https://www.youtube.com/watch?v=9GJttnC8PoA
You almost got the idea that the BBC didn't approve of nuclear warfare.
NB A thing worth noting about Threads is that is based on a nuclear attack scenario that is regarded as rather optimistic - a real Soviet attack would probably have been much worse:
Recorded in 1965, but not shown until 1985 as
"the effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting. It will, however, be shown to invited audiences..."
"the sound of the blast from a thermonuclear bomb has been likened to that of an enormous door slamming in the depths of hell."
They mention that further down the article.
> The Raymond Briggs cartoon book "when the wind blows" felt more realistic to most of us.
When The Wind Blows is a must read/watch in my opinion. Having first seen it just after it came out (I read the book much later), the emotional impact of it has never left me.
"When The Wind Blows"
and "When Shit Hit The Fan" (SHTF)
? Rock-a-bye baby
On the tree tops,
When the wind blows,
The cradle will rock
When the bough breaks,
The cradle will fall,
and down will come Baby,
Cradle and all.
In the context of Brigg's book/film, its seems clear that the bough (tree branch) that breaks is the disaster of nuclear war and the cradle/baby is us/civilisation falling down. I guess that a child-like reference emphasises the horror of the subject by way of contrast.This was devastating at the time as it was about right.
Incidentally if you’re UK based or in the UK, a good day out is Kelvedon Hatch “secret nuclear bunker”. Protect and Survive is everywhere. Lots of scary information video feeds throughout it as well.
Threads is an interesting film from the 1980s, with a very bleak tone about the prognosis after a full scale nuclear conflict. I have read modern analyses of it that suggest it was perhaps too pessimistic in the long term effects.
You're certainly right, that at one stage the plans the Soviet Union had for the UK resembled what the UK did to Heligoland.
In the film, if the West had initiated the exchange with a surprise counter-force first strike, they could have potentially disabled a significant proportion of the Soviet Union's strike ability. If this were the case, one of the morals of the film would have been that even if the majority of enemy warheads are destroyed, they'll still have enough to destroy you.
Another scenario is that the Soviet Union went first with a limited strike, and the West retaliated destroying any further offensive capability.
There are also scenarios where counter measures worked, devices were a lot less reliable than expected and so on.
Thankfully none of this was ever played out, but there is a whole spectrum between nothing and everything (and the politics - MAD, et al) to go with it.
From the chapter titled "The Axe Theory" (http://militera.lib.ru/research/suvorov12/05.html):
[A]s I studied American theories of war, I came to an appalling realisation. It became clear to me that a modern American cowboy who is working up to a decisive fight will always expect to begin by spitting at and insulting his opponent and to continue by throwing whisky in his face and chucking custard pies at him before resorting to more serious weapons. He expects to hurl chairs and bottles at his enemy and to try to stick a fork or a tableknife into his behind and then to fight with his fists and only after all this to fight it out with his gun.
This is a very dangerous philosophy. You are going to end up by using pistols. Why not start with them? Why should the bandit you are fighting wait for you to remember your gun? He may shoot you before you do, just as you are going to slap his face. By using his most deadly weapon at the beginning of the fight, your enemy saves his strength. Why should he waste it throwing chairs at you? Moreover, this will enable him to save his own despicable life. After all, he does not know, either, when you, the noble hero, will decide to use your gun. Why should he wait for this moment? You might make a sudden decision to shoot him immediately after throwing custard pies at him, without waiting for the exchange of chairs. Of course he won't wait for you when it comes to staying alive. He will shoot first. At the very start of the fight.
I was the lucky recipient of "protect and survive" in my terrace house in York in the 1980s. We blithly understood the staircase was our best bet, both for initial blast protection and ultimate entombment. The Raymond Briggs cartoon book "when the wind blows" felt more realistic to most of us.
I did not enjoy watching Peter Watkins "the war game" which was with-held from general broadcast and mostly only seen in film societies. It wasn't exactly hyper realistic, but it was chillingly unpleasant. It was dated by the time I saw it (shot in B&W I believe, and in the sixties so over 15 years old by the time I first saw it)