And absolutely, however creativity is the tip of the spear which pushes beyond constraints to develop novel AND meaningful style (like Beksinski, Kopera, Kostetsky, Moebius, etc).
Nice try.
Note that the same can be said about the negation: show me a proof that it can't.
I guess my last response was too hard for you to understand since you respond with this. Perhaps you are new to things like "reading between the lines".
You are the one who made this claim:
> That is an incredibly strong assertion that evidence does not seem to support currently.
To avoid loosing more time, I'll write what you failed to understand: "That evidence does not seem to support currently" is your claim, something you can prove, shows the evidence you are talking about.
You still didn't send any link to the evidence you were talking about.
Proving that we can reliably simulate human brains requires showing that nowhere in any human brains does such signals ever emanate. We can get close if we one day have the capacity to run a simulated brain for long enough to show it appears to function like a human, but when the counter hypothesises a violation of known physics that may well be intermittent and extremely limited, we can't realistically absolutely prove its absence.
As such, the former is tractable if such signals can occur, the latter is not, and so I think my comparison of it elsewhere to a claim of Russel's proverbial orbiting teapot is reasonable - people will always be able to claim that there is some so far unobserved difference, and given it postulates highly localised violations of known physics and this seems like an absolutely extraordinary claim, the burden must be theirs.
My point is that to make the claim "human creativity" can be simulated surely would have the burden.
Just one measurement that doesn't fit would be enough to shift the burden. Absent that, any suggestion we can't is no more than a religious belief.