And yes, there's a huge difference between any perceivable percentage away from totality, and totality itself. We're talking fractions of a second making a difference between direct viewing vs rapidly going blind.
It's just ... well ... a lot darker.
Shooting long-exposure slide film is a good way to confirm this (no colour adjustment possible).
Moonlight is has a slightly lower (that is, optically "warmer") colour temperature -- 4100K rather than 5000K.
Contrast with "daylight" vs. "tungsten" film colour balance: 5500K vs. 3200K.
https://physics.stackexchange.com/questions/244922/why-does-...
http://www.apogeephoto.com/white-balance-and-color-temperatu...
Or shooting long exposure with a digital camera that does not automatically adjust the color balance. E.g. take the raw data from the sensor, instead of a camera-generated JPEG.
(Much of my experimental night photography was conducted ... some time ago.)
Working with film was, um, exciting? Not sure if that's the right word. Anyway, mistakes were final. I remember deliberating on the settings for a really long time before pushing the button.
Thanks for sharing though! I wasn't able to experience the full eclipse so I love seeing others experience it.
To my eyes, close to totality (on either side) the light was a bit redshifted. Not much, but a little. The change seemed symmetrical before and after.
I've imaged the whole event. Looking at the disk of the Sun, the color is not the same everywhere. The edge definitely loses energy in the blue end of the spectrum - I believe for the same reason why blue light is dispersed more, compared to red, in Earth's atmosphere. So near totality, when you receive light only from the edge of the photosphere, it's normal that the spectral composition looks different.
We were driving across the totality zone as the partial increased from 30% to about 90%. There was almost no loss of "brightness" per se, but everything had this odd "haze" to it as you looked around without normal driving sunglasses. You knew something was different, but not in style of a sunset or cloud-obscured day.
Also, it has the brightness of an overcast day, but the shadows are still sharp-edged, just dim.
As far as light goes I would compare it to a full moon. We are not used to having dim light come from above. We are only used to it coming from the horizon at sunrise or sunset. That's why the light felt "wrong"/
I took my (corrective) glasses off, and then felt confused when everything got blurry. Some part of my brain must have thought they were sunglasses.
I swear I could feel myself get more anxious when taking my glasses off didn't "fix the problem" - like the "animal brain" could remain calm as long as the dim light could be explained by something familiar.
Me: Walks outside (currently not cloudy).
Brain: "Tut tut, looks like rai-WAIT WHY ARE THERE HARD SHADOWS?"
This happens to me whenever I wear sunglasses (my brain does not like them), but the weirdest feeling was not being able to feel glasses on my face because this time there weren't any!It was kinda cool, but
> Instead, what you get is a really weird subliminal creepy feeling that something is wrong.
and
> The uncanny feeling is quite visceral and a big part of the reason I think eclipses just have to be experienced. All kinds of alarms go off in your animal brain when the moon eats the sun.
simply do not resonate with me.
You're seeing things with the brightness of a rainy day, and then with the brightness of sunset, but the color balance is that of full sunlight. For me at least it's very unsettling, and I wonder if other people experience it that way.
The uncanny feeling is quite visceral and a big part of the reason I think eclipses just have to be experienced. All kinds of alarms go off in your animal brain when the moon eats the sun.
This is not to take away from the author's very correct observation that the light effects only really kick in close to totality, I'd say with over 90% of the sun covered.