Something I do love about classical recordings is how differently some conductors and orchestras might interpret a specific piece. An example: The third movement of Debussy's Nocturnes (titled "Sirènes") is most often performed with a women's chorus. My favorite recording of this piece was performed with children's choir instead. The difference in vocal quality is marked. The children's pure vocal tone feels far more eerie and siren-esque than the harsher vibrato and warble of a female chorus. Ironically, I have no idea who conducted/recorded this version of the piece.