It's not an extortionate price, but the upgrades are a bit retro.
Leading with a step sequencer, automation recording, a loop mangler, and a basic drum synth in 2026 isn't pushing the creative limits of DAW design.
IMO Live is a tolerable product rather than an exciting one. Back in the days when I was making loop-based music I got more done more easily with Sonic Foundry's (then Sony's) Acid, which is still my gold standard for ease of use for that idiom.
And I still think Vegas is the best video editor I ever used.
I think with vibecoding the days of the big DAWs are numbered. A few years from now people are going to be rolling their own designs. We're going to see a lot of slopware, which won't matter because it's single-user, and some rare but incredibly inventive and inspiring completely new takes.
Leading with a step sequencer, automation recording, a loop mangler, and a basic drum synth in 2026 isn't pushing the creative limits of DAW design.
IMO Live is a tolerable product rather than an exciting one. Back in the days when I was making loop-based music I got more done more easily with Sonic Foundry's (then Sony's) Acid, which is still my gold standard for ease of use for that idiom.
And I still think Vegas is the best video editor I ever used.
I think with vibecoding the days of the big DAWs are numbered. A few years from now people are going to be rolling their own designs. We're going to see a lot of slopware, which won't matter because it's single-user, and some rare but incredibly inventive and inspiring completely new takes.