The media does not evaporate as it is either on-chain, or distributed via IPFS (ie: peer-to-peer rather than a central server).
None of the artists I have purchased NFTs from have tried to trick me (including Anders Hoff, mentioned in the OP article, who has distributed his work as an NFT).
And, most importantly, the artists and non-profit organizations in the arts are getting paid via NFT sales.
:)
And I think for most people getting a piece of paper, physically signed by the author stating that it's their work is far more valuable than some UUID on a computer.
For reference, the last NFT I purchased on Hicetnunc.xyz had a protocol fee of 0.002947 XTZ (around 1¢ USD) and a platform fee of 2.5%, the rest of the sale went directly to the artist's wallet.
To your second point; this remains to be seen—society can place value on many different abstract concepts, "ink on paper" may not be the only valuable vehicle for art and culture.
Hicetnunc fees are fixed, and the free market gives an opportunity for other platforms to improve on this if the community desires a marketplace with lower fees (it's much easier to build an alternative to Hicetnunc than an alternative Stripe/Shopify/PayPal). Artists are also given a 10-25% royalty (which they decide) for each resale of a token on the Hicetnunc marketplace. And, of course, since it is all peer-to-peer, you are free to exchange art tokens with no fees at all, save the negligible protocol/transaction fees.
What society definitely can't place value on is a URL to a digital asset that may or may not be there tomorrow, because an uninsured, untrusted value store can't be relied on.
There's nothing saying NFT artifacts have to be digital, though, I'd think. Using them to facilitate trade of physical artifacts would back the trade with (relatively) reliable value stores (physical artifacts) while benefiting from the low transaction fees.
Not even legally. Unless the artist sold you an exclusive license to hang on your wall, I guess, which they can do with or without an NFT.
So why couldn't you have just donated money to the artists and right-click-saved / printed the art anyway, without involving a blockchain?
A simple way to frame Hicetnunc is a social media platform that is not driven by FAANG, advertising models, and "Like" buttons, but instead by artists, collectors, and OSS developers participating in a digital economy: selling and trading tokens, and also exploring ways to steward and maintain that work without solely relying on traditional centralized third-party services.
The lower fees derive from the medium used (crypto instead of traditional payment processors). You didn't need to involve a NFT to send crypto to the artist's wallet.
> acquiring ownership of an artist-signed asset, rather than a digital media file (the limited-edition token is cryptographically signed by the artist, the media file is not)
I'm going to refer to the rest of this comment thread about whether 'ownership' is a suitable word for having a cryptographic signature applied to your blockchain address, when the media file in question is bit-for-bit identical.
As you can guess, I hardly think so. There is nothing you can do as an 'owner' of a digital ape picture that anybody else who right-clicked it and saved it can't also do, with the possible exception of getting kudos from the artist for the money you gave them. But a simple donation would have had the same result.
> participating in a digital art community
Which hardly requires NFTs, only your involvement and communication. Online art communities go back to Elfwood.
> supporting decentralized systems, etc.
Tautology. "I use NFTs because I want to support the use of NFTs".
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> A simple way to frame Hicetnunc is a social media platform that is not driven by FAANG, advertising models, and "Like" buttons, but instead by artists, collectors, and OSS developers participating in a digital economy: selling and trading tokens, and also exploring ways to steward and maintain that work without solely relying on traditional centralized third-party services.
I'm a Fediverse user and I want to nuke the FAANGs, so I'm fully on board with promoting alternative, decentralized social networks. I just don't believe that adding glorified baseball trading cards to the recipe makes them better or stronger in any way.
I never heard anyone saying that Team Fortress 2 became a better community after it became an online market for ugly digital hats.
Is it even fraud if the artist didn't actually... what even? the NFT?
On Hicetnunc.xyz, buying a token on the marketplace automatically deducts 2.5% of sale to the platform (for services rendered), 10-25% to the artist (or whatever they set as royalty amount for the token), and the remainder to the seller. This is enforced via the blockchain contract, i.e. it cannot easily be circumvented on that marketplace (but it can be circumvented via peer-to-peer transfer or an alternative marketplace/contract).
The wallets can all be anonymous; it just sends these tokens to different addresses.
Just like losing the key to an encrypted file.
> The print is beautiful and hanging on my wall.
Physical: you can view it, it can be stolen.
NFT: you can view it, it can stolen.
> The print won't evaporate when the url suddenly points to a server that was shutdown from lack of payment.
Physical: might burn down/stolen, insurance + security + safety prevents that.
NFT: Host might disappear. Content-addressing solves that.
> I know I bought a print, nobody was trying to trick me into thinking it was the original.
Physical: You can prove you have it because you have it.
NFT: You can prove you have it because your wallet contains it.
> And, most importantly of all, the artist got paid.
Physical: Artist can get paid when it initially got sold
NFT: Artist can get paid when it initially got sold, and can take a piece of each resell thereafter.
In my 40 years, I've never had someone break into my house and take something and I've never had a house burn down. Yet putting a file on the internet, it will eventually get copied, probably some time in the next 3 months. And I have a bookmarks folder full of once-very-popular sites that are now just completely gone, plus a bunch of still-popular sites that have changed their site layout completely. Hell, it's a bit of a meme that one of the only sites you can count on to never disappear is the god damned original Space Jam movie website.
Robberies are down from 30 years ago, flat for the past 5. Cybercrime is soaring.
https://www.securitymagazine.com/articles/94627-19b-in-crypt...
https://www.infoplease.com/culture-entertainment/art-archite...
Here's another physical asset theft category that says 1/3 americans have experienced - something tells me you're also wrong about how many people have been stolen from as well.
https://www.cnbc.com/2020/01/10/package-theft-how-amazon-goo...
This is why I've muted "NFT" on Twitter. You can't get answers out of proponents without them massively shifting the goal posts.
I agree these comparisons aren't perfect, but I certainly wasn't trying to move the goalposts - I am trying to understand how you've not done just moved the goalposts yourself, though.
The print is beautiful and hanging on my wall.
The print won't evaporate when the url suddenly points to a server that was shutdown from lack of payment.
I know I bought a print, nobody was trying to trick me into thinking it was the original.
And, most importantly of all, the artist got paid.