I'm also seriously baffled by people who try to portray his views as racist of eurocentric. His preface explicitly spells out that Europe was a backwater until the early modern period. In fact, a large part of the motivation behind Guns, Germs, and steel was to debunk the idea of wester cultural or racial superiority, and provide a compelling counter narrative to those explanations of Eurasian-American divergence.
This sort-of goes too far. The Roman empire at its height was very much not a backwater. What is pretty unique about Europe is the subsequent enormous loss of civilizational complexity in the Early Middle Ages combined with the fact that it could, albeit 1000 years later, drag itself out of the hole again.
Also - generally speaking, I think being able to speak (or write) in a manner that's compelling for audiences across broad backgrounds, rather than just their niche community is a skillset to be admired.
Science does nothing if people do not believe in it, or do not engage with it.
I definitely agree that this does not give academics license to veer entirely outside of their expertise and use their credentials in the field to hide this (eg: Diamond). But I think not trying at all is worse. Far worse.
Maybe I'm misunderstanding the Diamond example here, but I think of him as precisely a cautionary tale for academics, of what can go wrong when they try to go too far in the pop-science, big-picture, broad-audience direction. Diamond is solidly an academic, not some kind of outsider... he's held a professorship at UCLA for 50+ years. But later in his career decided he wanted to write "big history" interdisciplinary synthesis for a popular audience.
I suppose one could try to write for a popular audience without going that far outside your own discipline/expertise though.