Similarly afaict there are some sketchy closed source programs to remove cinavia,but given we are a decade in, and there is no open source implementation/public description, i would say it lasted better than i would expect.
Definitely not a total success for DRM, but better than many people predicted.
As for Cinavia, if you shift the pitch of the music, you can cause the player to stop recognizing the track. Or, as some people have experimented with, you can compare the audio to a version of the film from alternative sources (i.e. streaming) to detect and patch over potential watermark signals. Or, well, burn a streaming rip to the disc instead of the disc encode.
Including disks with the latest MKB?
> As for Cinavia, if you shift the pitch of the music, you can cause the player to stop recognizing the track
Sure, but that distorts sound, which people dont like.
Like its definitely not totally blocking piracy by any means, but its certainly not totally defeated the way DVDs DRM was. Its still present enough to be a little annoying, which is much better than early predictions thought would happen.
AFAIK, it appears so. Also AACS LA appears to have given up and stayed on v68 for a few years now. Maybe there is a new one at last... maybe. AACS 2.0 it sounds like started from v72 and counting up.
> Sure, but that distorts sound, which people dont like.
True... but if I just burn a stream rip instead to the disc, problem solved. Plus most discs do not have Cinavia.
> Its still present enough to be a little annoying, which is much better than early predictions thought would happen.
From what I can gather... you can just download MakeMKV and rip Blu-rays on any PC Blu-ray drive, no problem, no internet connection required, latest MKB, BD+ completely defeated. It's only annoying if you are trying to actually copy the disc.
But they heaped on BD+ VMs, Cinavia watermarking, BD-ROM Mark, basically threw everything they had at the problem and hoped that something would stick. Movie studios actually say that Blu-ray supporting more DRM methods was actually a major reason they chose Blu-ray over HD DVD (which didn't support BD+, which supposedly was DRM designed to last a decade).
And again, if that perspective were true, the movie studios wouldn't have done the whole dance again with HDCP 2.2, BD+2, and AACSv2 when 4K Ultra HD Blu-ray came out (only for all of them to get broken again not long after release despite being completely-fresh implementations). You already needed the older versions, right? So, I would argue, it's actually a mixture of both.
It's funny, songs are much easier to share than movies, the files are a hundredth the size, yet the movie industry thinks DRM is very important while the music industry survives just fine without it.
OTOH, video is just pixels and waveforms. If you can get that raw content out somehow, copy protection cannot prevent someone from enjoying that copy (which can then be re-encoded to not have protection). So making video copy protection is much harder because you actually need to prevent copies rather than just make sure the authentication is hard to break.
There are actually a handful of technologies meant to survive the transcription process only to reappear in the new medium. Probably the most effective schemes are used in money, in paper bills. There are little things there (ie the eurion constellation) that are purposely designed to be scanned. They can be copied. But then they are detected by software (Adobe Photoshop) and hardware (high-end printers) which then refuse to edit or reprint them.
https://en.wikipedia.org/wiki/EURion_constellation
Other tech is meant to leave a trail leading back to forgers, a bit like a DVD ripping software embedding your MAC/IP information in any Mp3 it generates.
As for fingerprinting, that's a whole 'nother can of worms. I've never seen it be used for DRM specifically but it has been successfully used many times to track down who was leaking trade secrets etc. In fact it might be more widely deployed than most people realize.
The problem with fingerprinting for DRM would be the plausible deniability of an unsuspecting user "getting hacked" and then their fingerprinted copy ending up as the illegally distributed one without their knowledge or control.
>Other tech is meant to leave a trail leading back to forgers, a bit like a DVD ripping software embedding your MAC/IP information in any Mp3 it generates.
It is simple: rip the media multiple times with different identifying information, and then analyze the diffs (or just take the average). You cannot hide the existence of steganographic data if there are multiple copies with different steganographic data. It is not like analog where a loss of precision is justifiable
However... even the best intentions went awry after the first Blu-ray player software for PC was released with the flaw of allowing Print Screen to capture frames. Which caused people to quickly figure out they could run a script using Print Screen to capture all the frames, while having their audio-out headphone jack connected with a male-male 3.5mm cable straight into Line In. No real hacks necessary!
This was, of course, patched by blacklisting the player key and rolling out new keys in updated player software (to render new discs unplayable without an update) but it was a major oversight. ;)
AACS was supposed to last years. HDCP, indefinitely. BD+, the creators thought it would last a decade at least. Cinavia? They thought it would never be removable. Drive Bus Encryption? Almost impossible they thought.
All of these technologies were defeated about ~2 years after their introduction. Some had minor updates breaking things for a little bit, but were broken again shortly later. And some are only partially broken (not enough to make your own player), but in practice broken enough where you can rip the disc which is all most people want.