I like trying to guess who will win the competition based on their profiles at the beginning. One of my rules: always pick the older classically trained chef (especially if he's French). In my extremely limited edited-for-tv experience, it's been a successful betting strategy. (Well, except in the cases where the chef, refusing to suffer the least mediocrity, fails to plate anything at all in the appetizer round. But even then, he was brought back for a "redemption" show and took the prize.)
This is easily observable in the idea that an artist refines his or her's own style. For example, I recently toured the Andy Warhol museum, and the progression of his style/projects were clearly showcased.
Certainly, people recognize him as having an intrinsic talent, but one that he built on to create some of the works for which he is most recognized.
To check this, you'd try to figure out some measure of population of Track & Field athletes (or maybe a crude proxy like entire USA or global population?), apply extreme-value theory to estimate how much the record should increase each year, and see if it undershoots the observed increases.
An aside, thanks for the EVT reference. Something new to learn.
No, not if there's variability in performance and an expanding population. Records are set by the most extreme person, not by the 'average performance'. If you have a billion runners, even if the average runner is slower than before (performance not just plateauing, but diving), you may still wind up with some freak with perfect genetics and simian arms and obsessive personality setting a new record, because when you look at a billion runners, odds are one of them will be bizarre in just the right way to set a new record.
> "...historically, practice was ... not about mastering skills. People figured that either you had those skills or you didn’t."
I suspect many people still feel this way. Those who keep trying to hone their skills are the fun ones to be with. Unfortunately they appear still to be in the minority.