I see this with anime and manga adaptations all the time, where the studio is trying to capture the inner monologue and action scene that works fine in the manga because it's about how many panels can you use to depict a simple sword dodge. Then the anime adaptation tries to stay so faithful that you end up seeing panels with slight movement, which results in running gags such as "talking is a free action", and Namek's 5 minutes.

I don’t think there’s anything particularly wrong with “talking is a free action” in anime versions of manga. I agree it doesn’t work in live action unless they commit to being stylized in a way that most directors aren’t comfortable.

>Stephen King is not a filmmaker.

You haven't seen Maximum Overdrive then. You fortunate, fortunate person.

> Stephen King is not a filmmaker.

Stephen King is a filmmaker because he does have one professional credit as a director. [0] The debate remains that Stephen King is probably not a good filmmaker.

[0] https://www.imdb.com/title/tt0091499/?ref_=nm_knf_t_1

He's a filmmaker in the sense that he has made films. He's not a filmmaker in the sense that he thinks of films as films and understands the art form. You can argue that's enough to technically qualify as a filmmaker but most people would argue that having received professional credit as something once while having made something else your entire career is not the same as that thing being your primary career, even if the English language lacks the appropriate grammatical structures to represent this difference.

English has lots of axes to represent this difference, I offered two in my post:

amateur versus professional: King was paid so he's a professional filmmaker.

bad/unskilled versus good/talented: King showed himself to be a aesthetically bad/unskilled filmmaker.

You are offering a third axis:

"one-off" versus "career": King so far has not made a career of filmmaking and only made the one film.

In English yeah, we do tend to assume the first axis (amateur versus professional) as the "default" axis. I think this is a very useful axis to use as the default: it's the least gatekeeping and the least subjective. Have you been paid anything to do that job? Congratulations, you are a professional at it. You've done the job. Otherwise, you are an amateur, keep trying you'll get there some day.

"one-off"/"career" is an axis with more subjective judgments. (How many films does it take to call it your career? 2? 14? If you deeply and academically study films your whole life but only make one masterpiece, is that not a career effort?) I shouldn't need to explain how good/bad, skilled/unskilled are deeply subjective.