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Re:The Provocations of Camille Paglia by weiming on Tuesday August 27, 2019 @03:24AM (#20807037)
"Behind that devotion to heterodoxy lies something softer. She admitted that she’s chosen to censor herself in front of her students [...] I don’t want to upset them. The historical material is too painful for a music class,” she said."

I don't know if this is representative of the current times, but sad if so.

Re:The Provocations of Camille Paglia by simonh on Tuesday August 27, 2019 @03:39AM (#20807113)
Her primary goal is to teach the students. You don't serve a novice mechanic well by asking them to build a Formula 1 racing engine from scratch on their first day in the machine shop.

She's not saying that material is not worthy of study, clearly she thinks it is because she did teach it in class previously. She just found that the material didn't provide the best platform for education in the subject relevant to the students.

EDIT: Note that the reason for changing the material was not due to the students being soft. It was because "The historical material is too painful for a music class". The point of the class was to study music, not the historical context of the lyrics, so selecting such historically charged material distracted from the actual purpose of the course.

Re:The Provocations of Camille Paglia by C1sc0cat on Tuesday August 27, 2019 @04:50AM (#20807483)
So studying the musical theory of say "strange fruit" (Meeropol) rather than including the historical context?
Re:The Provocations of Camille Paglia by jgmjgm on Tuesday August 27, 2019 @03:48AM (#20807183)
I think that was precisely the point of the parent comment.
Re:The Provocations of Camille Paglia by ternaryoperator on Tuesday August 27, 2019 @04:26AM (#20807371)
>The historical material is too painful for a music class

And yet in the face of great suffering, music can speak when words are insufficient.