With the latest cameras in hand, you can capture sharper and cleaner photographs than the best 35mm film could ever manage, and you can do it with a tiny fraction of the light (1/16th the amount, or 4 stops, or 100 ISO film < 1600 ISO digital).
What you're seeing with the latest crop of pro cameras are 35mm sensors that are competitive with the best medium format film.
But when you factor in the convenience and availability of products like the D800, 5D3 and 1Dx, and combine that with the cost and quality of compatible glass, medium format starts to look like a marginal call indeed.
(Bear in mind, medium format DIGITAL is another thing altogether. That stuff kicks the pants off any of the pathetic baby toys made by Canon and Nikon.)
A vinyl record is a stamp of a stamp of a stamp of a scraping of the original master. Better than a CD? Evidence of complete mental breakdown, more like.
What I object to is the unqualified use of 'better'. You can't claim that vinyl is somehow 'better' when what you mean is that vinyl is perhaps more 'satisfying' on a personal level.
I personally disagree; vinyl's imperfections irritate me just as much as a low bitrate MP3 does.
To me vinyl's upsides are the large cover artwork, and the lack of an easy 'skip' button. Less exiting is the knowledge that every subsequent play will sound worse than the last, even if by a tiny bit.
[1] http://www.mindspring.com/~lorqvonray/Sticker-5mp-Velvia.htm...
[2] http://www.clarkvision.com/imagedetail/film.vs.digital.summa...
Some ludicrous camera resolutions. Please not I'm trying to bring up cameras that are full-frame and have ludicrous sensor resolutions, so the arguments of "light doesn't work right at these densities" doesn't fly as easily, since the density is still relatively low:
http://imaging.nikon.com/lineup/dslr/d800/
http://www.usa.canon.com/cusa/consumer/products/cameras/slr_...