To exacerbate that the music industry isn’t exactly known for being good for ones mental health - rather, the opposite. They’ll happily let someone suffer if it brings in dollars.
So while I don’t approve of a lot of his behavior (more so the trump stuff than the Taylor Swift stuff), I think Kanye gets a bad rap because people think “asshole”, instead of “someone who genuinely needs medical treatment / support and probably isn’t getting it.”
Not that the two can’t also overlap.
OK, I’ll stop ranting now :).
https://guscost.com/2016/03/31/the-psychology-journal-ad-hom...
Plus the "grabbing the mic" incident was bound to happen sooner or later. Music awards keep being given to people who clearly didn't deserve them.
I've heard artists (mostly rappers) speaking about this on their songs. Kanye simply did what many before him, I'm sure, thought about doing but didn't have the courage.
This is a new angle to the incident that I haven’t heard before. Are you saying Taylor Swift didn’t deserve the award, and Kanye was justified to speak out?
While his persona was actually fairly mild compared to some in the business, it was still not fun to be around. I imagine - possibly unfairly, but perhaps not - that Kanye is the same *10/100/1000.
Secondly it's very hard to trust someone who is primarily interested in themselves. Trust is absolutely critical to any kind of successful business venture, and if you can't manage the real thing you should at least be able to create a convincing illusion of being trustworthy.
Would you trust Kanye with anything? Would you trust him to turn up to meetings, pay people on time, not suddenly flip the table over and run the rules and the game tokens through a blender?
YC has created a certain consistent branding for startups, and Kanye in his current state is going to have a hard time doing the equivalent in music.
Which is not to say he won't succeed, because narcissism is a huge driving force in the music business, and like calls to like. But there's always going to be extra drama over and above the usual startup dramas - and that's going to add up to a whole lot of drama for anyone to deal with.
Tidal which is part owned by Jay-Z was an answer to Spotify and Apple. It's had varying degrees of success.
Soundcloud enabled anyone to get their voice out there and be heard. There's even a new industry term for these artists Soundcloud Rappers.
There are platforms (podcasts) which cater to these unsigned artists from soundcloud to help promote their music.
Many artists have formed their own labels, Master P who Kanye recently was posting on Twitter about is one artist who went out on his own to create his own label and promote himself.
What is the goal of Kayne on the music industry? It seems right now it is about removing the big record labels from having control over an artist and redistributing their earnings more evenly.
Y Combinator is about introducing founders to massive record labels (VCs) and getting 'singed' by them. These feel like opposite goals to me.
The more fundamental problem is portfolio construction. It is hard to invest in early-career artists on friendly deal terms because the top-performing catalogs are maybe only 1/1000 as financially successful as the top-performing YC companies.
I've written about this in more depth here: https://news.ycombinator.com/item?id=24528099
I've always thought Kanye is one of the last few rock stars willing to buck industry norms and speak out freely(even if it can be a little controversial at times and hurt his bottom line).
He's what I consider an artist not a performer.
* A recording of Claude Debussy's "Clair de Lune".
* A PDF of Uber's 2019 S-1 Prospectus filing.
?
Colored pencils and paper?
Not sure what you are getting at. Playing one song on loop for 10 years doesn't sound fun.
I think the real value here is that a YC of music can fundamentally change the way the industry functions by:
- Allowing artists control over their masters/creations (equity)
- Reducing the barrier to entry to enter the music industry by providing upfront capital, and support (mentorship, music marketing & distribution)
- Concentrating talent in one area
Also if anyone is interested I'd recommend checking out this documentary by J. Cole's Dreamville[0] where a bunch of artists and producers came together in a house and built an album in 10 days (basically like a hackathon)
Sorry to be that guy, I just hate seeing jargon migrate. The proper term is simply “working on stuff”, or “collaborating” if you prefer :).
Or Jamming, whatever, what have you. A lot of albums in various genres have gotten made that way over the years.
- Working on a team to build a tech solution
- Finite time restrictions
- Limited resources
- "demo day" at the end
all of which are present in this project in the context of album creation
Though I do agree with the sentiment of trying to be deliberate & accurate with word choice when describing things
On one hand he's been in the industry long enough to understand the system; he's generally respected as an artist; he has a platform to reach the masses; he has a track record of being able to organically grow a collective (organization/business/product) from the ground up (Yeezy).
On the other hand, the music industry is huge and run by conglomerates. Going against the norm would truly be David vs. Goliath.
I think if anyone could do it, it would be Kanye (with a super savvy business partner). I think he has the conviction and general anti-status-quo mindset to embark & be successful in this endeavor
[0] https://twitter.com/kanyewest/status/1305977929180966913