Really, it's only effective at showing that an unadjusted violin with strings of an unknown age doesn't necessarily sound better than a younger violin with younger strings, that has been recently adjusted...
What is the contrary position? That older violins have some kind of superior magical design that can't be replicated? Has anyone validated the claims for why these old violins are supposed to be better?
Pretty much.
[1]: http://www.artsjournal.com/slippeddisc/2012/01/exclusive-how...
You know that claiming to be a professional violinist is an appeal to authority rather than a logical argument, right?
That said the study does seem to be massively misreported.
Am I on reddit or something? You know that starting a statement with "you know that..." sounds pretentious as fuck, right?
I remember when this study was first concluded and reported on. The CBC had a woman who participated in the study (maybe this very woman) on the program and it was so extremely obvious that her professional pride was wounded, and she really wanted to make herself feel better by telling the world that she really could pick out the Stradivarius.
I have no reason to doubt her; she's a professional violinist.
But it seems to me that the study was actually very effective at showing that masterwork violins do not necessarily sound better than modern violins, contrary to the regurgitated opinions of hundreds of thousands of novice violinists out there.