The overall thrust of the "there's too many sequels and remakes" argument is that recent cinema shows a staleness/creative exhaustion in the industry, which is relying on brand recognition to cover for its failings. One creator expanding on their animated shorts to make a feature film out of them (Office Space) or a filmmaker making a (relatively creative, I think) adaptation of Shakespeare (10 Things I Hate About You), doesn't really demonstrate that, IMO. Many of the other examples you cite do. Certainly people have been complaining about sequelitis in movies for as long as I can remember (30+ years).
My own impression of a big trend in film over recent decades is the decline of comedies, especially in the family comedy/romantic comedy sub-genres. But I don't have hard data on that either.