up on camera and what doesn't to cut the corners they did.

You seem to be missing the point.

They are addressing the point directly. Could you be more specific with your criticism?

Playstation 2 and it's games were designed to look its best on Sony Trinitron TVs. When viewed on modern TVs, the games don't look like they used to, and the games can seem kinda dull in color but jagged in detail (anti-aliasing seems to have been in part the responsibility of the CRT itself). If the console was redesigned for today's TVs they'd look better.

I think the problem today is that the art of cinematography and technology evolved together up until ultra high-def digital came about, and now the art isn't keeping up with the advances in tech.

> anti-aliasing seems to have been in part the responsibility of the CRT itself

Yep, and it goes much further back than the PS2. The original example I saw was of Zelda II on the NES, but here's a whole bunch of examples in a whole bunch of games/systems: https://www.youtube.com/watch?v=ao-1uCCXBwc