As a demonstration I trained some models on their styles. They were worried right up until they saw the output. Yes, it looked superficially like their work, but the slightest glance showed it to be absolute crap. Anyone who would consider using the AI version of their work over commissioning the actual artist would absolutely get what they paid for.
However, they have found the models to be very useful in exploring concepts and compositions, becoming an essential part of their creative process.
It's like how it was easier to automate office workers because they just followed steps in a process and didn't use creativity.
Superficial style is easy to replicate, the underlying meaning and thought process is not.
A lot of AI researchers are either playing dumb or are actually ignorant of this space. A lot of really talented folks are operating in the shadows and should be at NeurIPS and ACL presenting and bartering for VC funding rather than posting anime waifus on /g/ and staying anonymous on discord...
"Generative AI" isn't a single technology. Text and image generation don't actually work the same way (have the same model architecture), which frankly makes it absurd we invented them both at the same time.
But for text at least this isn't true; LLMs have fractal complexity, which is why they work. ("Average" text would just be the letter 'e'.) It's harder to say how diffusion models even work.
It makes them easier to handle if you train them to act like this though, but try playing with a "base model" and you'll see all kinds of inhuman results.
You can enhance an image by [forward] diffusing it, then feeding it to the NN created to perform the reverse diffusion.
That's the main problem, not that AI is as good or even better as humans but that it's considered good enough.
I've been banging on this drum since AI's inception, and will continue do so.
Even if machines were capable of directly reading our mind and outputting a perfect representation of exactly what we wanted at the mere thought of it, it's still a mere tool bound by the creativity of its artist, even if the artist were the AI itself.
Art is dead. Art is always dead.
Did people complain when digital paintings became a thing?
Yes. A lot. All the same complaints. "It's low-effort cheating. The machine does all the work. It's soulless. Art requires a physical process. It looks like crap. It will put 'real' artists out of business."
But then, they also complained loudly when Impressionism became a thing. https://en.wikipedia.org/wiki/The_Gentle_Art_of_Making_Enemi... So, it's good to keep an historic perspective.
As a recent example, Tron was disqualified for a visual effects Oscar because it was all done on computer and therefore seen as cheating, instead of being recognised aa both an incredible achievement and a precursor for the next 40 years of filmmaking. [1]
Imagine the howls when the first film with significant amounts of AI effects is released.
[1]https://www.slashfilm.com/1177735/why-tron-was-disqualified-...
Yes it’s trivial to train a model on a particular style, I’ve done it many times, including on my own art. It can make things that look pretty good!
But it can’t make anything great, not without a lot of luck or creative input from the user.
It can make something that looks similar to a style, but it can’t explain what makes that style good, why it should be chosen over another and the thinking behind it. An artist would have no problem answering that.
As I understand it, generative AI is a sort of average machine, in that if you ask it for a picture of a dog, it’ll give you the most average result for the prompt, model and whatever randomness there is in the system.
Therefore, the lowest common denominators - stock photos, Corporate Memphis, clipart etc are in big trouble. AI images don’t need to be great to displace them, just good enough. Average.
However, for creatives, AI tools are a wonderful opportunity. It’s not everyday a brand-new medium comes along.
When photography arrived, it was possible to make a perfect representation of something at the click of a button. Instead of killing art, it unleashed a wave of creativity. Art no longer needed to be about drawing pictures of things or people and could get more abstract and experimental.
So with AI. It won’t kill creativity, it’s just another creative tool. I’ve had a lot of fun over the last few years exploring what it can do, and it’ll be exciting to see how art changes with its arrival.