Agreed on the unlikelihood of NFTs supplanting event tickets. I'm just speculating on the type of novel product/ecosystem the technology enables. But building a compelling experience around this concept is a whole other challenge. It remains to be seen whether someone eventually does. Even if that happens, it doesn't mean we're talking about an entire new market of significance.
I guess I'd just say absence of evidence isn't evidence of absence, when it comes to the utility, but a level of outside-the-box thinking is required that no one's motivated to do when you can simply mint NFTs of URLs and sell them for absurd sums of money.
Also, consider that in NFTs, the only one selling an NFT to the Mona Lisa is Leonardo.
No. Copyright must be explicitly assigned.
> Also, consider that in NFTs, the only one selling an NFT to the Mona Lisa is Leonardo.
Nah anyone can do it any time.
No one is talking about assigning copyright. The question is about a license to display the content on a website. I am fairly certain you have heard of non-verbal contracts before. For example, here is what the UK government has to say about an implied copyright license:
https://www.gov.uk/guidance/license-sell-or-market-your-copy...
> Nah anyone can do it any time.
Anyone can also sell a signature of Clooney. And yet no one does, nor would anyone buy it. This is not something that plays into a serious analysis of the NFT space, and so I am not sure why you would want to find it interesting to talk about.
They don't confer copyright or licensing or anything at all other than a URL. This means it would be illegal to build a site that displays such content, and it would get instantly DMCA'd into oblivion.
My issuing an NFT of the Mona Lisa is basically me grabbing a museum map from the Louvre, circling the Mona Lisa on it, signing my name, then selling that map to you for big money. The map doesn't given you a license to display the Mona Lisa. It's just a set of instructions re: how to find it alongside my signature. If they move the painting to a new location, it gets stolen, destroyed, or the Louvre is shut down - well, tough. And anyone can do it, with any map of the Louvre.
> Consider it to be like an event ticket that is respected in an entire ecosystem of different companies.
Event tickets have one issuer and one point of redemption. Generally, Ticketmaster is on both sides (they own the issuance via Ticketmaster and they own the redemption side - the venues - via Live Nation). It's not in their interest as a business to relinquish even the tinies bit of control.